Art objects

Carmela Gross. AURORA. 2003
Gross Carmela
AURORA
2003

Installation with lamps 

#2 2007 (15)

Yevgenia Kikodze

17047
Group of graffiti artists «AbsurdMafia». Burn Moscow Burn. 2005
Group of graffiti artists «AbsurdMafia»
Burn Moscow Burn
2005

Installation.

Plywood, enamel, water-based paint, colour posters, stickers

Tretyakov Gallery

#2 2005 (07)

Andrei Yerofeev

17049
Group «BLUE NOSES». Hot Heads
Group «BLUE NOSES»
Hot Heads

Color photo

#4 2005 (09)

Natella Voiskounski

17071
Group «DI PUPL UNDER PHONOGRAMME». Dixiland under Phonogramme. 1999
Group «DI PUPL UNDER PHONOGRAMME»
Dixiland under Phonogramme
1999

Videodocumentation of performance

#2 2005 (07)

Andrei Yerofeev

17053
Group «FENSO». Dja Rastafarai. 1998
Group «FENSO»
Dja Rastafarai
1998

Photo paper, colour printing. 52 by 38 by 8 cm

#2 2005 (07)

Andrei Yerofeev

17075
Group «LEVIATHAN». «Leviathan». Newspaper #1 of Jan. 1975
Group «LEVIATHAN»
«Leviathan». Newspaper #1 of Jan. 1975
1975

Paper, black-and-white letterpress printing.
80.3 by 40.6 cm

#2 2005 (07)

Andrei Yerofeev

17057
Group «MUKHOMOR». Beatles. 1982
Group «MUKHOMOR»
Beatles
1982

Series of 12 photos

Printing paper, black-and-white printing. 34 by 46 cm (each)

#2 2005 (07)

Andrei Yerofeev

17061
Group «Nest». We are Working Red Pump. 1975
Group «Nest»
We are Working Red Pump
1975

Oil on hardboard, 2 pumps.
175 by 120 cm 

«Novy» (New) Foundation, Moscow

#2 2007 (15)

Andrei Yerofeev

17051
Group «PERTSY» («Peppers»). Suprematic tube. 1985
Group «PERTSY» («Peppers»)
Suprematic tube
1985

Wood, enamel. 83 by 9 cm

#2 2005 (07)

Andrei Yerofeev

17067
Group «PG». PG-commandments
Group «PG»
PG-commandments

Printing-out paper, colour printing

#2 2005 (07)

Andrei Yerofeev

17065
Group «SREDNERUSSKAYA VOZVYSHENNOST» («Mid-Russia Hills»). Musical Instruments
Group «SREDNERUSSKAYA VOZVYSHENNOST» («Mid-Russia Hills»)
Musical Instruments

#2 2005 (07)

Andrei Yerofeev

17073
Group “IRWIN”. The Corpse of Art. 2003
Group “IRWIN”
The Corpse of Art
2003

Installation. 300 by 200 cm

#2 2004 (03)

Alexander Rozhin

17055
Group “Meganom”. No title. 2007
Group “Meganom”
No title
2007

#2 2007 (15)

Yevgenia Kikodze

17059
Group “Obledenenie arkhitektorov” (Iced Architects). Egg Cell 210. 2007
Group “Obledenenie arkhitektorov” (Iced Architects)
Egg Cell 210
2007

#2 2007 (15)

Yevgenia Kikodze

17063
Ren Guanghui. Ink-and-Wash Time. 2003
Guanghui Ren
Ink-and-Wash Time
2003

Fibre, branch, wood, plastic

#1 2004 (02), #3 2017 (56)

Alexander Rozhin

17081
Subodh GUPTA. Very Hungry God. 2006
Gupta Subodh
Very Hungry God
2006

Stainless-steel structure covered by kitchen tools.
320 × 280 × 330 cm

#2 2009 (23)

17099
Andreas GURSKY. Chicago, Board of trade II. 1999
Gursky Andreas
Chicago, Board of trade II
1999

C-Print. 207 by 336 cm

Presented by the artist 2000

© Andres Gursky

#3 2004 (04)

F. PIOVANO

17105
Gutov Dmitri. Barrier. 1996 (2003)
Gutov Dmitri
Barrier
1996 (2003)

Installation

#2 2004 (03)

J. WEICHARDT

17107
Dmitry GUTOV, David RIFF. The Karl Marks school of the English Language. 2007
Gutov Dmitry, Riff David
The Karl Marks school of the English Language
2007

Installation: series of 20 paintings, 15 audio tracks

Think with the senses, feel with the mind, Arsenale 

#4 2007 (17)

Evgeniya Kikodze

17110
Max Haase. Metamorphosis. 1980
Haase Max
Metamorphosis
1980

Gorelien. (Gobelin with haut-relief on tapestry), wool

200 by 70 cm

#4 2004 (05)

Alexander Rozhin

24127
David Hammons. Praying to Safety. 1997
Hammons David
Praying to Safety
1997

Thai bronze statues, string and safety pin

#1 2003 (01)

N. Voiskounski

24141
Jason Hanasik. Sharrod (Turn/Twirl). 2011
Hanasik Jason
Sharrod (Turn/Twirl)
2011

HD video, infinite loop

Collection of the artist

#2 2014 (43)

Dorothy Moss

24143
Aspassio Haronitaki. Louise Bourgeois. 2003
Haronitaki Aspassio
Louise Bourgeois
2003

#1 2003 (01)

N. Voiskounski

24160
Ellen HARVEY. Museum of Failure: Collection of Impossible Subjects & Invisible S
Harvey Ellen
Museum of Failure: Collection of Impossible Subjects & Invisible Self-Portraits
2007

Hand-engraved plexiglass and aluminium frame, fluorescent lights, oil on canvas, 12 parts in second-hand frames

243.9×304.8 cm

#2 2008 (19)

Natella Voiskounski

24148
Harvey Ellen. Museum of Failure: Collection of Impossible Subjects & Invisible S
Harvey Ellen
Museum of Failure: Collection of Impossible Subjects & Invisible Self-Portraits
2007

Hand-engraved plexiglass and aluminium frame, fluorescent lights, oil on canvas, 12 parts in second-hand frames

243.9×304.8 cm

#2 2008 (19)

Natella Voiskounski

24149
Mona HATOUM. Corps Etranger. 1994
Hatoum Mona
Corps Etranger
1994

Video installation

#3 2005 (08)

Natella Voiskounski

24172
Raoul HAUSMANN. Tatlin at Home. 1920
Hausmann Raoul
Tatlin at Home
1920

Collage. 14 by 28 cm

Moderna Museet, Stockholm

#1 2006 (10)

Yekaterina Selezneva

24174
Raoul HAUSMANN. The Spirit of our Time (Mechanical Head). 1919
Hausmann Raoul
The Spirit of our Time (Mechanical Head)
1919

Assemblage. 32.5 by 21 by 20 cm

Centre Georges Pompidou, Paris

#1 2006 (10)

Yekaterina Selezneva

24175
Raoul HAUSMANN. Art critic. 1919-1920
Hausmann Raoul
Art critic
1919-1920

Photomontage.

Lithograph and photo collage on paper. 31.8 by 25.4 cm

The Tate Gallery, London

#1 2006 (10)

Yekaterina Selezneva

24176
Marikke HEINZ-HOEK. Tsar Family. 2005
Heinz-Hoek Marikke
Tsar Family
2005

Photos

#4 2006 (13)

Jurgen Weichardt

24132
Martin Herbst. No title. 2007
Herbst Martin
No title
2007

Object

Leonard Ruethmueller Contemporary Art, Basel

#3 2007 (16)

Yevgenia Kikodze

24192
Keith Hering. S-Man. 1987
Hering Keith
S-Man
1987

Plastic

Display of Forsblom, Helsinki.

On the wall: Works by Tony Oursler and Sergei Bugaev-Afrika.

#3 2007 (16)

Yevgenia Kikodze

24194
Christine Hill (USA). Accounting Portable Office
Hill Christine
Accounting Portable Office

As shown at Ronald Feldman Fine Arts, NY City, 2003

Think with the senses, feel with the mind, Arsenale

#4 2007 (17)

Evgeniya Kikodze

24216
Hirst Damien. Standing Alone on the Precipice Overlooking the Arctic Wastelands
Hirst Damien
Standing Alone on the Precipice Overlooking the Arctic Wastelands of Pure Terror
1999-2000

Object

#1 2003 (01)

N. Voiskounski

24196
Hirst Damien. The Physical Impossibility of Death in the Mind of Someone Living.
Hirst Damien
The Physical Impossibility of Death in the Mind of Someone Living
1991

Glass, painted steel, silicone, monofilament, shark and formaldehyde solution.

217 x 542 x 180 cm

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

Photographed by Prudence Cuming Associates Ltd

#2 2012 (35), #2 2016 (51)

Sarah Kent

24197
Hirst Damien. The calf (interior view) from Mother and Child Divided
Hirst Damien
The calf (interior view) from Mother and Child Divided

Exhibition Copy 2007 (original 1993)

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24198
Hirst Damien. Osmium Tetroxide. 2010-2011
Hirst Damien
Osmium Tetroxide
2010-2011

Household gloss on canvas. 100 x 100 in (4 inch spot):

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24199
Hirst Damien. Lullaby Summer (Detail). 2002
Hirst Damien
Lullaby Summer (Detail)
2002

Glass, stainless steel, steel, aluminium, nickel, bismuth and cast resin, coloured plaster and painted pills with dry transfers.

Four parts, each 72 x 108 x 4 in

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24200
Hirst Damien. Beautiful, childish, expressive, tasteless, not art, over simplist
Hirst Damien
Beautiful, childish, expressive, tasteless, not art, over simplistic, throw away, kids' stuff, lacking in integrity, rotating, nothing but visual candy, celebrating, sensational, inarguably beautiful painting (for over the sofa)
1996

Household gloss on canvas and electric motor. 144 in. Diameter

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24201
Hirst Damien. For the Love of God. 2007
Hirst Damien
For the Love of God
2007

Platinum, diamonds and human teeth. 17.1 x 12.7 x 19.05 cm

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24202
Hirst Damien. A Thousand Years. 1990
Hirst Damien
A Thousand Years
1990

Glass, steel, silicone rubber, painted MDF, insect-o-cutor, cow’s head, blood, flies, maggots, metal dishes, cotton wool, sugar and water

209 x 400 x 215 cm

Photographed by Prudence Photograph by Roger Wooldridge

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24203
Hirst Damien. The Acquired Inability to Escape. 1991
Hirst Damien
The Acquired Inability to Escape
1991

Glass, steel, silicone rubber, Formica, MDF, chair, ashtray, lighter and cigarettes. 213.3 x 304.8 x 213.3 cm

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24204
Hirst Damien. Mother and Child (Divided)
Hirst Damien
Mother and Child (Divided)

Exhibition Copy 2007 (original 1993)

Steel. GRP composites, glass, silicone sealant, cow, calf and formaldehyde solution 4 parts:

2 parts 208.6 x 322.5 x 109.2 cm

and 2 parts 113.6 x 168.9 x 62.2 cm

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24205
Hirst Damien. Sympathy in White Major – Absolution II. 2006
Hirst Damien
Sympathy in White Major – Absolution II
2006

Detail

Butterflies and household gloss on canvas. 84 in. Diameter

Photographed by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved. DACS 201

#2 2012 (35), #2 2016 (51)

Sarah Kent

24206
Hirst Damien. Hymn. 1999-2001
Hirst Damien
Hymn
1999-2001

Acrylic paint on bronze.

595 x 334 x 205.7 cm

Photography by Mike Parsons

© Damien Hirst and Science Ltd. All rights reserved, DACS 2012

#2 2012 (35), #2 2016 (51)

Sarah Kent

24208