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Graphics
Warhol Andy
The Last Supper
1986
The Baltimore Museum of Art: Purchase with exchange funds from Harry A. Bernstein Memorial Collection, BMA 1989.62.
©2010 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York
#4 2013 (41)
23872
Watkins John
The Ceramic Galleries in the South Kensington Museum
1876
Etching
© Victoria and Albert Museum, London
#3 2019 (64)
26166
Werboff Michael
Portrait of Ilya Repin
1915
Lead pencil on paper
From the “Chukokkala” almanac
#1 2019 (62)
23573
Werboff Michael
Portrait of Kornei Chukovsky
1915
Coloured pencil on paper
From the “Chukokkala” almanac
#1 2019 (62)
23575
Werboff Michael
The Pilot of a River Vessel
Lead pencil on paper
Location unknown
Reproduced in “Sun of Russia” magazine, 1916. No. 49
#1 2019 (62)
23577
Werboff Michael
Grigory Gnesin. Ode to Nikolai Yevreinov, with a drawing by Miсhael Werboff
2 февраля 1915
Lead pencil on paper
From the “Chukokkala” almanac
#1 2019 (62)
23579
Werboff Michael
Portrait of Kornei Chukovsky
1924
With gift inscription: “To the great president of great Chukokkala. Begging with love you to accept. People’s Artist of Chukokkala, Michael Werboff, 17.VIII.24”, “Мichael Werboff 1924, August. Sestroretsk”
Italian pencil on paper
From the “Chukokkala” Almanac
#1 2019 (62)
23587
Werboff Michael
Portrait of Alexandra Yablochkina as Queen Elizabeth
in Friedrich von Schiller’s “Mary Stuart” Maly Theatre, Moscow, 1923
Lead pencil on paper. 61 × 49 cm
© Maly Theatre Museum, Moscow
#1 2019 (62)
23591
Werboff Michael
Portrait of Prov Sadovsky as Mizgir
in Alexander Ostrovsky’s “The Snow Maiden”
Maly Theatre, Moscow, 1922
Italian pencil on paper. 57 × 44 cm
© Maly Theatre Museum, Moscow
#1 2019 (62)
23593
Werefkin Marianne
Ave Maria
1927
Tempera on paper mounted on cardboard. 75 × 57 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15916
Werefkin Marianne
Autumn. School
1907
Tempera on paper mounted on cardboard. 56 × 73 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15918
Werefkin Marianne
Abandoned
1907
Tempera and pencil on paper mounted on cardboard. 23.6 × 20 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15919
Werefkin Marianne
Womens’ Boarding House
1907
Tempera on paper mounted on cardboard. 55 × 73.5 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15920
Werefkin Marianne
Twins
1909
Tempera on paper mounted on cardboard. 27.5 × 36.5 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15921
Werefkin Marianne
Womens’ Garden
1910
Tempera on paper mounted on cardboard. 21 × 29 cm
Carmen and Diego Hagmann’s collection, Zurich
#3 2010 (28)
15922
Werefkin Marianne
The Ballet-dancer Alexander Sakharoff
1909
Tempera on paper mounted on cardboard. 73.5 × 55 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15923
Werefkin Marianne
Night Shift
1924
Tempera on paper mounted on cardboard. 56.7 × 74 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15924
Werefkin Marianne
St.Anne’s Church in Vilnius
1913
Tempera on paper mounted on cardboard. 99.5 × 85 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15925
Werefkin Marianne
City of Mourning
Circa 1930
Tempera on paper mounted on cardboard. 89 × 72.5 cm
Marianne Werefkin Fund, Ascona
#3 2010 (28)
15926
Werefkin Marianne
Family
1910(?)
Paper mounted on cardboard, tempera. 55.5 × 72.5 cm
#3 2010 (28)
15927
Whistler James McNeill
Annie. Image from the French Set
1857–1858
Etching. 11.8 by 7.9 cm
Annie Harriet Haden (1848–1937) was the oldest daughter of Francis Seymour Haden and Whistler’ sister Deborah. She posed for Whistler many times, including the painting “Harmony in Green and Rose: The Music Room”
Pushkin Museum of Fine Arts
#4 2006 (13)
23570
Whistler James McNeill
Title page to the French Set
1858
Etching. 11 by 14.6 cm
Pushkin Museum of Fine Arts
#4 2006 (13)
23571
Whistler James McNeill
Rotherhithe
1860
Etching printed in black ink, platemark. 27.5 by 19.9 cm
British Museum, London
#4 2006 (13)
23823
Whistler James McNeill
Black Lion Wharf
1859
Etching printed in black ink, platemark. 15.2 by 22.5 cm
British Museum, London
#4 2006 (13)
23824
Willette Léon Adolphe
Café-concert “Les Tréteaux”
1896
Pushkin Museum of Fine Arts
#2 2011 (31)
16000
Williams Jeremy
Untitled
Linocut
Handprinted, Bognor Regis
#4 2019 (65)
27145
Wortman Christian-Albert
Imperial Crown
1743
Burin. 37.2 × 33.5 cm
List of Engravings in the Coronation Album
Tretyakov Gallery
#4 2010 (29), #1 2011 (30), #3 2013 (40)
16090
Wortman Christian-Albert
No 19. The Imperial Mantle. No 20. Agraf, or Badge of the Mantel
1744
Burin. 35.5 × 49 cm
List of Engravings in the Coronation Album
#1 2011 (30)
16091
Wu Changshuo
Green Plum Blossoms
1916
Chinese painting. 148.5 × 160 cm
National Art Museum of China (NAMOC)
#3 2017 (56)
23535
Wyspianski Stanislaw
Polonia
1894
Pastel on paper. 320 by 193 cm
National Museum, Krakow
#2 2005 (07)
16144
Xu Beihong
A Galloping Horse
1951
Colour ink on paper. 107.7 × 50 cm
National Art Museum of China (NAMOC)
#3 2017 (56)
23310
Yablonskaya Tatiana
Poster Sketch
1949
Watercolour on paper
Published in: Tseltner V., Popova L. "T.N. Yablonskaya". Moscow. 1968. P.57
#4 2014 (45)
25132
Yakulov Georgi
Café Chantant
1906
Gouache and pen on paper
64 × 96 cm
#1 2009 (22)
25168
Yakunchikova Maria
Unpublished sketch
Reprinted from: Scales [Vesy] [magazine]. 1905. No. 1
#4 2011 (33)
25171
Yakunchikova Maria
Maria Yakunchikova’s drawing in her letter from Moscow to her sister Natalya Polenova
April 11 1888
Manuscripts Department, Tretyakov Gallery
#4 2011 (33), #3 2020 (68)
25172
Yakunchikova Maria
A store in the Russian pavilion at the World Fair in Paris
1900
Photo: Maria Yakunchikova
Reprinted from: “World of Art” [Mir iskusstva] [magazine] 1900. Nos. 21-22
#4 2011 (33), #3 2020 (68)
25173
Yakunchikova Maria
Maria Yakunchikova’s drawing in her letter from Moscow to her sister Natalya Polenova
April 11 1888
Manuscripts Department, Tretyakov Gallery
#4 2011 (33)
25174
Yakunchikova Maria
Maria Yakunchikova’s drawing in her letter from Paris to her sister Natalya Polenova
April 4, 1890
Manuscripts Department, Tretyakov Gallery
#4 2011 (33)
25175
Yakunchikova Maria
L’Inaccessible [Unattainable]
First half of 1890s
Etching. 58 × 44 cm
Reproduced from an etching in the “Vesy” magazine. 1905, No. 1. Illustration in Maximilian Voloshin’s article “The Art of Maria Yakunchikova”. P. 39
Private collection
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"
28517
Yakunchikova Maria
The Bells
1894–1895
(Christie’s, May 28, 2012: View from the belfry of the Savino-Storozhevsky Cathedral, close to Zvenigorod. 1891
[? – O.D.])
Watercolour on paper laid down on paper
35.5 × 26.7 cm
Private collection
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"
28523
Yakunchikova Maria
Swan. Cover design for “Mir Iskusstva” (“World of Art”) magazine
1898
(“Mir Iskusstva”. 1899. V. II. No. 13-24; except No. 20, 21-22)
Watercolour, gouache, bronze paint on grey paper
34.4 × 27.8 cm
Russian Museum
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism", #3 2020 (68)
28531
Yakunchikova Maria
Head ornament
Reproduced from: “Vesy”. 1905. No. 1. P. 30
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"
28533
Yakunchikova Maria
“Mir Iskusstva” (“World of Art”) Cover design
1898
Watercolour and pencil on paper
42.9 × 28.3 cm
© Vasily Polenov Museum-Reserve
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"
28535
Yakunchikova Maria
Тhe page spread from the artist’s diaries developing the motif of “Cowberries”
January 22, 1898
Charcoal pencil on paper
Sh. (page spread): 20.5 × 28.5 cm
Private collection
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"
28537
Yakunchikova Maria
Тhe page from the artist’s diaries developing the motif of “Cowberries”
January 22, 1898
Charcoal pencil on paper
Private collection
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"
28539