Graphics

Ghe Nikolai. Sitter Posing as a Crucified Thief. 1893
Ghe Nikolai
Sitter Posing as a Crucified Thief
1893

Two studies

Sauce and blending stump on paper. 58.5 × 46.5 cm

Reverse: The Crucifixion

Sketch of unrealized version of the painting 1893

Coal, blending stump 46.5 × 58.5 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16210
Ghe Nikolai. The sitter in the posture of crucified Christ. Study
Ghe Nikolai
The sitter in the posture of crucified Christ. Study

Coal and brush on paper. 58.5 × 46.3 cm

Posing for the figure of Christ is Stepan Yaremich (1869–1939)

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16211
Ghe Nikolai. The Crucifixion. 1893
Ghe Nikolai
The Crucifixion
1893

Sketch for the painting of the same name dated 1894, which was part of Nikolai Ghe Jr’s collection in Switzerland (present location unknown)

Coal, blending stump on paper. 46.3 × 58.5 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16214
Ghe Nikolai. The Crucifixion. 1892
Ghe Nikolai
The Crucifixion
1892

Coal, blending stump and brush on paper 58.8 × 46.3 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16215
Ghe Nikolai. Golgotha. 1893
Ghe Nikolai
Golgotha
1893

Sketch version

Coal, brush and chalk on paper. 58.5 × 46.3 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16217
Ghe Nikolai. The Last Supper. 1885
Ghe Nikolai
The Last Supper
1885

Italian pencil on paper, stump. 60 × 79.7 cm

Tretyakov Gallery

#3 2011 (32)

Tatiana Yudenkova

16232
Ghe Nikolai. The Second Commandment (“Do not indulge yourself in sexual  gratifi
Ghe Nikolai
The Second Commandment (“Do not indulge yourself in sexual gratification”)
1886

Sketch to illustration for Leo Tolstoy’s “The Gospel in Brief”

Coal, blending stump on paper. 101.3 × 68.5cm

Reverse: The Crucifixion

Coal, blending stump

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16234
Ghe Nikolai. Christ in the Synagogue (“Today this Scripture has been fulfilled”)
Ghe Nikolai
Christ in the Synagogue (“Today this Scripture has been fulfilled”)
1886

Sketch to illustration for Leo Tolstoy’s “The Gospel in Brief”

Coal, blending stump and wet brush on paper. 68 × 101.8cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16235
Ghe Nikolai. Repentant Sinner. 1886
Ghe Nikolai
Repentant Sinner
1886

Based on Leo Tolstoy’s story of the same title

Coal, sauce, blending stump, brush on paper. 60.8 × 40 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16236
Ghe Nikolai. Temptation (“If you were the son of Almighty God you could make bre
Ghe Nikolai
Temptation (“If you were the son of Almighty God you could make bread out of stones”)
1886

Sketch to illustration for Leo Tolstoy’s “The Gospel in Brief”

Coal on paper. 101.4 × 68.2 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16237
Ghe Nikolai. The Temptation of Christ (“Away from me, Satan!”). 1886
Ghe Nikolai
The Temptation of Christ (“Away from me, Satan!”)
1886

Sketch to illustration for Leo Tolstoy’s “The Gospel in Brief”

Coal and blending stump on paper. 101.7 × 67.8 cm

Outlined drawing

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16238
Ghe Nikolai. “It is not that hard, look…”. 1886
Ghe Nikolai
“It is not that hard, look…”
1886

Illustrations to Leo Tolstoy’s short story “What Men Live By”

Charcoal, sauce on paper mounted on paper, stump, brush. 37.3 × 28.8 cm

Tretyakov Gallery (former collection of Christoph Bollmann, Geneva)

#3 2011 (32)

Elmira Akhmerova

16239
Ghe Nikolai. “Forgive me, my hosts...”. 1886
Ghe Nikolai
“Forgive me, my hosts...”
1886

Illustrations to Leo Tolstoy’s short story “What Men Live By”

Charcoal, sauce on paper mounted on paper, stump, brush. 35 × 30 cm

Tretyakov Gallery (former collection of Christoph Bollmann, Geneva)

#3 2011 (32)

Elmira Akhmerova

16240
Ghe Nikolai. “Wings appeared upon the angel's shoulders, and he rose into the he
Ghe Nikolai
“Wings appeared upon the angel's shoulders, and he rose into the heavens”
1886

Illustration to Leo Tolstoy’s short story “What Men Live By”

Lithographic crayon, blending stump, brush on paper. 50.5 × 34.3 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16241
Ghe Nikolai. “Turning his head, he opened his eyes and looked into Simon's face”
Ghe Nikolai
“Turning his head, he opened his eyes and looked into Simon's face”

Lithographic crayon, blending stump, brush on paper. 43.5 × 30.2 cm

Tretyakov Gallery, formerly Christoph Bollmann's collection, Geneva

#3 2011 (32)

Nina Markova

16242
Ghe Nikolai. “Michael sat, his hands folded on his knees, gazing upwards and smi
Ghe Nikolai
“Michael sat, his hands folded on his knees, gazing upwards and smiling”
1886

Illustration to Leo Tolstoy’s short story “What Men Live By”

Lithographic crayon, blending stump, brush on paper. 38.8 × 32.7 cm

Tretyakov Gallery, formerly Christoph Bolman's collection, Geneva

#3 2011 (32)

Nina Markova

16243
Giacometti Alberto. Portrait of Iliazd. 1961
Giacometti Alberto
Portrait of Iliazd
1961

Frontispiece for Iliazd’s Sentence sans Paroles.

Etching on paper. 

#1 2016 (50)

Natella Voiskunski

17213
Glebova Tatiana. During the Siege. 1942
Glebova Tatiana
During the Siege
1942

Watercolour on paper

31.6 × 44.4 cm

Russian Museum

#1 2020 (66)

Natella Voiskunski

27477
Golitsyn Illarion. Evening Light. 1978
Golitsyn Illarion
Evening Light
1978

Watercolour on paper. 44 × 34.5 cm

Tretyakov Gallery

#2 2017 (55)

Irina Leytes, Yekaterina Arkhipova

16396
Golitsyn Illarion. By the Window. 19855
Golitsyn Illarion
By the Window
1985

Watercolour on watermarked paper. 39.1 × 49.8 cm

Tretyakov Gallery

#2 2017 (55)

Irina Leytes, Yekaterina Arkhipova

16397
Golitsyn Illarion. A Light Room. 1986
Golitsyn Illarion
A Light Room
1986

Watercolour and lead pencil on watermarked paper. 49.5 × 64.6 cm

Tretyakov Gallery

#2 2017 (55)

Irina Leytes, Yekaterina Arkhipova

16398
Golitsyn Illarion. Project of an officersʼ lounge for a river pleasure boat. 195
Golitsyn Illarion
Project of an officersʼ lounge for a river pleasure boat
1954

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

27930
Golitsyn Illarion. Portrait of Vladimir Favorsky. 1962
Golitsyn Illarion
Portrait of Vladimir Favorsky
1962

Lead pencil

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

27932
Golov Georgy. Set for Scene 1 of Andrei Arends’ ballet “Salammbo”. 1910
Golov Georgy
Set for Scene 1 of Andrei Arends’ ballet “Salammbo”
1910

Based on Korovin’s sketch.

Photo by Karl Fischer

#1 2012 (34)

Yekaterina Churakova

16400
Golovanov Leonid. Glory to the Red Army! 1946
Golovanov Leonid
Glory to the Red Army!
1946

#1 2010 (26), #3 2013 (40), #1 2020 (66)

Alexander Morozov

16402
Golovin Alexander. Sketch of decorations for A. Koreshenko's ballet «The Magic M
Golovin Alexander
Sketch of decorations for A. Koreshenko's ballet «The Magic Mirror»
1903

Paper, watercolour, gouache, pencil. 66.5 by 82.6 cm

Tretyakov Gallery

#1 2006 (10)

Tatiana Gubanova

16405
Golovin Alexander. Koschei the Immortal’s Kingdom. Sketch of the set for Igor St
Golovin Alexander
Koschei the Immortal’s Kingdom. Sketch of the set for Igor Stravinsky’s ballet “Firebird”
1910

Black pencil, bronze paint, gouache on paper. 83 × 102.4 cm

Tretyakov Gallery

#3 2007 (16), #3 2009 (24), #3 2013 (40), #3 2014 (44)

Irina Shumanova, Yevgenia Ilukhina

16406
Golovin Alexander. Henrik Ibsen. The Lady from the Sea. Set design. Dr. Wangel’s
Golovin Alexander
Henrik Ibsen. The Lady from the Sea. Set design. Dr. Wangel’s House
1905

St. Petersburg, Imperial Mikhailovsky Theatre. 1905.

Pastel on paper over carton. 70 × 100 cm

© Bakhrushin Theatre Museum

Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Inna Solovieva

16408
Golovin Alexander. Self-portrait. 1912
Golovin Alexander
Self-portrait
1912

Tempera on paper mounted on cardboard. 88.6 × 68.9 cm

Tretyakov Gallery

#3 2014 (44)

Eleonora Paston

16409
Golovin Alexander. The Palace for the Princess. Set design for “The Mermaid” ope
Golovin Alexander
The Palace for the Princess. Set design for “The Mermaid” opera by Alexander Dargomyzhsky
1900

Watercolour, gouache on cardboard. 59 × 82.3 cm 

Museum of the Bolshoi Theatre

#3 2014 (44)

Eleonora Paston

16411
Golovin Alexander. Birch Trees. 1908-1910
Golovin Alexander
Birch Trees
1908-1910

Gouache on paper. 68.2 × 78.3 cm

Tretyakov Gallery

#3 2014 (44)

Eleonora Paston

16413
Golovin Alexander. Cleopatra. 1898
Golovin Alexander
Cleopatra
1898

Thumbnail decorative majolica panel (for a side facade of the "Metropol" Hotel, Moscow)

Watercolour on paper. 23 × 62 cm (half-round top)

Polenov State Memorial History, Art and Natural Museum Park

#3 2014 (44)

Eleonora Paston

16418
Golovin Alexander. Portrait of Feodor Chaliapin as Farlaf  Opera “Ruslan and Lyu
Golovin Alexander
Portrait of Feodor Chaliapin as Farlaf Opera “Ruslan and Lyudmila” by Mikhail Glinka
1907

Tempera, distemper paint on cardboard. 53 × 39.3 cm

St. Petersburg State Museum of Theatre and Music

#3 2014 (44)

Eleonora Paston

16419
Golovin Alexander. Main Curtain (with playing cards). Set designs. “Masquerade”
Golovin Alexander
Main Curtain (with playing cards). Set designs. “Masquerade” by Mikhail Lermontov
1917

Alexandrinsky Theatre. Petrograd. 1917

Gouache, silver and bronze paint on cardboard, ink, reed pen. 71.9 × 90.4

Bakhrushin Theatre Museum

#3 2014 (44)

Eleonora Paston

16431
Golovin Alexander. Baroness (Domino). Costume designs. “Masquerade” by Mikhail L
Golovin Alexander
Baroness (Domino). Costume designs. “Masquerade” by Mikhail Lermontov
1917

Scene 2

Alexandrinsky Theatre. Petrograd. 1917

Paper on cardboard, graphite pencil, watercolour, silver paint, ink, pen.  39.8 × 29 cm

Bakhrushin Theatre Museum

#3 2014 (44)

Eleonora Paston

16432
Golovin Alexander. Nina (Domino)
Golovin Alexander
Nina (Domino)
1917

Scene 2

Costume designs. “Masquerade” by Mikhail Lermontov

Alexandrinsky Theatre. Petrograd. 1917

Paper on cardboard, graphite pencil, watercolour, white and silver paint, ink, pen.  39.8 × 28.9 cm

Bakhrushin Theatre Museum

#3 2014 (44)

Eleonora Paston

16433
Golovin Alexander. Domino with a Rose. 1917
Golovin Alexander
Domino with a Rose
1917

Costume designs. “Masquerade” by Mikhail Lermontov

Scene II

Graphite pencil, watercolour, silver paint, ink, pen on paper mounted on cardboard. 34.6 × 29.1 cm

Bakhrushin Theatre Museum

#3 2014 (44)

Olga Davydova

16434
Golovin Alexander. A General View of the Stage. 1910
Golovin Alexander
A General View of the Stage
1910

Set design for Molière’s “Don Juan” at the Alexandrinsky Theatre in 1910

Tempera on canvas. 77 × 99.5 cm

Russian Museum

#3 2014 (44), #4 2019 (65)

Vladimir Kruglov

16441
Golovin Alexander. A Spanish Woman with a Bunch of Yellow Flowers. 1906-1907
Golovin Alexander
A Spanish Woman with a Bunch of Yellow Flowers
1906-1907

Tempera, gouache, pastel on paper. 89 × 62 cm

Russian Museum

#3 2014 (44), #4 2015 (49)

Vladimir Kruglov

16447
Golovin Alexander. A Spanish Woman in a Black Shawl. 1908
Golovin Alexander
A Spanish Woman in a Black Shawl
1908

Gouache, pastel on cardboard. 96.5 × 68.7 cm

Tretyakov Gallery

#3 2014 (44), #4 2015 (49)

Olga Davydova

16449
Golovin Alexander. Birches at Night. 1908-1910
Golovin Alexander
Birches at Night
1908-1910

Gouache on paper on cardboard. 78 × 70.3 cm

Tretyakov Gallery

#3 2014 (44), #4 2019 (65)

Olga Davydova

16450
Golovin Alexander. Floral pattern. Detail
Golovin Alexander
Floral pattern. Detail
1929-1930

Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930). 

Watercolour, pencil on paper on cardboard

Moscow Art Theatre Museum

#3 2014 (44)

Olga Davydova

16451
Golovin Alexander. Floral pattern. Detail
Golovin Alexander
Floral pattern. Detail
1929-1930

Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930). 

Watercolour, pencil on paper on cardboard

Moscow Art Theatre Museum

#3 2014 (44)

Olga Davydova

16452
Golovin Alexander. Floral pattern
Golovin Alexander
Floral pattern
1929-1930

Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930). 

Watercolour, pencil on paper on cardboard

Moscow Art Theatre Museum

#3 2014 (44)

Olga Davydova

16453
Golovin Alexander. Floral ornament. Detail
Golovin Alexander
Floral ornament. Detail
1929-1930

Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930). 

Watercolour, colour pencils on cardboard

Moscow Art Theatre Museum

#3 2014 (44)

Olga Davydova

16454