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Graphics
Golovanov Leonid
Glory to the Red Army!
1946
#1 2010 (26), #3 2013 (40), #1 2020 (66)
16402
Golovin Alexander
Sketch of decorations for A. Koreshenko's ballet «The Magic Mirror»
1903
Paper, watercolour, gouache, pencil. 66.5 by 82.6 cm
Tretyakov Gallery
#1 2006 (10)
16405
Golovin Alexander
Koschei the Immortal’s Kingdom. Sketch of the set for Igor Stravinsky’s ballet “Firebird”
1910
Black pencil, bronze paint, gouache on paper. 83 × 102.4 cm
Tretyakov Gallery
#3 2007 (16), #3 2009 (24), #3 2013 (40), #3 2014 (44)
16406
Golovin Alexander
Henrik Ibsen. The Lady from the Sea. Set design. Dr. Wangel’s House
1905
St. Petersburg, Imperial Mikhailovsky Theatre. 1905.
Pastel on paper over carton. 70 × 100 cm
© Bakhrushin Theatre Museum
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
16408
Golovin Alexander
Self-portrait
1912
Tempera on paper mounted on cardboard. 88.6 × 68.9 cm
Tretyakov Gallery
#3 2014 (44)
16409
Golovin Alexander
The Palace for the Princess. Set design for “The Mermaid” opera by Alexander Dargomyzhsky
1900
Watercolour, gouache on cardboard. 59 × 82.3 cm
Museum of the Bolshoi Theatre
#3 2014 (44)
16411
Golovin Alexander
Birch Trees
1908-1910
Gouache on paper. 68.2 × 78.3 cm
Tretyakov Gallery
#3 2014 (44)
16413
Golovin Alexander
Cleopatra
1898
Thumbnail decorative majolica panel (for a side facade of the "Metropol" Hotel, Moscow)
Watercolour on paper. 23 × 62 cm (half-round top)
Polenov State Memorial History, Art and Natural Museum Park
#3 2014 (44)
16418
Golovin Alexander
Portrait of Feodor Chaliapin as Farlaf Opera “Ruslan and Lyudmila” by Mikhail Glinka
1907
Tempera, distemper paint on cardboard. 53 × 39.3 cm
St. Petersburg State Museum of Theatre and Music
#3 2014 (44)
16419
Golovin Alexander
Main Curtain (with playing cards). Set designs. “Masquerade” by Mikhail Lermontov
1917
Alexandrinsky Theatre. Petrograd. 1917
Gouache, silver and bronze paint on cardboard, ink, reed pen. 71.9 × 90.4
Bakhrushin Theatre Museum
#3 2014 (44)
16431
Golovin Alexander
Baroness (Domino). Costume designs. “Masquerade” by Mikhail Lermontov
1917
Scene 2
Alexandrinsky Theatre. Petrograd. 1917
Paper on cardboard, graphite pencil, watercolour, silver paint, ink, pen. 39.8 × 29 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16432
Golovin Alexander
Nina (Domino)
1917
Scene 2
Costume designs. “Masquerade” by Mikhail Lermontov
Alexandrinsky Theatre. Petrograd. 1917
Paper on cardboard, graphite pencil, watercolour, white and silver paint, ink, pen. 39.8 × 28.9 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16433
Golovin Alexander
Domino with a Rose
1917
Costume designs. “Masquerade” by Mikhail Lermontov
Scene II
Graphite pencil, watercolour, silver paint, ink, pen on paper mounted on cardboard. 34.6 × 29.1 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16434
Golovin Alexander
A General View of the Stage
1910
Set design for Molière’s “Don Juan” at the Alexandrinsky Theatre in 1910
Tempera on canvas. 77 × 99.5 cm
Russian Museum
#3 2014 (44), #4 2019 (65)
The Art of Alexander Golovin in the Russian Museum
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16441
Golovin Alexander
A Spanish Woman with a Bunch of Yellow Flowers
1906-1907
Tempera, gouache, pastel on paper. 89 × 62 cm
Russian Museum
#3 2014 (44), #4 2015 (49)
16447
Golovin Alexander
A Spanish Woman in a Black Shawl
1908
Gouache, pastel on cardboard. 96.5 × 68.7 cm
Tretyakov Gallery
#3 2014 (44), #4 2015 (49)
16449
Golovin Alexander
Birches at Night
1908-1910
Gouache on paper on cardboard. 78 × 70.3 cm
Tretyakov Gallery
#3 2014 (44), #4 2019 (65)
Alexander Golovin's Art Nouveau: Behind the Curtain of Style
Yelena Terkel
"Your Work is Somehow True..." Alexander Golovin and Yelena Polenova
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16450
Golovin Alexander
Floral pattern. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16451
Golovin Alexander
Floral pattern. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16452
Golovin Alexander
Floral pattern
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16453
Golovin Alexander
Floral ornament. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, colour pencils on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16454
Golovin Alexander
Floral pattern. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16455
Golovin Alexander
Ornament. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16456
Golovin Alexander
Marquise
1908
Pastel on paper. 86 × 62 cm
Fine Arts Museum of the Republic of Tatarstan, Kazan
#3 2014 (44), #2 2018 (59)
16457
Golovin Alexander
Sketch of decorative mural “Orpheus Playing” for the Metropol Hotel
1901
“Mir Iskusstva” magazine. 1901. No. 11-12. P. 151
#3 2014 (44)
16459
Golovin Alexander
Eurydice’s tomb in a reclusive grove of laura and cypresses
1911
Act 1 set design to “Orpheus and Eurydice”, opera by Christoph von Gluck
Watercolour, charcoal, pastel on paper. 69.7 × 97 cm
Tretyakov Gallery
#3 2014 (44)
16460
Golovin Alexander
The Kingdom of Eros
1911
Final episode.
Set design to “Orpheus and Eurydice”, opera by Christoph von Gluck. 1911
Watercolour, gouache on cardboard. 69.8 × 97.3 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16464
Golovin Alexander
Elysium
1911
Scene 2. Act 2
Set design to “Orpheus and Eurydice”, opera by Christoph von Gluck. 1911
Watercolour on paper. 63.9 × 90.4 cm (without frame)
© Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Alexander Golovin's Art Nouveau: Behind the Curtain of Style
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16466
Golovin Alexander
A Square in the Kremlin
1908
Set design to "Boris Godunov", opera by Modest Mussorgsky
"Ballets Russes", Paris, 1908
Watercolour, gouache, bronze and silver paint, pastel on cardboard. 66.5 × 81.5 cm (without frame)
Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Golovin and Diaghilev. Pro et contra
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16472
Golovin Alexander
A Square in the Kremlin
1911
Set design to "Boris Godunov", opera by Modest Mussorgsky
Mariinsky Theatre. St. Petersburg, 1911
Tempera on paper mounted on cardboard. 64.5 × 83 cm
Russian Museum
#3 2014 (44)
16473
Golovin Alexander
Side curtain
1921
Set design "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 40 cm
Russian Museum
#3 2014 (44)
16474
Golovin Alexander
Stage portal
1921
Stage portal
Set design "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 39.9 cm
St. Petersburg State Museum of Theatre and Music
#3 2014 (44)
16475
Golovin Alexander
Background
1921
Set design "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30.9 × 37.4 cm
Russian Museum
#3 2014 (44)
16476
Golovin Alexander
Kashchey
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16477
Golovin Alexander
Kikimora
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16478
Golovin Alexander
Kashchey's servant
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16479
Golovin Alexander
Kashchey's Wife
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16480
Golovin Alexander
Kashchey's Wife
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16481
Golovin Alexander
Kashchey's Guard
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16482
Golovin Alexander
Werewolf
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16483
Golovin Alexander
Chamberlain
1919
Costume design to "The Nightingale", opera by Igor Stravinsky
Mariinsky Theatre, 1919
Watercolour on paper mounted on cardboard. 46 × 26 cm
Kgallery, St. Peterburg
#3 2014 (44), #4 2019 (65)
Golovin and Diaghilev. Pro et contra
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16484
Golovin Alexander
A Tatar Woman
1917
Costume design to "Masquerade", drama by Mikhail Lermontov
Alexandrinsky Theatre. Petrograd, 1917
Lead pencil, ink, pen, watercolour, whitewash, bronze paint on paper mounted on cardboard. 34.9 × 31.3 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16485
Golovin Alexander
A Man from Bukhara
1917
Costume design to "Masquerade", drama by Lermontov
Alexandrinsky Theatre. Petrograd, 1917
Lead pencil, ink, pen, watercolour, whitewash on paper mounted on cardboard. 35 × 31.1 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16486
Golovin Alexander
Cashmere Dame
1917
Эскиз костюма к драме М.Ю. ЛерMонтова «Маскарад»
Александринский театр, Петроград, 1917
Бумага на картоне, графитный карандаш, тушь, перо, акварель, серебряная и бронзовая краски. 35,1 × 31,3
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16487
Golovin Alexander
Vivandiere
1917
Costume design to "Masquerade", drama by Mikhail Lermontov
Lead pencil, ink, lead pencil, watercolour, whitewash, bronze paint on paper mounted on cardboard. 35.1 × 31.3 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16488