- MAGAZINE
- ARTICLES
- RUSSIA’S GOLDEN MAP
- CURRENT EXHIBITIONS
- EXCLUSIVE PUBLICATIONS
- INTERNATIONAL PANORAMA
- EVENTS
- HERITAGE
- MASTERPIECES OF RUSSIAN ART
- “GRANY” FOUNDATION PRESENTS
- 150th ANNIVERSARY OF TRETYAKOV GALLERY
- NEW ACQUISITIONS
- ART COLLECTORS AND PATRONS
- COLLECTORS AND COLLECTIONS
- AUCTIONS
- POINT OF VIEW
- INVESTIGATIONS AND FINDS
- WORLD MUSEUMS
- MUSEUMS OF RUSSIA
- ARTISTS ON ARTISTS
- ART SCHOOLS OF RUSSIA
- ARTISTIC DYNASTY
- PORTRAIT OF THE ARTIST
- PROJECTS
- News
- Foundation “GRANY”
- SUBSCRIPTION
- WHERE TO BUY
- Contact
Plate “Transportation of the Thunder Stone in the Presence of Catherine the Second”
Miscellaneous
Wedgwood factory, Etruria, Staffordshire, England. Late 1770s-early 1780s
Underglaze transfer printing and lustre on earthenware
Diameter: 19.2 cm. Impressed Wedgwood mark
Donated by Maria Zabelina in 1909
The transfer-printed design was inspired by the engraving “View of the Thunder Stone during Its Transportation in the Presence of Catherine the Second on the 20th Day of January 1770” by Jakob van der Schley, after a drawing by Yury Felten (1770). Found one mile outside St. Petersburg, the massive Thunder Stone was used to form the pedestal for the famous Bronze Horseman statue of Peter the Great by the sculptor Etienne Falconet (1716-1791). Moving the 2,400-ton stone to the centre of the city was a truly herculean task. During transportation, 46 stonemasons laboured to shape the huge rock into a suitable pedestal. On 26 September 1770, the mighty Thunder Stone finally rolled into St. Petersburg’s Senate Square to cheers from a massive crowd
Музей:
State Historical Museum, Moscow
Magazine issue
:
#2 2016 (51)







