Pimenov Yury

PVB film made to match the size of the painting

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32319

Test section of layer separation

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32321

Separation of two-thirds of the upper paint layer with its rolling onto a drum

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32323

The paintings after the separation covered with a protective paste

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32325

Venice. Bridge over a Canal

The painting after the layer separation

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32327

Venice. Bridge over a Canal

The painting after reinforcement of the artist’s paint layer covered with a protective paste, upon thorough removal of surface contamination

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32329

Black Women in a Forest near Moscow

Details of the lower middle part of the painting before the restoration, with a pigment loss, where one can see the underlying paint layer of a different painting

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32331

Black Women in a Forest near Moscow

Details of the lower middle part of the painting before the restoration, with a pigment loss, where one can see the underlying paint layer of a different painting

Magazine issue :

#1 2022 (74)

From the paper:

Sofia Chapkina

Restoration: the Discovery of a New Artwork by Yuri Pimenov

ID: 32333