Miscellaneous

Cover of the book “Dmitry Shakhovskoy. Sculpture, monumental and decorative art,
Cover of the book “Dmitry Shakhovskoy. Sculpture, monumental and decorative art, graphics”

#1 2003 (01)

L. MARTS

25730
The Almanac “Unovis”
The Almanac “Unovis”

Cover

#1 2003 (01), #3 2013 (40)

T. GORYACHEVA

25731
Cover of the book “Vera Favorskaya. Ivan Chekmazov. Creative heritage”
Cover of the book “Vera Favorskaya. Ivan Chekmazov. Creative heritage”

#1 2003 (01)

T. YERMAKOVA

25747
Holy Gates. Beginning of the 16th century
Holy Gates
Beginning of the 16th century

Wood, carving, gilding, with icons

210 × 122 cm

The Cherepovets Museum Association

#1 2004 (02)

T. SERGEEVA

25732
Vase. 1811–1850
Vase
1811–1850

Porcelain

Russia. Popov porcelain and china works

#2 2004 (03)

E. LOPATINA

25733
Uchitelnoie  Yevanguelie (Gospel with Comment on the Text). c.1582
Uchitelnoie Yevanguelie (Gospel with Comment on the Text)
c.1582

Printed by Vasily Mikhailovich Garabuda in Vilno

#2 2004 (03)

E. LOPATINA

25734
One-ruble coin. Russia. 1914
One-ruble coin. Russia
1914

"To mark the 200th anniversary of the battle at Ganga Udd".

PROOF

Silver, 19.98 grams

#2 2004 (03)

E. LOPATINA

25735
Five-ruble coin. Russia. 1888
Five-ruble coin. Russia
1888

PROOF

Gold, 6.46 grams

#2 2004 (03)

E. LOPATINA

25736
Set of two paired vases. 1811–1850
Set of two paired vases
1811–1850

Porcelain. Russia

#2 2004 (03)

E. LOPATINA

25737
“Poppies” creamer and sugar bowl. 1908–1916
“Poppies” creamer and sugar bowl
1908–1916

Silver plated with gold.

Russia, Klingert works

#2 2004 (03)

E. LOPATINA

25738
Set of duelling capsule pistols in the box. Ci. 1855
Set of duelling capsule pistols in the box
Ci. 1855

France. Paris

Gastine-Renette workshop

#2 2004 (03)

E. LOPATINA

25739
Stanovoi’s Judgment. 1870–1890
Stanovoi’s Judgment
1870–1890

Figurine. Porcelain

Russia. Gardner porcelain and china makers, Moscow

#2 2004 (03)

E. LOPATINA

25740
Belt pendant with Gryphon depictions and a wildcat predator. 2nd cen. BC – 2nd c
Belt pendant with Gryphon depictions and a wildcat predator
2nd cen. BC – 2nd cen. AC

Sidorovka burial (Kurgan) complex

The M.A.Vrubel Omsk Regional Museum of Fine Arts

#2 2004 (03)

A. GUMENYUK, N. TOLSTAYA

25741
Belt plate with a scene of tormenting and attached pendants. 2nd cen. BC - 2nd c
Belt plate with a scene of tormenting and attached pendants
2nd cen. BC - 2nd cen. AD

Sidorovka burial (Kurgan) complex

The M.A.Vrubel Omsk Regional Museum of Fine Arts

#2 2004 (03)

A. GUMENYUK, N. TOLSTAYA

25742
Kovsh (Ladle). 1687-1688
Kovsh (Ladle)
1687-1688

Russia, Moscow

Silver, chasing, engraving, casting, gilding

14 by 39 by 21.5 cm

#3 2004 (04)

O. KUZMENKO, YU. PROGONOVA

25743
Teapot. mid-18th century, apparently 1754
Teapot
Mid-18th century, apparently 1754

Russia, Moscow

Silver, ivory, chasing, casting, gilding

13 by 20.5 by 13 cm

#3 2004 (04)

O. KUZMENKO, YU. PROGONOVA

25744
Dish. 1778
Dish
1778

Russia, Moscow

Alexey Afanasyev Kosyrev (?)

Silver, chasing, gilding. 41.2 by 57.5 cm

#3 2004 (04)

O. KUZMENKO, YU. PROGONOVA

25745
Beaker. Mid-18th century
Beaker
Mid-18th century

Russia, Moscow

Silver, chasing, gilding. h 32 cm

#3 2004 (04)

O. KUZMENKO, YU. PROGONOVA

25746
Iconostasis from the church of Yelizaveta Medvednikova's Orphanage. 1891-1892
Iconostasis from the church of Yelizaveta Medvednikova's Orphanage
1891-1892

Fragments: column, disk

Porcelain, relief, painting, gilding

The V.P.Sukachov Irkutsk Regional Museum of Fine Arts

#4 2004 (05)

N. Tolstaya

25748
Poster for the First Exhibition Krasnaya Moskva (Red Moscow) in the Museum of th
Poster for the First Exhibition Krasnaya Moskva (Red Moscow) in the Museum of the Revolution
1922

The Central State Museum of Modern History of Russia

#4 2004 (05)

T. Petrusevich

25749
Censer. End of the 12th century
Censer
End of the 12th century

Silver, partial gilding, chasing, carving

Venice, Procuratoria of San Marco

#1 2005 (06)

C. Cardona

25750
St. Nicholas. Breast icon. 14th cent.
St. Nicholas. Breast icon
14th cent.

Vladimir-Suzdal Land

Gold, gems, pearl, engraving, precious metal filigree

5.7 by 4.1 cm

The State History, Architecture and Art Vladimir-Suzdal Museum-Reserve

#1 2005 (06)

A. Aksenova

25751
Cover of the Catalogue of the Exhibition Galina SHUBINA «Large and Mighty is My
Cover of the Catalogue of the Exhibition Galina SHUBINA «Large and Mighty is My Native Land»

#1 2005 (06)

N. Baburina

25752
An exhibition poster. 1942
An exhibition poster
1942

Novosibirsk

#2 2005 (07)

Tamara Kaftanova

25753
An exhibition poster
An exhibition poster

#2 2005 (07)

Tamara Kaftanova

25754
An invitation to the opening of «The Great Patriotic War» exhibition at the Tret
An invitation to the opening of «The Great Patriotic War» exhibition at the Tretyakov Gallery
1942

#2 2005 (07)

Tamara Kaftanova

25755
An exhibition poster
An exhibition poster

#2 2005 (07)

Tamara Kaftanova

25756
An Invitation to the opening of the «Heroic Front and Reserve» exhibition at the
An Invitation to the opening of the «Heroic Front and Reserve» exhibition at the Tretyakov Gallery
1943

#2 2005 (07)

Tamara Kaftanova

25757
An invitation to the Tretyakov Gallery Opening Ceremony on 17 May 1945
An invitation to the Tretyakov Gallery Opening Ceremony on 17 May 1945

Department of Manuscripts, Tretyakov Gallery

#2 2005 (07), #2 2015 (47)

Tamara Kaftanova

25758
Grand Duke Constantin Nicholaevich: A Highly Important and Rare Russian Gilded S
Grand Duke Constantin Nicholaevich: A Highly Important and Rare Russian Gilded Silver Extensive Tea and Coffee Service

Sazikov, Moscow, 1848

Weight main 964 oz. length of tray 90 cm

#4 2005 (09)

Sonya Bekkerman

25759
A Magnificent Pair of Russian Porcelain Palace Vases. 1825
A Magnificent Pair of Russian Porcelain Palace Vases
1825

Imperial Porcelain Manufactory, St. Petersburg, Period of Nicholas I (1825–55),

Height 137.0 cm

#4 2005 (09)

Sonya Bekkerman

25760
Watch with calendar
Watch with calendar

Mechanism: Geneva, mid 17th century; body frame: Istanbul, mid 17th century

Gift from the Greek merchant Ivan Anastasov to Tsarevich Alexis Alexeevich in 1658 (?)

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25761
Cup
Cup

Istanbul, first third of the 17th century

Gift from Yury Panagiot to Tsar Mikhail Fyodorovich in 1632

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25762
Wash Tub
Wash Tub

Nuremberg, mid 16th century

Gift from King Janus II Casimir of Poland to Tsar Alexis Mikhailovich in 1651

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25763
Dagger in a Case
Dagger in a Case

Iran, early 17th century

Gift from merchant Mohammed Kazim to Tsar Mikhail Fyodorovich in 1617

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25764
Sabre of the Grand Set in a Case
Sabre of the Grand Set in a Case

Istanbul, before 1656

Gift from Ivan Bulgakov, merchant of the guest hundred, to Tsar Alexis Mikhailovich in 1656

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25765
Mug
Mug

Istanbul, first third of the 17th century. 

Gift from the Patriarch of Constantinople Cyrill I Lukaris to Tsar Mikhail Fyodorovich in 1632

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25766
Quiver
Quiver

Turkey or Crimea, early 17th century.

Gift from Crimean Khan Dzhan-Bek Girei to Tsar Mikhail Fyodorovich on June 10, 1616

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25767
Goblet – Nautilus
Goblet – Nautilus

Nuremberg, 1632–1643.

Gift from King Christian IV of Denmark to Tsar Alexis Mikhailovich in 1644

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25768
Goblet
Goblet

Koenigsberg, 1620s.

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25769
Wash-stand set
Wash-stand set

Augsburg, 1674 (?)

Gift from the ambassadors of the Holy Roman Empire

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25770
Goblet
Goblet

Nuremberg, 1630

Gift from King Christian IV of Denmark to Tsar Alexis Mikhailovich in 1644

“The Moscow Kremlin" museum

#1 2006 (10)

Irina Zagorodnyaya

25771
Inventory List of Art Works in Pavel and Sergei Tretyakovs' Gallery
Inventory List of Art Works in Pavel and Sergei Tretyakovs' Gallery
1893

#1 2006 (10)

Ksenia Antonova

25772
Catalogue of Pavel and Sergei Tretyakovs' City Art Gallery
Catalogue of Pavel and Sergei Tretyakovs' City Art Gallery
1917

#1 2006 (10)

Ksenia Antonova

25773
The page of Catalogue of Pavel and Sergei Tretyakovs' City Art Gallery
The page of Catalogue of Pavel and Sergei Tretyakovs' City Art Gallery
1917

#1 2006 (10)

Ksenia Antonova

25774
The spread of Catalogue of Pavel and Sergei Tretyakovs' City Art Gallery
The spread of Catalogue of Pavel and Sergei Tretyakovs' City Art Gallery
1917

#1 2006 (10)

Ksenia Antonova

25775
Cover of a joint catalogue "Late 19th - Early 20th-Century Painting"
Cover of a joint catalogue "Late 19th - Early 20th-Century Painting"

#1 2006 (10)

Ksenia Antonova

25776
Russia's National Colours. 1896
Russia's National Colours
1896

Russia

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40), #2 2022 (75)

Alexei Levykin

25777
The Cap of Vladimir Monomakh
The Cap of Vladimir Monomakh

The East, late 13th-early 14th centuries

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25778
Barmas (bejewelled neckpieces decorated with religious imagery) from a buried tr
Barmas (bejewelled neckpieces decorated with religious imagery) from a buried treasure found near the city of Ryazan

Late 12th–13th centuries

Deposited at the Armoury Chamber on the order of Emperor Nicholas I

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25779
Rod of Charles (Karl) XII with a monogram of Gustav II Adolf
Rod of Charles (Karl) XII with a monogram of Gustav II Adolf

Sweden, early 17th century

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25780
The Plate "Coronation of Catherine I"
The Plate "Coronation of Catherine I"

Moscow, 1724–1727

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25781
Sheathed Sabre
Sheathed Sabre

A gift from Empress Catherine II to Grand Prince Alexander Pavlovich

Russia, St. Petersburg, late 18th century

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25782
Coronation dress of Empress Catherine I
Coronation dress of Empress Catherine I

Russia, 1724

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25783
The Helmet of Tsar Mikhail Fyodorovich
The Helmet of Tsar Mikhail Fyodorovich

The Kremlin Armoury Chamber, 1621

By Nikita Davydov

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25784
The Crown of Empress Anna Ioannovna
The Crown of Empress Anna Ioannovna

St. Petersburg, 1730

By Gottlieb Wilhelm Dunkel (?)

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25785
“Filofeevskaya stavroteka” (The relic "The Honest and Life-giving Cross from Pat
“Filofeevskaya stavroteka” (The relic "The Honest and Life-giving Cross from Patriarch Philotheus Kokkinos")

Constantinople, 12th century

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25786
Snuffbox
Snuffbox

Paris, 1773–1774

From the private study of Emperor Nicholas II

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25787
Panther – a decorative vessel
Panther – a decorative vessel

London. 1600–1601

"Moscow Kremlin" Historical and Cultural Museum-Reserve

#2 2006 (11), #3 2013 (40)

Alexei Levykin

25788
Pocket Watch with Chain and Signets from the Carnelian Garniture
Pocket Watch with Chain and Signets from the Carnelian Garniture
1719

Workshop of Johann Melchior Dinglinger

Dresden, 1719

Large Carnelian Rosette; 7 carnelians, 7 gem stones, 57 diamonds, gold, silver.

Appr. length 19.7cm, watch diameter 5.5.cm

#3 2006 (12)

Elena Mikhailova

25789
Sea Unicorn. Before 1725
Sea Unicorn
Before 1725

Frankfurt-on-the-Main (?)

Baroque pearls, gold, silver, diamonds, rubies; enamel, gold-plating, height 9.5 cm

#3 2006 (12)

Elena Mikhailova

25790
Hat Aigrette from the Carnelian Garniture. Before 1719
Hat Aigrette from the Carnelian Garniture
Before 1719

Stone carving: Johann Christof HUBNER

Jeweller: Johann Melchior DINGLINGER

Dresden

Large Carnelian Plate with Chinks, 10 round carnelians, 1 diamond drop (3.39ct), 408 diamonds

Height 26 cm; plate width 10.6 cm

#3 2006 (12)

Elena Mikhailova

25791
Dressing table. Second half of the 19th century
Dressing table
Second half of the 19th century

Germany, Meissen.

Pine carcass, rosewood veneer, porcelain, painted decoration on glaze, bronze, casting, gilding, mirror pane

159 by 91 by 54 cm

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25792
Couch. First quarter of the 19th century
Couch
First quarter of the 19th century

Russia.

Birch carcass, mahogany veneer, ebony veneer, carving, gilt, veneering, polishing, bronze, casting, gilding, silk

127 by 236 by 105 cm

Empire style

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25793
Hall clock. Second half of the 18th century
Hall clock
Second half of the 18th century

England, London.

Pine carcass, poplar veneer, niello, veneering, polishing, bronze, metal

246 by 63 by 31 cm (the lower part of the case is a reconstruction)

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25794
Table. First quarter of the 19th century
Table
First quarter of the 19th century

Russia

Birch carcass, mahogany veneer, ebony veneer, carving, gilt, veneering, polishing, bronze, casting, gilding

70 by 117 by 90 cm

Empire style

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25795
Mirror with pier table. Last quarter of the 18th century
Mirror with pier table
Last quarter of the 18th century

Russia.

Pine carcass, priming, white paint, carving, gilt, marble, mirror pane, painted decoration

371 by 110 by 55 cm

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25796
Table ornament with figure of Cupid and cornucopia. First quarter of the 19th ce
Table ornament with figure of Cupid and cornucopia
First quarter of the 19th century

France, Paris. Dagotis factory.

Ceramic biscuit, matt finish, gilt

Height 20 cm

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25797
Chandelier. 1820s-1830s
Chandelier
1820s-1830s

Russia. St. Petersburg.

Bronze workshop of A.I. Dipner.

Bronze, casting, fire gilding.

Height 104 cm, diameter 39.5 cm

Empire style

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25798
Art nouveau vase with handles and flower decoration. Early 20th century
Art nouveau vase with handles and flower decoration
Early 20th century

The Netherlands.

Ceramics, painted decoration.

Height 39 cm

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25799
Crater-shaped vase decorated with battle scenes. Second quarter of the 19th cent
Crater-shaped vase decorated with battle scenes
Second quarter of the 19th century

Western Europe.

Porcelain, painted decoration on glaze, gilt.

Height 27 cm

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25800
“Winged Genius” mantelpiece clock. The 1810s
“Winged Genius” mantelpiece clock
The 1810s

France. Paris. Julien (Jules) Chopin factory.

Bronze, casting, fire gilding, enamel

60 by 40 by 14 cm

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25801
Twin vases with handles in the shape of goats’ heads. Second half of the 19th ce
Twin vases with handles in the shape of goats’ heads
Second half of the 19th century

Russia

Marble. Height 215 cm (with pedestal)

The Gorki Estate

#3 2006 (12)

Tamara Shubina

25802
Navicula. 1616
Navicula
1616

Russia.

Silver, chiseling, casting, engraving, gold-plating.

9.7 by 14.1 cm; chain length, 36 cm

#3 2006 (12)

Tatiana Koltsova

25803
Chalice. 1751
Chalice
1751

Moscow

Silver. Chiseling, casting, carving, minting, gold-plating

27 by 16.8 cm

#3 2006 (12)

Tatiana Koltsova

25804
Labis (Communion Spoon). Before 1741
Labis (Communion Spoon)
Before 1741

Moscow.

Silver. Stamping, carving, gold-plating

18 by 3.9 cm

#3 2006 (12)

Tatiana Koltsova

25805
Book of Psalms. 1791
Book of Psalms
1791

Suprasl.

Paper, wood, leather, metal. Print, xylography, lettering

#3 2006 (12)

Tatiana Koltsova

25806
The album "The Icon Collection in the Tretyakov Gallery"
The album "The Icon Collection in the Tretyakov Gallery"

#3 2006 (12), #3 2013 (40)

Savva Yamshchikov

25807
Drobnitsa "John the Baptist." 19th century
Drobnitsa "John the Baptist."
19th century

Russia.

Chiselling, etching, moulding and coloured enamel on filigree

9.7 by 5.2 cm

Tretyakov Gallery

#4 2006 (13)

Dina Lavrova, Irina Lomakina

25808
Drobnitsa "St. Nicholas." 19th century
Drobnitsa "St. Nicholas."
19th century

Russia.

Chiselling, etching, moulding and coloured enamel on filigree

9.7 by 5.2 cm

Tretyakov Gallery

#4 2006 (13)

Dina Lavrova, Irina Lomakina

25809
Drobnitsa (small golden or silver plate for decorating icons) "The Saviour of Sm
Drobnitsa (small golden or silver plate for decorating icons) "The Saviour of Smolensk."
19th century

Russia

Chiselling, etching, moulding and coloured enamel on filigree

10 by 6.6 cm

Tretyakov Gallery

#4 2006 (13)

Dina Lavrova, Irina Lomakina

25810
The Holy Hierarch. The lid of a reliquary. 16th century
The Holy Hierarch. The lid of a reliquary
16th century

Moscow (?)

Wood; carved work. 111 by 30 by 7 cm

Tretyakov Gallery

#4 2006 (13)

Galina Sidorenko

25811
The Royal Doors. 17th century
The Royal Doors
17th century

Ryazan

Wood, levkas (chalk priming), tempera; carved work, polychrome painting

169 by 97.6 by 5.5 cm

The Pozhalostin Ryazan Regional Art Museum

#4 2006 (13)

Galina Sidorenko

25812
Atlas for Nikolai Pirogov’s “Surgical Anatomy of the Arterial Trunks and Fascia”
Atlas for Nikolai Pirogov’s “Surgical Anatomy of the Arterial Trunks and Fascia”

St. Petersburg, Tsylov, 1882

#4 2006 (13), #3 2013 (40)

John E. Bowlt

25813
Cabinet-On-Stand. First half of the 17th century
Cabinet-On-Stand
First half of the 17th century

Antwerp

Mahogany, ebony, brass, turtle shell

54 by 60.5 by 31.5 cm

#1 2007 (14)

Alexei Boldinyuk

25814
Man Leading a Horse. 11th century
Man Leading a Horse
11th century

Song dynasty.

Porcelain, pale bluish-green glaze

The Jiangxi Provincial Museum

#2 2007 (15), #3 2017 (56)

25815
Stand for Incense Sticks. 19th century
Stand for Incense Sticks
19th century

Qing dynasty.

Porcelain, polychrome paint with famille rose colour scheme

The Jiangxi Provincial Museum

#2 2007 (15), #3 2017 (56)

25816
Plate with Decoration of Dragons and Phoenixes. 18th century
Plate with Decoration of Dragons and Phoenixes
18th century

Qing dynasty.

Porcelain, polychrome paint

The Jiangxi Provincial Museum

#2 2007 (15)

25817
Vase with Decoration of Peonies and Lotuses. 14th century
Vase with Decoration of Peonies and Lotuses
14th century

Yuan dynasty.

Porcelain, painted underglaze with cobalt

The Museum of Ceramics and Porcelain, Jingdezhen

#2 2007 (15), #3 2017 (56)

25818
Wall-mounted decoration shaped as crook-neck pumpkin, with ornament against a ye
Wall-mounted decoration shaped as crook-neck pumpkin, with ornament against a yellow background and decoration of characters meaning “good luck” in reserves.

Contemporary

Porcelain, polychrome paint with ‘famille rose’ colour scheme

The Museum of Ceramics and Porcelain, Jingdezhen

#2 2007 (15), #3 2017 (56)

25819
Vessel shaped as a traditional incense burner
Vessel shaped as a traditional incense burner

Contemporary

Manufactured at the plant of traditional porcelain, Jingdezhen

Porcelain, polychrome paint

The Jiangxi Provincial Museum

#2 2007 (15), #3 2017 (56)

25820
A Gambs cabinet bureau. Early 19th cent.
A Gambs cabinet bureau
Early 19th cent.

Belonging to the Gatchina Palace Museum, which disappeared during World War II. It was discovered in a private collection in Estonia, returned on 20 February 2006 and handed back to the museum on 4 April 2006

#3 2007 (16)

Anatoly Vilkov

25821
A chalice
A chalice

Stolen from the Hermitage and handed over to the Federal Service by the Moscow antique dealer on 4 August 2006. The chalice was then put at the disposal of a team of investigators as material evidence

#3 2007 (16)

Anatoly Vilkov

25822
A Bréguet gold watch
A Bréguet gold watch

Stolen from the Hermitage and handed over to the Federal Service by the Moscow antique dealer on 10 October 2006. The watch was then put at the disposal of a team of investigators as material evidence

#3 2007 (16)

Anatoly Vilkov

25823
Bombardier’s cap. 18th cent.
Bombardier’s cap
18th cent.

Belonging to the A.V.Suvorov museum was stolen in 1994 from an exhibition in St. Petersburg and discovered at a Hermann Historica auction on 14 October 2003 in Munich. Negotiations resulted in the owner renouncing his rights, and in December 2006 the cap was handed over to the Federal Service to be returned to the museum

#3 2007 (16)

Anatoly Vilkov

25824
One of 435 hand-coloured engravings from the unique album “The Birds of America”
One of 435 hand-coloured engravings from the unique album “The Birds of America” (London, 1827–1838) by the ornithologist and artist John James Audubon

Stolen in 1996 from the Russian National Library in St. Petersburg and returned in 1998

#3 2007 (16)

Anatoly Vilkov

25825
A part porcelain coffee service. Late 18th century
A part porcelain coffee service
Late 18th century

Height of coffee pot 27 cm

Gardner manufactory

#1 2008 (18)

Lyudmila Markina

25826
A military porcelain plaque
A military porcelain plaque

Period of Alexander II (1855–1881)

Diameter Р 33.5 cm, diameter with frame 45 cm

Imperial porcelain manufactory

#1 2008 (18)

Lyudmila Markina

25827
Clock, surmounted with the figural group of Tsar Nicholas I on a prasing horse.
Clock, surmounted with the figural group of Tsar Nicholas I on a prasing horse
Circa 1835

Gilt-bronze, bronze and malachite

80 by 42 cm

#1 2008 (18)

Lyudmila Markina

25828
Cover of the «Golden Fleece», 1906
Cover of the «Golden Fleece»
1906

issue No. 1 (a sketch of I**)

#1 2008 (18)

Ida Gofman

25829
Title page of the «Blue Rose» publication (Pyotr Utkin's sketch)
Title page of the «Blue Rose» publication (Pyotr Utkin's sketch)

The «Golden Fleece» magazine, 1907, # 5

#1 2008 (18)

Ida Gofman

25830
Title-page of the Art Section of the «Golden Fleece» magazine (designed by Ivan
Title-page of the Art Section of the «Golden Fleece» magazine (designed by Ivan Bilibin)

1906, #7–8–9

#1 2008 (18)

Ida Gofman

25831
Graphic sign of the «Golden Fleece» magazine designed by Yevgeny Lansere
Graphic sign of the «Golden Fleece» magazine designed by Yevgeny Lansere

#1 2008 (18)

Ida Gofman

25832
Royal baldachin. 1896
Royal baldachin
1896

Fragment

Top of the Dowager Empress Maria Fedorovna’s baldachin

The Museums of the Moscow Kremlin

#3 2008 (20)

Renate Ulmer

25833
Herald’s garment (cape, hat, gloves, wristbands). Late 19th century
Herald’s garment (cape, hat, gloves, wristbands)
Late 19th century

The Museums of the Moscow Kremlin

#3 2008 (20)

Renate Ulmer

25834
A wine set. 1908–1917
A wine set
1908–1917

Manufactured by a jewellery artel, Moscow

The Historical Museum, Moscow

#3 2008 (20)

Renate Ulmer

25835
Playbill of Ballets Russes with a lithograph by Pablo Picasso. 1923
Playbill of Ballets Russes with a lithograph by Pablo Picasso
1923

Tretyakov Gallery

#3 2009 (24), #3 2013 (40)

Yevgenia Ilyukhina, Irina Shumanova

25836
Cover of  “The World of Art” magazine, 1900
Cover of “The World of Art” magazine
1900

#21– 22

#3 2009 (24)

Yelena Terkel

25837
Cover of “The World of Art” magazine, 1899
Cover of “The World of Art” magazine
1899

# 1 

#3 2009 (24)

Yelena Terkel

25838
Contents, “The World of Art” magazine, 1900
Contents, “The World of Art” magazine
1900

#21– 22

#3 2009 (24)

Yelena Terkel

25839
Cover of  “The World of Art” magazine, 1904
Cover of “The World of Art” magazine
1904

#12

#3 2009 (24)

Irina Ladygina

25840
Cover of the “Vesy” magazine. 1905
Cover of the “Vesy” magazine
1905

#4

#3 2009 (24)

Irina Ladygina

25841
Cover of the book: Sergei Diaghilev. Russian Painting in the 19th Century
Cover of the book: Sergei Diaghilev. Russian Painting in the 19th Century

Volume 1. Saint-Peterburg. 1903

#3 2009 (24)

Yelena Terkel

25842
Kamenetskaya’s memoirs about Diaghilev. 1931
Kamenetskaya’s memoirs about Diaghilev
1931

Tretyakov Gallery

#3 2009 (24)

25843
Calligramm of Nâdi'Alî in Shape of a Lion
Calligramm of Nâdi'Alî in Shape of a Lion

India

12 × 19.2 cm

Aga Khan Trust for Culture

#4 2009 (25)

Michael Baumgartner, Carole Haensler

25844
Press for table linen, 18th century (?)
Press for table linen
18th century (?)

Netherlands

Mikhail Kurilko's collection

#2 2010 (27)

Mikhail Kurilko-Ryumin

25845
A small cupboard with a carved door. 16th century (?)
A small cupboard with a carved door
16th century (?)

Italy

Mikhail Kurilko's collection

#2 2010 (27)

Mikhail Kurilko-Ryumin

25846
Table and chair. Еnd 17th – early 18th century
Table and chair
Еnd 17th – early 18th century

Russia

Mikhail Kurilko's collection

#2 2010 (27)

Mikhail Kurilko-Ryumin

25847
Title page of the collection of poems «To Friends»
Title page of the collection of poems «To Friends»

#2 2010 (27)

Natalya Zhirkevich-Podlesskikh

25848
A gilded monogrammed cup and a saucer. 1750s
A gilded monogrammed cup and a saucer
1750s

Imperial Porcelain Manufactory, St.Petersburg

Porcelain; painted glaze, gilding

Height of the cup: 4.3 cm;

Diameter of the saucer: 11.5 cm.

Museum of the Sheremetev family estate Kuskovo

#4 2010 (29), #3 2013 (40)

Lyudmila Markina

25849
A medal to mark the coronation of Empress Elizabeth in 1742. 1841-1867
A medal to mark the coronation of Empress Elizabeth in 1742
1841-1867

Johann Karl Hedlinger (medallist); R.Hahnemann (copyist), Russia

Gilding; toreutics

Diameter: 4.6 cm. Obverse and reverse

Moscow Kremlin Museums

#4 2010 (29), #3 2013 (40)

Lyudmila Markina

25850
Meissen vase. C. 1880
Meissen vase
C. 1880

The panel on the front of the vase is after a painting by Caspar Netscher (1639-1684)

© LAPADA

#2 2011 (31), #2 2016 (51)

Henrietta Spencer-Churchill

25851
A French gilt bronze. C. 1880
A French gilt bronze
C. 1880

A French gilt bronze centre table with moulded Patricia green marble top above a decorative frieze with two opening drawers to one side and dummy drawersto the reverse with cast gilt bronze and classical decoration          

© LAPADA

#2 2011 (31), #2 2016 (51)

Henrietta Spencer-Churchill

25852
A Japanese multi-metal dish. Meiji period, c. 1880
A Japanese multi-metal dish. Meiji period
c. 1880

Made by MASANOBU and engraved by KAZUAKI

© LAPADA

#2 2011 (31), #2 2016 (51)

Henrietta Spencer-Churchill

25853
The Hausburg Cabinet
The Hausburg Cabinet

Ebony, marquetry work

Signed in marquetry inlay “F.L. Hausburg Fecit Liverpool. Begun 1840, Finished in 1857”

© LAPADA

#2 2011 (31), #2 2016 (51)

Henrietta Spencer-Churchill

25854
A wood netsuke of a Dutchman in Chinese silk jacket, soft narrow trousers and a
A wood netsuke of a Dutchman in Chinese silk jacket, soft narrow trousers and a Korean hat
c. 1780

Unsigned. Height: 15.3 cm

© LAPADA

#2 2011 (31), #2 2016 (51)

Henrietta Spencer-Churchill

25855
A Russian dinner service, 1908-1917
A Russian dinner service
1908-1917

Silver-gilt, enamel

11th Artel. Moscow

48 pieces, comprising: 12 dinner plates, 12 sherbet cups, stands and spoons

© LAPADA

#2 2011 (31), #2 2016 (51)

Henrietta Spencer-Churchill

25856
The Golden Gates from the Rozhdestvensky (Nativity) Cathedral in Suzdal. Early 1
The Golden Gates from the Rozhdestvensky (Nativity) Cathedral in Suzdal
Early 13th century

Photo: Valentin Sklyarov

#2 2011 (31)

Natalya Sheredega

25857
Shoulder-piece (Armilla). Ressurection of Christ. Ca. 1170-1180
Shoulder-piece (Armilla). Ressurection of Christ
Ca. 1170-1180

Moselle school

Gilded copper; cloisonne enameling, champleve enameling

11.8 × 14.7 cm

Louvre

#2 2011 (31)

Natalya Sheredega

25858
Suzdal Yoke-necklets (Suzdal Chain). 12th-early 13th c.
Suzdal Yoke-necklets (Suzdal Chain)
12th-early 13th c.

Medallions: silver; chasing, carving, gilding, niello

#2 2011 (31)

Natalya Sheredega

25859
Folding Pectoral Icon. 1411-1412
Folding Pectoral Icon
1411-1412

Moscow

Silver, pearls; casting, chasing, carving, niello, gilding

9.5 × 6.5 × 1.3 cm

#2 2011 (31)

Natalya Sheredega

25860
Sakkos. C. 1665
Sakkos
C. 1665

Solvychegorsk

Workshop of Anna Ivanovna Stroganova

Canvas, tempera. 132 × 124 cm

#2 2011 (31)

Natalya Sheredega

25861
Serbian Alexandria. Mid-17th century
Serbian Alexandria
Mid-17th century

Illuminated manuscript

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25862
Revelations. 18th century
Revelations
18th century

Illuminated manuscript

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25863
The Teaching of Monk Palladius. Second half of the 18th century
The Teaching of Monk Palladius
Second half of the 18th century

Illuminated manuscript

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25864
Collection of the Life Stories of Saints From Uglich. 18th century
Collection of the Life Stories of Saints From Uglich
18th century

Illuminated manuscript

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25865
Revelations. 19th century
Revelations
19th century

Illuminated manuscript

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25866
Revelations. 19th century
Revelations
19th century

Illuminated manuscript

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25867
Ivan Krylov. Fables in Nine books. Illustrated by Academician Konstantin Trutovs
Ivan Krylov. Fables in Nine books. Illustrated by Academician Konstantin Trutovsky and Engraved by the Best Artists

St. Petersburg. 1864

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25868
Bible. 1751
Bible
1751

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25869
A page from the “Russian Folk Art Pictures”
A page from the “Russian Folk Art Pictures”

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25870
Russian Folk Art Pictures. Title page
Russian Folk Art Pictures. Title page

Compiled and reviewed by Dmitry Rovinsky.

Book I. Fairy Tales and Amusing Sheets. St. Petersburg, 1881.

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25871
Dmitry Rovinsky. History of the Russian Schools of Icon Painting
Dmitry Rovinsky. History of the Russian Schools of Icon Painting

St. Petersburg, 1856

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25872
Nikolai Ivanovich Utkin, His Life and Works
Nikolai Ivanovich Utkin, His Life and Works

Dmitry Rovinsky. St. Petersburg, 1884

Inscription: To Pavel Mikhailovich Tretyakov from the Author, with respecty

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25873
Karzinkin Alexander. On the Medals of Tsar Dimitry Ioannovich (False Dmitriy I)
Karzinkin Alexander. On the Medals of Tsar Dimitry Ioannovich (False Dmitriy I)

Moscow. Otto Herbeck’s Printing House and Letter Foundry. 1889

With Andrei Lenivov's signature

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25874
Christian Antiquities and Archaeology
Christian Antiquities and Archaeology

Monthly Journal published by Vasily Prokhorov. St. Petersburg, 1862-1878

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25875
Cover of the magazine “Comoedia illustré” June 15 1910
Cover of the magazine “Comoedia illustré” June 15 1910

#2 2011 (31)

Yelena Terkel

25876
“The Appearance of Christ Before the People”. A Painting by Alexander Ivanov. Re
“The Appearance of Christ Before the People”. A Painting by Alexander Ivanov. Review by Apollon Mokritsky
1858

Apollon Mokritsky, member of the Academy of Arts. Moscow, 1858

Inscription: «To Pavel Mikhailovich Tretyakov from the Author»

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25877
The Regulations on the Committee for Establishment of the Alexander III Imperial
The Regulations on the Committee for Establishment of the Alexander III Imperial University Museum of Fine Arts

Moscow, 1898

Ivan Tsvetaev's signature

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25878
Pavel Tretyakov’s notes in the margins of the book “Ivan Kramskoi. His Life, Let
Pavel Tretyakov’s notes in the margins of the book “Ivan Kramskoi. His Life, Letters and Art Criticism”

St. Petersburg, 1888

Tretyakov Gallery

#2 2011 (31)

Zoya Shergina

25879
Catalogue of Pavel Tretyakov’s book collection
Catalogue of Pavel Tretyakov’s book collection

Moscow, 1905

#2 2011 (31)

Zoya Shergina

25880
BLAST, War Number: Review of the Great English Vortex. July 1915
BLAST, War Number: Review of the Great English Vortex
July 1915

Cover designed by Wyndham Lewis, Before Antwerp. 1915

© by kind permission of the Wyndham Lewis Memorial Trust (a registered charity)

#3 2011 (32)

Fisun Guner

25881
A sheet from the “Art and Arts Industry” [Iskusstvo i khudozhestvennaya promyshl
A sheet from the “Art and Arts Industry” [Iskusstvo i khudozhestvennaya promyshlennost] magazine

No. 13 (October), 1899

Beginning of Vladimir Stasov’s article ‘Yelena Dmitrievna Polenova’

#4 2011 (33)

Yelena Terkel

25882
A sheet from the “World of Art” [Mir iskusstva] magazine
A sheet from the “World of Art” [Mir iskusstva] magazine

No. 3, 1904

Beginning of Natalya Borok’s (Polenova’s) article ‘Maria Yakunchikova’

#4 2011 (33)

Yelena Terkel

25883
Cover of the exhibitione catalog "THE RUSSIAN ART"
Cover of the exhibitione catalog "THE RUSSIAN ART"

Tretyakov Gallery

#4 2011 (33)

Eleonora Paston

25884
Catalogue of Ivan Kreitor’s exhibition “Fleurs, Femmes, Paris”
Catalogue of Ivan Kreitor’s exhibition “Fleurs, Femmes, Paris”

Paris. June 1924

Tretyakov Gallery, Manuscript Department

#1 2012 (34)

Natalya Iljina

25885
Invitation to the exhibition of Russian painters in Amsterdam. 1924
Invitation to the exhibition of Russian painters in Amsterdam. 1924
1924

Tretyakov Gallery, Manuscript Department

#1 2012 (34)

Natalya Iljina

25886
The title page of the book Pierre Reverdy. Le Chant des morts
The title page of the book Pierre Reverdy. Le Chant des morts

Paris, 1948

Lithograph by Pablo Picasso. 42 x 32 cm

#2 2012 (35)

Vitaly Mishin

25887
A double-page spread from the book Pierre Reverdy. Au Soleil  du plafond
A double-page spread from the book Pierre Reverdy. Au Soleil du plafond

Paris, 1955

A colour lithograph by Juan Gris. 42 x 64 cm

#2 2012 (35)

Vitaly Mishin

25888
A double-page spread from the book Joseph Brodsky. Romische Elegien (Римские эле
A double-page spread from the book Joseph Brodsky. Romische Elegien (Римские элегии)

Switzerland, St. Gallen, 1993

Lithograph by Antoni Tàpies. 36.5 x 57 cm

#2 2012 (35)

Vitaly Mishin

25889
A double-page spread from the book Hélène Baronne d’Oettingen (Roch Grey). Cheva
A double-page spread from the book Hélène Baronne d’Oettingen (Roch Grey). Chevaux de minuit

Cannes/Paris, 1956

Drypoint print by Pablo Picasso. 31 x 62 cm

#2 2012 (35)

Vitaly Mishin

25890
A double-page spread with the title page from the book Lewis Carroll. Alice’s Ad
A double-page spread with the title page from the book Lewis Carroll. Alice’s Adventures in Wonderland

New York, 1969

A print (colour etching) on the frontispiece by Salvador Dali. 43 x 57 cm

#2 2012 (35)

Vitaly Mishin

25891
A double-page spread from the book Adrian de Monluc. Le Courtisan grotesque
A double-page spread from the book Adrian de Monluc. Le Courtisan grotesque

Paris, 1974

A print (colour etching with aquatint) by Joan Miro. 44 x 58 cm

#2 2012 (35)

Vitaly Mishin

25892
A double-page spread from the book Joan Miro. Le Lézard aux plumes d’or
A double-page spread from the book Joan Miro. Le Lézard aux plumes d’or

Paris, 1971

A colour lithograph. 35 x 100 cm

#2 2012 (35)

Vitaly Mishin

25893
A page from the book Johann Wolfgang von Goethe. Faust
A page from the book Johann Wolfgang von Goethe. Faust

Geneva, 1969

Print (etching, drypoint) by Salvador Dali. 38 x 28 cm

#2 2012 (35)

Vitaly Mishin

25894
A page from the book Pablo Picasso. Poèmes et Lithographies
A page from the book Pablo Picasso. Poèmes et Lithographies

Paris, 1954

Lithograph by Pablo Picasso. 65 x 50 cm

#2 2012 (35)

Vitaly Mishin

25895
A double-page spread from the book François Rabelais. Gargantua
A double-page spread from the book François Rabelais. Gargantua

Toulon, 1955

A colour lithograph by Antoni Clavé. 38 x 56 cm

#2 2012 (35)

Vitaly Mishin

25896
A double-page spread from the book Jacques Prévert. Adonides
A double-page spread from the book Jacques Prévert. Adonides

Paris, 1975

A print (etching with aquatint) by Joan Miro. 39.5 x 66 cm

#2 2012 (35)

Vitaly Mishin

25897
Chess pieces “Red and White”. A set of 32 pieces. 1922-1925
Chess pieces “Red and White”. A set of 32 pieces
1922-1925

Designed by Natalya Danko (1898-1942), painted by Alexei Skvortsov

Porcelain, overglaze, gilt

State Porcelain Factory

Latvian National Museum of Art

#4 2012 (37)

Xenia Rudzite

25898
Alexandra Botkina. “Pavel Tretyakov in Life and Art”.
Alexandra Botkina. “Pavel Tretyakov in Life and Art”

New edition. Photo. 2012

#1 2013 (38)

Yelena Bekhtieva

25899
Horace Walpole. Frontispiece, Title page
Horace Walpole. Frontispiece, Title page

Aedes Walpolianae: or, A Description of the Collection of Pictures in Houghton-Hall in Norfolk, the Seat of the Right Honourable Sir Robert Walpole, Earl of Orford

London, 1747 [1748]

Getty Images

#4 2013 (41)

Marina Vaizey

25900
The sword of state and sheath of the sword
The sword of state and sheath of the sword

Length: 110 cm. Weight: 1300 grams

Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Øystein Ekroll

25901
The king’s crown. 1818
The king’s crown
1818

Goldsmith Olof Wihlborg.

20-carat gold, pearls and gems of various sizes including violet amethysts, red garnets, topazes, green chrysoprases, red and green tourmalines and emeralds

Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Øystein Ekroll

25902
Statue of St. Olav on the West Front of Nidaros Cathedral
Statue of St. Olav on the West Front of Nidaros Cathedral

Stinius Frederiksen, installed in 1973

Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Øystein Ekroll

25903
Front cover of “Der Blaue Reiter” (The Blue Rider) almanac. 1911
Front cover of “Der Blaue Reiter” (The Blue Rider) almanac
1911

Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Natalia Avtonomova

25904
Scandinavian exhibition catalogue cover. 1897
Scandinavian exhibition catalogue cover

Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Anna Poznanskaya

25905
Poster advertising “The Ballets Russes” performances in London in 1914
Poster advertising “The Ballets Russes” performances in London in 1914

Tretyakov Gallery

#1 2014 (42)

Inessa Kouteinikova

25906
The Story of the Miracles of The Fyodorovskaya Mother of God Icon. Frame-icon. 1
The Story of the Miracles of The Fyodorovskaya Mother of God Icon. Frame-icon
19th century

Tempera on wood

118 × 75 × 3.5 cm;  65 × 48.5 cm

Tretyakov Gallery

#1 2015 (46)

Tatiana Karpova

25907
Programme for the balls held by the Union of Russian Artists
Programme for the balls held by the Union of Russian Artists

#1 2016 (50)

Natella Voiskunski

25908
Poster for the balls held by the Union of Russian Artists
Poster for the balls held by the Union of Russian Artists

#1 2016 (50)

Natella Voiskunski

25909
Poster for the balls held by the Union of Russian Artists
Poster for the balls held by the Union of Russian Artists

#1 2016 (50)

Natella Voiskunski

25910
Plié fan “Group of Women in the Park by the Fountain”. Spain. 1850s
Plié fan “Group of Women in the Park by the Fountain”. Spain
1850s

Lithography, watercolour, whitewash, gold and silver paint on paper, embossing; wood carving.

Outer slat height 28.7 cm.

Screen height 11.7 cm.

Fan total width 55.4 cm

#1 2016 (50)

Anna Volkhovskaya

25911
Plié fan “Gala Dinner in the Park”. Spain. 1850s
Plié fan “Gala Dinner in the Park”. Spain
1850s

Whitewash, gouache, gold paint on paper; mother-of-pearl, carving, engraving.

Outer slat height 26.7 cm

Screen height 10.7 cm

Fan total width 50.7 cm

#1 2016 (50)

Anna Volkhovskaya

25912
Vase with Heraldic Badge of the Prince of Wales
Vase with Heraldic Badge of the Prince of Wales

Sergei Poskochin factory, Morye Village, St. Petersburg Province, Russia. 1830s

Creamware. Height: 24 cm, diameter of body: 11.2 cm.

Impressed mark reads “S. Poskochin”, impressed markings read “F.P.”

Entered the State Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25913
Plate with the Allegory of Peace
Plate with the Allegory of Peace

Spode factory, Stoke-on-Trent, Staffordshire, England. 1820s-1830s.

Overglaze transfer printing and painting on earthenware. Diameter: 25 cm

Impressed Spode mark and impressed marking 17.

Entered the Historical Museum collection in 1922 as part of a group of privatelyowned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25914
Plate with the “Geranium” pattern
Plate with the “Geranium” pattern

Brown-Westhead, Moore & Co, Hanley, Staffordshire, England. 1870s-1880s

Overglaze transfer printing on faience. Diameter: 26.3 cm

Round green underglaze BWM&C mark surrounded by the words “By Order of Korniloff Brothers St. Petersburg’, next to the Royal Coat of Arms

Donated by A. Elkina in 1874

Between 1861 and 1904, the William Ridgway works in Cauldon Place, Hanley were owned by Brown-Westhead, Moore & Co. The shapes and designs favoured by the previous owners remained in active use during this period. The Geranium pattern was registered on 17 March 1847. Items with floral décor were extremely popular with Russian buyers. The Historical Museum has in its collection several plates made by the company to orders from the Brothers Korniloff and Kulkov, intended for sale in specialized stores in St. Petersburg

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25915
Plate “Transportation of the Thunder Stone in the Presence of Catherine the Seco
Plate “Transportation of the Thunder Stone in the Presence of Catherine the Second”

Wedgwood factory, Etruria, Staffordshire, England. Late 1770s-early 1780s

Underglaze transfer printing and lustre on earthenware

Diameter: 19.2 cm. Impressed Wedgwood mark

Donated by Maria Zabelina in 1909

The transfer-printed design was inspired by the engraving “View of the Thunder Stone during Its Transportation in the Presence of Catherine the Second on the 20th Day of January 1770” by Jakob van der Schley, after a drawing by Yury Felten (1770). Found one mile outside St. Petersburg, the massive Thunder Stone was used to form the pedestal for the famous Bronze Horseman statue of Peter the Great by the sculptor Etienne Falconet (1716-1791). Moving the 2,400-ton stone to the centre of the city was a truly herculean task. During transportation, 46 stonemasons laboured to shape the huge rock into a suitable pedestal. On 26 September 1770, the mighty Thunder Stone finally rolled into St. Petersburg’s Senate Square to cheers from a massive crowd

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25916
Plate “Battle of Borodino. 1812”
Plate “Battle of Borodino. 1812”

Wedgwood factory, Etruria, Staffordshire, England. 1820s-1830s

Overglaze transfer printing on Queen’s ware. Diameter: 25.2 cm

Impressed Wedgwood mark and impressed marking in the form of four dots

Donated as part of Pyotr Shchukin’s collection in 1905. 

This Queen’s ware plate with overglaze transfer printing depicts the second medallion from a series on the 1812 French Invasion of Russia. The famous series was created by the artist Fyodor Tolstoy (1783-1873). The plate’s design was based on a book published in 1818, containing prints of all 19 medallions made by the engraver Nikolai Utkin (1780-1863)

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25917
Warming Plate Showing a Steam Engine and Coal Wagon
Warming Plate Showing a Steam Engine and Coal Wagon

William T. Copeland & Sons Pottery, Stoke-on-Trent, Staffordshire, England. 1859-1875.

Overglaze transfer printing and painting on earthenware. Diameter: 25.5 cm.

Oval green underglaze mark showing a buckled belt with the word “Copeland” in the centre, surrounded by the inscription “By Order of A. Kniajevsky”.

Acquired in 1936 from Artistic Technology Classroom 1 of Moscow. State University

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25918
Mug
Mug

Kiev-Mezhegorsky faience factory, Kiev, Russia. 1830s

Coloured glaze on faience. Height: 7 cm, diameter: 7.5 cm

Impressed mark in the centre of the underside reads “Kiev 9”

Entered the Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

The relief decoration on the mug shows Venus floating in a large shell drawn by dolphins, accompanied by Cupid on a dolphin and the flying Iris, goddess of the rainbow, accompanied by Cupid on an eagle. The group symbolizes the elements of air and water. The decoration was most probably created by a designer from the John Turner factory. Together with Josiah Wedgwood and William Adams, Turner was one of the main pioneers of jasperware production in the second half of the 18th century. Indeed, George and Frederick Rhead have suggested that Wedgwood deliberately instructed Turner in the art of jasperware-making, so as Turner could further improve the practice.15 Usually regarded as one of Wedgwood’s best-known imitators, Turner nevertheless also developed his own unique subjects, totally unconnected with any of the relief decorations used by the Etruria Works. Such allegorical representations of the natural elements in the form of deities were copied not only by other English factories, but also by Europeans and Russian ones.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25919
Pitcher with “Wisdom and Providence” Pattern
Pitcher with “Wisdom and Providence” Pattern

Kiev-Mezhegorsky faience works, Kiev, Russia. 1849

Coloured glaze on faience. Height: 16.3 cm, diameter of body: 9.4 cm

Impressed mark in the centre of the underside reads “Kiev, May 1849”, impressed marking “41”.

Acquired in 1936 from Artistic Technology Classroom 1 of Moscow State University.

This item was created as a copy of the “Wisdom and Providence” milk jugs made by a number of English factories such as Minton & Co., Samuel Alcock & Co. and Charles Meigh. The design was inspired by the decoration of the pendentives in the Common Council Chamber in London’s Guildhall. Created by Jean-François Rigaud, a French artist who had settled in England, these depicted allegorical emblems of Providence, Innocence, Wisdom and Happiness in the Italian baroque style. The work was commissioned and funded by Alderman John Boydell, a well-known publisher and patron of the arts. Created in 1794, by 1819 the emblems had, sadly, been practically destroyed by the exceptional damp of the building.
A guidebook to the Guildhall published that year states that “these Paintings never dried perfectly and turned black. They exist no longer.”
 In 1799 Boydell published prints of the paintings, having commissioned Benjamin Smith to create that of Providence and Innocence, Jean Pierre Simon to make the print of Wisdom, and Thomas Burke that of Happiness. These prints served as the source for relief decorations on chinaware.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25920
Plate with Italian View
Plate with Italian View

Kiev-Mezhegorsky faience factory, Kiev, Russia. 1831

Underglaze transfer printing on faience

Diameter: 24.5 cm

Impressed mark in the centre of the underside reads “Kiev 1831 November”

Acquired in 1987 from Moscow City Court

The design is based on the print “Ponte del Palazzo” by Elizabeth Frances Batty, from the book “Italian Scenery” published in London in 1820. The prints in this edition gave rise to the Italian Scenery series of transfer-printed designs for dinner services made by John Meir, Enoch Wood & Sons, and Leeds Pottery.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25921
Mug with Lid Decorated with Fox-hunting Scene
Mug with Lid Decorated with Fox-hunting Scene

Sergei Poskochin factory, Morye Village, St. Petersburg Province, Russia. 1830s

Relief decoration, coloured faience, faience

Height: 8.5 cm (with lid: 11.3 cm), diameter: 8.1 cm

Impressed mark reads “S. Poskochin”, second impressed mark reads “B.S.”

Donated by L.F. Pyrina in 1964

Fox-hunting scenes are among the most common designs used in English pottery. Josiah Wedgwood was the first to use a fox-hunting relief decoration for his jasperware

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25922
“Hearty Good Fellow” Toby Jug
“Hearty Good Fellow” Toby Jug

Andrei Auerbach factory, Kuznetsovo Village, Korchevsky Uyezd, Tver Province, Russia. 1817-1833

Overglaze painting on faience

Height: 26 cm, base measures 11.5 by 10.5 cm

Impressed mark reads “AK”

Entered the State Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed. 

The “Hearty Good Fellow” Toby Jug shows a simple, jovial country man. The jugs were based on a satirical print attributed to Francis Hayman (1708-1776), inspired by a poem of the same title.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25923
George Whitfield (Night Watchman) Toby Jug
George Whitfield (Night Watchman) Toby Jug

Sergei Poskochin factory, Morye Village, St. Petersburg Province, Russia. 1830s

Underglaze and overglaze painting and lustre on faience

Height: 23.5 cm, base measures 10.2 by 13.5 cm

Impressed mark reads “S. Poskochin”, impressed markings read “N”

Donated as part of Nikolai Mironov’s collection in 1917.

Toby Jugs are pottery jugs, usually in the form of a seated figure in 18th century costume. The first such jugs appeared in the 1760s and have been widely copied by ceramics factories all over England up until the present day. Dozens

of different designs exist, from Sailors and Coal Miners to Squires and Planters.
In the late 18th-early 19th century, Toby Jugs parodying historical figures became especially popular. One of the founders of the Methodist movement, George Whitfield (1714-1770) helped spread the Great Awakening in Britain and America.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25924
Teapot with Heraldic Badge of the Prince of Wales
Teapot with Heraldic Badge of the Prince of Wales

Wedgwood factory, Staffordshire, England. 1810s

Black Basalt ware.

Height: 24 cm, base measures 12.5 by 9.5 cm

Entered the State Historical Museum collection in 1925 from the Museum of Old Moscow.

This elaborately shaped teapot is decorated with rich relief-work. The middle of the body features oak boughs with acorns. Above these, a laurel wreath encircles the Prince of Wales’s feathers – the heraldic badge of the Prince of Wales. The spout is in the form of a lion’s head, with the handle in the shape of a dolphin. Just as the lion is king among beasts, in the heraldic sense, the dolphin was considered the king of fishes. The decoration shows Britain’s special status as an empire and a seafaring nation. The top of the lid is shaped like St. Edward’s Crown – the centrepiece of the British regalia, used to crown new monarchs.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25925
Tea Service
Tea Service

Wedgwood factory, Etruria, Staffordshire, England. 1830s

Underglaze transfer printing on pearl ware. Impressed Wedgwood mark

Entered the Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25926
Vase
Vase

Wedgwood factory, Etruria, Staffordshire, England. 1800-1810s

Queen’s ware. Height: 27.5 cm, diameter: 18.5 cm

Impressed Wedgwood mark

Entered the Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25927
Creamer with Lid
Creamer with Lid

Terekhovs and Kiselev factory, Rechitsy Village, Bronnitsky Uyezd, Moscow Province, Russia. 1830-1840s.

Coloured faience with relief decoration.

Height: 8 cm, diameter: 9.5 cm.

Impressed mark reads “Terekhova i Kiseleva” (Terekhovs and Kiselev) .

Entered the Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25928
Plate
Plate

Kiev-Mezhegorsky faience factory, Kiev, Russia. 1830s-1840s

Underglaze transfer printing on faience. Diameter: 24 cm.

Impressed mark reads “Kiev”, underglaze green mark in the shape of the Royal Coat of Arms reads “Mezh- ygoriye”.

Entered the Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25929
“Winter Palace” Saucer
“Winter Palace” Saucer

M.S. Kuznetsov Company, Kuznetsovo Village, Korchevsky Uyezd, Tver Province, Russia. 1889-1900s.

Underglaze transfer printing on faience.

Diameter: 15.5 cm

Red underglaze mark in the form of the Royal Coat of Arms with the words “Manufactory M.S.K.”, red underglaze mark in the form of a shield reads “M.S.K. Tverskoi gub.” (M.S.K. Tver Province)

Donated by E.P. Eliseeva in 1968.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25930
Plate “Statue of Nicholas I in St. Petersburg”
Plate “Statue of Nicholas I in St. Petersburg”

Wedgwood & Co, Tunstall, Staffordshire, England. 1870-1880s

Underglaze printing on ironstone ware.

Diameter: 27 cm

Brown underglaze patent mark in the form of the Royal Coat of Arms surrounded by the initials “D.W.”.

Purchased from R.M. Leonova in 1951

Pattern patented under the name “St. Petersburg”

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25931
Plate with Pattern Imitating Folk Embroidery
Plate with Pattern Imitating Folk Embroidery

Brown-Westhead, Moore & Co, Hanley, Staffordshire, England. 1870-1880s

Underglaze transfer printing on ironstone ware.

Diameter: 27 cm.

Red underglaze mark in the form of a shield with diagonal inscription that reads “BWM&C”.

The shield is surrounded by the inscription “Moskow” and the Royal Coat of Arms.

Purchased from A.A. Izhorskaya in 1983.

Décor patented on 25 September 1868 under the name “Moscow”

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25932
Plate “Acropolis”
Plate “Acropolis”

George L. Ashworth and Brothers, Hanley, Staffordshire, England. 1860s

Underglaze transfer printing on ironstone ware.

Diameter:  27 cm

Impressed Ashworth mark, purple underglaze mark in the form of a sarcoph- agus with the word “Acropolis” inside and the words “G.L.A. & Bros.” underneath.

Patent mark in the form of the Royal Coat of Arms with the initials “DW” to either side.

Entered the museum collection in 1940 from the Alexandrovskaya Sloboda Museum.

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25933
Plate with “Acropolis” Pattern
Plate with “Acropolis” Pattern

M.S. Kuznetsov Company, Kuznetsovo Village, Korchevsky Uyezd, Tver Province, Russia. 1889-1900s.

Underglaze transfer printing on faience

Diameter: 15.5 cm

Impressed mark in the form of a double-headed eagle with the words “fmr. Auerbach”, red underglaze mark in the form of the Royal Coat of Arms with the words “Manufactory M.S.K.”, trademark with the words “S.I. Velikanoff a Rostoff sur le Don”.

Purchased from A.I. Bavakina in 1958

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25934
Coffee Service with Pattern Imitating Folk Embroidery
Coffee Service with Pattern Imitating Folk Embroidery

Brothers Korniloff factory, St. Petersburg, Russia. 1880s-1890s

Overglaze transfer printing, painting and gilding on porcelain

Multicoloured overglaze transfer mark in the form of a double-headed eagle with the words “Bratiev Kornilovykh v SPeterburge” (Brothers Korniloff in St. Petersburg).

Purchased from N.N. Tretyakova in 1995

The decoration uses a fragment of the English transfer-printed Moscow design

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25935
Plate
Plate

Brothers Novy factory, Kuzyayevo Village, Bogorodsky Uyezd, Moscow Province, Russia. 1840s.

Underglaze transfer printing on faience.

Diameter: 25.3 cm

Impressed “bratiev Novykh” (brothers Novy) mark, black underglaze mark in the form of a basket of flowers, with the words “bratiev Novykh” (brothers Novy)

Entered the Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25936
Plate with “Acropolis” Pattern
Plate with “Acropolis” Pattern

Brothers Samsonov, Kosherovo Village, Bogorodsky Uyezd, Moscow Province, Russia. 1850s-1875

Underglaze transfer printing on faience

Diameter: 25 cm

Impressed oblong mark with the initials “B.S.”, black underglaze mark in the form of a caduceus with the words “FB Zamzonof”

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25937
Plate with “Zodiac” Pattern
Plate with “Zodiac” Pattern

Wedgwood factory, Etruria, Staffordshire, England. 1840s

Underglaze transfer printing on pearl ware

Diameter: 24.5 cm

Impressed Wedgwood mark and green underglaze mark bearing the name of the pattern (“Zodiac”).

Entered the State Historical Museum collection in 1922 as part of a group of privately owned items submitted for safekeeping during World War One (1914-1918) and never reclaimed

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25938
Plate with Bouquet Design
Plate with Bouquet Design

Andrei Khrapunov-Novy factory, Kuziayevo Village, Bogorodsky Uyezd, Moscow Province, Russia. 1850s-1890s

Underglaze transfer printing on faience

Diameter: 24.5 cm

Black underglaze mark in the form of a basket of flowers, with the words “Khrapunova Novago”.

Purchased in 1974 from Ye.S. Shaposhnikova

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25939
Soup Tureen
Soup Tureen

Terekhovs and Kiselev factory, Rechitsy Village, Bronnitsky Uyezd, Moscow Province, Russia. 1840s

Underglaze transfer printing on faience

Height: 27.5 cm; 42 x 27 cm

Green underglaze mark in the form of a basket of flowers decorated with the words “Terekhova i Kiseleva” (Terekhovs and Kiselev)

Purchased in 1987 through a commission shop

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25940
Plate
Plate

Shirobokov, Dipedri and Borisov factory, Gorodische Village, Vyshnevolotsky Uyezd, Tver Province, Russia. 1844-1854.

Underglaze transfer printing on yellow faience.

Diameter: 25.7 cm

Impressed “Shirobokov Depedri Barisov” mark, black underglaze mark in the form of a vignette, with the words “F Shirobokova Depedri Barisova v Gorodische” (Shirobokov Dipedri Borisov in Gorodishche). Stamped mark in the form of the number “10”, stamped mark in the form of a rosette with seven petals and stamped black underglaze mark with the letter “K”.

Purchased from M. Riabova in 1936

State Historical Museum, Moscow

#2 2016 (51)

Darya Tarligina

25941
Cover of the “Makovets” magazine (No. 2, 1922)
Cover of the “Makovets” magazine (No. 2, 1922)

31.5 × 24.5 cm

#3 2016 (52)

Yelena Krylova

25942
A model of the 120-gun ship "The Twelve Apostles" built in 1841. 1958
A model of the 120-gun ship "The Twelve Apostles" built in 1841
1958

Anatoly Kaplanovsky – model-maker, captain.

Wood, copper, fabric, cotton.

Handmade. 90 × 120 × 30 cm, scale 1:96.

#4 2016 (53)

Galina Churak

25943
Magnetic eight-inch compass, "dry" type, with course recorder in metal case. 185
Magnetic eight-inch compass, "dry" type, with course recorder in metal case
1850

With case

D. Napier & Son. London.

Metal, wood, glass, paper. Factory-manufactured.

34.5 × 28 × 28 cm – with case

Central Naval Museum, St. Petersburg

#4 2016 (53)

Galina Churak

25944
Celestial floor globe. Late 18th century
Celestial floor globe
Late 18th century

Samuel Faber Atelier “M. Jon. Lud. Andrex. Noriberg”

Cardboard, metal, wood, filler, paint. Handmade.

Diameter 67 cm, height 72 cm, globe diameter 47 cm

#4 2016 (53)

Galina Churak

25945
Cream jug with lid, decorated on one side of the body with a reproduction of I.A
Cream jug with lid, decorated on one side of the body with a reproduction of Ivan Aivazovsky’s “Sevastopol. Grafskaya Quay and Nikolayevskaya Battery”

Height: 15.3 cm, length: 12.2 cm

Green underglaze mark features a crown with “A II” underneath

Peterhof Museum-Reserve

#4 2016 (53)

Tamara Nosovich

25946
Tea cup and saucer.  The cup is decorated with a reproduction of Ivan Aivazovsky
Tea cup and saucer. The cup is decorated with a reproduction of Ivan Aivazovsky’s “Old Feodosia”

Tea cup height: 6.6 cm, length 9 cm

Saucer height: 2 cm, diameter 12.5 cm

Peterhof Museum-Reserve

#4 2016 (53)

Tamara Nosovich

25947
Tea cup and saucer. The cup is decorated with a reproduction of Ivan Aivazovsky’
Tea cup and saucer. The cup is decorated with a reproduction of Ivan Aivazovsky’s “Pier in Feodosia”
Miscellaneous

Tea cup height: 6.6 cm, length 9 cm

Saucer height: 2 cm, diameter 12.5 cm

Peterhof Museum-Reserve

#4 2016 (53)

Tamara Nosovich

25948
Tea cup and saucer. The cup is decorated with a reproduction of Ivan Aivazovsky’
Tea cup and saucer. The cup is decorated with a reproduction of Ivan Aivazovsky’s “Frigate under Sail”

Tea cup height: 6.6 cm, length 9 cm

Saucer height: 2 cm, diameter 12.5 cm

Peterhof Museum-Reserve

#4 2016 (53)

Tamara Nosovich

25949
Sugar bowl with lid
Sugar bowl with lid

Height: 16.3 cm, length: 15.8 cm

Peterhof Museum-Reserve

#4 2016 (53)

Tamara Nosovich

25950
Album owned by the family of Feodosia town  governor Pavel Gayevsky. First half
Album owned by the family of Feodosia town governor Pavel Gayevsky
First half of the 19th century

Gold embossing, bronze on leather

Private collection, Moscow

#4 2016 (53)

Roman Troshin

25951
A Cup with a Saucer. 1920s
A Cup with a Saucer
1920s

Painted with design by Wassily Kandinsky

Dulyovo porcelain factory

Porcelain, overglaze painting

Height of the cup – 6.8 cm

Diameter of the saucer – 14 cm

Museum of Ceramics at the Kuskovo 18th Century Country Estate

#2 2017 (55)

Natalia Avtonomova

25952
A Cup with a Saucer. 1920s
A Cup with a Saucer
1920s

Painted with design by Wassily Kandinsky

Porcelain, overglaze painting

Height of the cup – 5 cm

Diameter of the saucer – 14.5 cm

Moscow Stroganov University of Art and Industry

#2 2017 (55)

Natalia Avtonomova

25953
Vesy (Libra). Magazine cover (sketch by Léon Bakst). 1904
Vesy (Libra). Magazine cover (sketch by Léon Bakst)
1904

Coloured woodcut

#2 2017 (55)

Yelena Terkel

25954
Severnye tsvety (Northern Flowers).  The cover of the almanac of the publishing
Severnye tsvety (Northern Flowers). The cover of the almanac of the publishing house “Scorpion”
1903

Woodcut

#2 2017 (55)

Yelena Terkel

25955
Apollo. Magazine cover (sketch by Léon Bakst). 1909
Apollo. Magazine cover (sketch by Léon Bakst)
1909

Coloured woodcut

#2 2017 (55)

Yelena Terkel

25956
Plate. Qing dynasty. 18th century
Plate
18th century

Porcelain, polychrome paint

The Jiangxi Provincial Museum

#3 2017 (56)

25957
Vase with decoration of flowers of white plum against a red background
Vase with decoration of flowers of white plum against a red background

Contemporary.

Artist Fan Minqi

Porcelain, polychrome paint with ‘famille rose’ colour scheme

The Jiangxi Provincial Museum

#3 2017 (56)

25958
Qin Gong Gui
Qin Gong Gui

Bronze ware                                           

Spring and Autumn Period (770-453 BCE)

Height: 23.5 cm    

Shanghai Museum

#3 2017 (56)

25959
Zi Zong Jiang Pan
Zi Zong Jiang Pan

Bronze ware

Early Spring and Autumn Period (770-453 BCE)

Diameter: 45 cm 

Shanghai Museum

#3 2017 (56)

25960
Da Ke Ding
Da Ke Ding

Bronze ware

King Xiao of Zhou Era (891-886 BCE)

Height: 93.1 cm

Shanghai Museum

#3 2017 (56)

25961
Famille-rose Vase with Bat and Peach Patterns Jingdezhen ware Porcelain
Famille-rose Vase with Bat and Peach Patterns Jingdezhen ware Porcelain

Emperor Yongzheng,Qing Dynasty (1723-1735)

Height: 39.5 cm

Shanghai Museum

#3 2017 (56)

25962
Famille-rose Hundred Deer Vase Jingdezhen ware Porcelain
Famille-rose Hundred Deer Vase Jingdezhen ware Porcelain

Emperor Qianlong, Qing Dynasty (1736-1796)

Height: 44.4 cm 

Shanghai Museum

#3 2017 (56)

25963
Moon-white Glaze Vase Jun ware Porcelain
Moon-white Glaze Vase Jun ware Porcelain

Northern Song Dynasty (960-1127)

Height: 26.1 cm

Shanghai Museum

#3 2017 (56)

25964
Underglaze-blue Barbed Rim Plate with Gourd, Bamboo, and Grape Vine Patterns Jin
Underglaze-blue Barbed Rim Plate with Gourd, Bamboo, and Grape Vine Patterns Jingdezhen ware Porcelain

Yuan Dynasty (1260-1368)

Diameter: 45 cm

Shanghai Museum

#3 2017 (56)

25965
Ruby-ground Famille-rose Altar Vase Jingdezhen ware Porcelain
Ruby-ground Famille-rose Altar Vase Jingdezhen ware Porcelain

Emperor Qianlong, Qing Dynasty (1736-1796)

Height: 24 cm

Shanghai Museum

#3 2017 (56)

25966
Bitter Bamboo
Bitter Bamboo

Shoot Note

Model Scroll in Cursive Script

Silk scroll

Huai Su, Tang Dynasty (618-907)

Length: 25.1 cm

Shanghai Museum

#3 2017 (56)

25967
Duck-Head Pill Note
Duck-Head Pill Note

Model Scroll in Сursive Script

Silk scroll

Wang Xianzhi, Eastern Jin Dynasty (317-420)

Length: 26.1 cm 

Shanghai Museum

#3 2017 (56)

25968
Hermit's Hand Scroll
Hermit's Hand Scroll

Colour on Silk scroll                                              

Sun Wei, Tang Dynasty (618-907)                                         

Length: 45.2 cm    

Shanghai Museum

#3 2017 (56)

25969
Multi-View Pavilion Poetry Book in Running Script
Multi-View Pavilion Poetry Book in Running Script

Paper

Mi Fu, Northern Song Dynasty (960-1127)

31.2 x 53.1 cm

Shanghai Museum

#3 2017 (56)

25970
Jade Divine Figure
Jade Divine Figure

Jade ware                                              

Late Neolithic Era                                   

Height: 10.3 cm

Shanghai Museum

#3 2017 (56)

25971
Carved Ivory Brush-holder with Cabbage Pattern
Carved Ivory Brush-holder with Cabbage Pattern

Ivory

Qing Dynasty (1636-1912)

Shanghai Museum

#3 2017 (56)

25972
Carved Red Lacquer Dish with Peony and a Pair of Paradise Flycatchers
Carved Red Lacquer Dish with Peony and a Pair of Paradise Flycatchers

Lacquerware

Ming Dynasty (1368-1644)

Diameter: 31.3 cm

Shanghai Museum

#3 2017 (56)

25973
Carved Red Lacquer Box with Flower Design and Yongle Mark Lacquerware
Carved Red Lacquer Box with Flower Design and Yongle Mark Lacquerware

Yongle Era, Ming Dynasty (1402-1424)

Diameter: 5.6 cm

Shanghai Museum

#3 2017 (56)

25974
Bodiless Colour-lacquer Plate with Dragon-headed Fish and Peach Designs Made by
Bodiless Colour-lacquer Plate with Dragon-headed Fish and Peach Designs Made by Shen Zhenggao Lacquerware

Xuantong Era, Qing Dynasty (1909-1911)

Height: 66.7 cm

Shanghai Museum

#3 2017 (56)

25975
Rhinoceros Horn Cup with Openwork Carvings of flower and Dragon Patterns
Rhinoceros Horn Cup with Openwork Carvings of flower and Dragon Patterns

Rhinoceros horn

Late Ming Dynasty (1368-1644)

Height: 23.7 cm

Shanghai Museum

#3 2017 (56)

25976
Yellow Rosewood Armchair with a Round Back
Yellow Rosewood Armchair with a Round Back

Ming Dynasty (1368-1644)

Height: 112 cm

Shanghai Museum

#3 2017 (56)

25977
Yellow Rosewood Chair with a Mandarin-cap Shape and Yoke Back
Yellow Rosewood Chair with a Mandarin-cap Shape and Yoke Back

Ming Dynasty (1368-1644)

Height: 119.5 cm

Shanghai Museum

#3 2017 (56)

25978
Carved Red Lacquer Throne with Nine-dragon Design Lacquerware
Carved Red Lacquer Throne with Nine-dragon Design Lacquerware

Qing Dynasty (1644-1911)

Height: 101 cm

Shanghai Museum

#3 2017 (56)

25979
Gilt-lead Ashoka Pagoda
Gilt-lead Ashoka Pagoda

Gilt lead

Northern Song Dynasty (960-1127)

Height: 25 cm

Shanghai Museum

#3 2017 (56)

25980
Dignitary Tomb of Liangzhu Culture
Dignitary Tomb of Liangzhu Culture

Fuquanshan Site, Shanghai

Panoramic view of M207

#3 2017 (56)

25981
The Glass Beaded Salon. Baluster vase with cover (Guan type)
The Glass Beaded Salon. Baluster vase with cover (Guan type)

Imari workshop (Arita), Japan, Hizen Province,

Arita. End of 17th-first half of 18th century

(Edo period, 1603-1868)

#3 2017 (56)

Tatyana Syasina

25982
The Glass Beaded Salon. Fireplace screen. 1764-1767
The Glass Beaded Salon. Fireplace screen
1764-1767

Russia

Workshop of Madame de Chele

Wood, chenille, glass beads, canvas, carving, gold coating

#3 2017 (56)

Tatyana Syasina

25983
Mosaic table
Mosaic table

After a design of Jacopo Martini (1716-1793).

Pererhof Lapidary Factory (mosaic set); workshop of Yermolay Erlant (table supports). 1772-1779 (?)

#3 2017 (56)

Tatyana Syasina

25984
Paired Vases. China. Mid-19th century
Paired Vases. China
Mid-19th century

Peterhof Museum-Reserve

#3 2017 (56)

Anna Shulgat

25985
Folk painting “Guan Sheng Captured in the Backwaters of the Lianshan River”. Lat
Folk painting “Guan Sheng Captured in the Backwaters of the Lianshan River”
Late 19th-early 20th centuries

China

Peterhof Museum-Reserve

#3 2017 (56)

Anna Shulgat

25986
St. Ambrose of Milan
St. Ambrose of Milan

Mosaic. 12th century

Palatine Chapel, Palermo

#1 2018 (58)

Svetlana Stepanova

25987
St. Ambrose of Milan
St. Ambrose of Milan

Mosaic. 11th century

St. Mark’s Basilica, Venice

#1 2018 (58)

Svetlana Stepanova

25988
Embroidered gonfalon of Milan depicting St. Ambrose. 16th century
Embroidered gonfalon of Milan depicting St. Ambrose
16th century

Museum of Ancient Art, Sforza Castle, Milan

#1 2018 (58)

Svetlana Stepanova

25989
Album: “The Imperial Porcelain Factory. Easter Eggs. St. Petersburg. Private Col
Album: “The Imperial Porcelain Factory. Easter Eggs. St. Petersburg. Private Collection”

Project manager: Natella Voiskounski; Author: Ivan Golsky.

Moscow, GRANY

Foundation, 2017. 426 pp.: illustrated.

#2 2018 (59)

Ivan Golsky

25990
“Lithographs of the Imperial Hermitage Gallery by the French artists Dupressoir,
“Lithographs of the Imperial Hermitage Gallery by the French artists Dupressoir, Emile Robillard and Hippolyte Robillard, Huot, et al.”

Printed by Paul Petit. Dedicated to Her Majesty the Empress of Russia and under the special patronage of Her Imperial Highness. Volumes 1 and 2. St. Petersburg, Gohier-Defontaines and Paul Petit.

Volume 1 (1845): 1 title page, 1 dedication page, 32 pages and 55 illustrations.

Volume 2 (1847): 1 title page, 32 pages, 57 illustrations.

52.5 × 38.7 cm

Text in Russian and French.

#2 2018 (59)

Ivan Golsky

25991
Michael the Archangel
Michael the Archangel

Porcelain tablet painted with a copy of “Michael the Archangel” (Inv. title: Tablet with image of St. George)

Painter: Alexander Nesterov.

IPF. 1844

State Hermitage.

The Imperial Porcelain Factory Museum

#2 2018 (59)

Ivan Golsky

25992
Saint (thought to be St. Alexandra)
Saint (thought to be St. Alexandra)

Porcelain tablet with image of a Saint (thought to be St. Alexandra)

IPF. 1825-1855

State Hermitage.

The Imperial Porcelain Factory Museum

#2 2018 (59)

Ivan Golsky

25993
Easter Egg
Easter Egg

Imperial Porcelain Factory, St. Petersburg. 1860-1870s (?)

Bisque, perforation, relief.

Height - 8.2 cm

#2 2018 (59)

Ivan Golsky

25994
Easter Egg “Madonna and Child with an Angel”
Easter Egg “Madonna and Child with an Angel”

Imperial Porcelain Factory, St. Petersburg. 1870s

Underglaze cobalt, overglaze polychrome painting, gilt, diverging pattern on porcelain.

Height - 10.9 cm

Egg with painting after “Nursing Madonna with an Angel” by Antonio da Correggio. 1489-1534.

Purchased by Imperial Hermitage (State Hermitage, inv. № ГЭ-87) from I. Kazanova in Dresden, Germany.

The work is currently housed in the Museum of Fine Arts, Budapest (Inv. № 55)

#2 2018 (59)

Ivan Golsky

25995
Easter Egg “Madonna and Child”
Easter Egg “Madonna and Child”

Imperial Porcelain Factory, St. Petersburg. 1870s

Signed by porcelain painter’s initials: A.S.

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 11.2 cm

Egg with painting after “Madonna and Child” (1787) by Andrea del Sarto (1486-1530)

From the Imperial Hermitage collection

#2 2018 (59)

Ivan Golsky

25996
Easter Egg “The Allegory of Faith”
Easter Egg “The Allegory of Faith”

Imperial Porcelain Factory, St. Petersburg. 1845-1855

Overglaze laying, overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 9.1 cm

Egg with painting after “The Allegory of Faith” by Moretto da Brescia (1498-1554). c. 1540.

Acquired by the Imperial Hermitage collection (inv. № ГЭ-20) in 1772 from the Paris collection of L.-A. Crozat, Baron de Thiers (1661-1740).

#2 2018 (59)

Ivan Golsky

25997
Easter Egg “Christ Carrying the Cross”
Easter Egg “Christ Carrying the Cross”

Imperial Porcelain Factory, St. Petersburg. 1845-1855

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 8.5 cm

Egg with painting after “Christ Carrying the Cross” by Lodovico Carracci (1555-1619)

Acquired by the Imperial Hermitage (Inv. № ГЭ-1613) in 1779 from the collection of François Tronschen (1704-1798) in Geneva, Switzerland.

The painting is currently attributed to an unknown 17th century artist of the Bolognese School.

#2 2018 (59)

Ivan Golsky

25998
Easter Egg “Rest of the Holy Family on the Flight into Egypt”
Easter Egg “Rest of the Holy Family on the Flight into Egypt”

Imperial Porcelain Factory, St. Petersburg. 1870s

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 9.1 cm

Egg with painting after the print from “Rest on the Flight into Egypt” (1630-1635) by Pier Francesco Mola (1612-1666). Currently at the National Gallery, London

#2 2018 (59)

Ivan Golsky

25999
Easter Egg “St. Mary Magdalene”
Easter Egg “St. Mary Magdalene”

Imperial Porcelain Factory,St. Petersburg. 1830-1840s

Signed with painter’s initials: A.P.

Overglaze polychrome painting, gilt on paste, diverging pattern on porcelain.

Height - 8.8 cm

Egg with painting after the print from “St. Mary Magdalene” by Guido Reni (1634-1635). Currently at the National Gallery, London

#2 2018 (59)

Ivan Golsky

26000
Easter Egg "Angels Came and Ministered unto Christ in the Desert"
Easter Egg "Angels Came and Ministered unto Christ in the Desert"

Imperial Porcelain Factory, St. Petersburg. 1830s

Overglaze polychrome painting, gilt on porcelain.

Height - 8.4 cm

In 2001 the painting on this Easter Egg was mistakenly identified as “Three Angels by the Oak of Mamre”.

#2 2018 (59)

Ivan Golsky

26001
Easter Egg “Jesus Christ and the Samaritan Woman”
Easter Egg “Jesus Christ and the Samaritan Woman”

Imperial Porcelain Factory, St. Petersburg. 1870s

Overglaze polychrome painting, enamel, gilt, imitation of diverging pattern on porcelain.

Height - 8.2 cm

#2 2018 (59)

Ivan Golsky

26002
Easter Egg "The Annunciation"
Easter Egg "The Annunciation"

Imperial Porcelain Factory, St. Petersburg. 1830-1840s

Underglaze cobalt laying, overglaze polychrome painting, platinatation, gilt on porcelain.

Height - 8.9 cm

Egg with painting after the print from “The Annunciation” by Pierre Dulin (1669-1748)

#2 2018 (59)

Ivan Golsky

26003
Easter Egg
Easter Egg

Imperial Porcelain Factory, St. Petersburg. 1750-1760s

Overglaze monochrome painting, gilt on porcelain.

Height - 6.7 cm

Egg with painting on one side after the print “The Annunciation”. The State Hermitage online digital catalogue lists a 19th century lithograph of an earlier composition “The Annunciation” by the lithographer Legris. 

Inv.: ОГ-391883

URL: http://e-expo.hermitage.ru/

#2 2018 (59)

Ivan Golsky

26004
Easter Egg "The Infant Christ with a Floral Wreath"
Easter Egg "The Infant Christ with a Floral Wreath"

Imperial Porcelain Factory, St. Petersburg. 1862-1870s

Signed with the painter’s initial: P.

Overglaze polychrome painting, enamel, gilt, diverging pattern on porcelain.

Height - 9.0 cm

Egg with painting after the print from a fragment of “The Infant Christ with a Floral Wreath” by Carlo Dolci (1616-1686) (1663).

It is possible that the source of this lithograph was the literary and artistic monthly periodical “Art Galleries of Europe. Notable Works from Various European Schools of Painting”, published by Maurycy Wolff (1825-1883) and edited by the renowned art scholar Alexander Andreev (1830-1891) in St. Petersburg in 1862-1864.

#2 2018 (59)

Ivan Golsky

26005
Easter Egg "The Virgin Mary"
Easter Egg "The Virgin Mary"

Imperial Porcelain Factory, St. Petersburg. 1840-1850s

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 8.6 cm

In 2001 the painting on this Easter Egg was mistakenly identified as the image of St. Catherine.

#2 2018 (59)

Ivan Golsky

26006
Easter Egg “Virgin Mary and Child”
Easter Egg “Virgin Mary and Child”

Imperial Porcelain Factory, St. Petersburg. 1850-1860s

Signed with porcelain painter’s initials: K.Z.

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 11.2 cm

Egg painted with a motif from a copy of “Virgin Mary and Child with St. Francis of Paola” (1703-1705) by Francesco Solimena (1657-1747), currently in the Old Masters Gallery in Dresden, Germany.

#2 2018 (59)

Ivan Golsky

26007
Easter Egg “Madonna and Child”
Easter Egg “Madonna and Child”

Imperial Porcelain Factory, St. Petersburg. 1880-1898

Painter Fyodor Torachkov (1834-1898; Θ. Т.)

Overglaze laying, overglaze polychrome painting, gilt on paste, porcelain.

Height - 10.9 cm

#2 2018 (59)

Ivan Golsky

26008
Easter Egg "The St. Great Martyr Alexandra"
Easter Egg "The St. Great Martyr Alexandra"

Imperial Porcelain Factory, St. Petersburg. 1860-1870s

Painter Mikhail Kryukov (signed M.K.)

Overglaze laying, overglaze polychrome painting, enamel, gilt, diverging pattern on porcelain.

Height - 10.8 cm

The frame over the painting on the egg erroneously identifies the image as that of St. Olga, but it is the St. Great Martyr Alexandra who is depicted here, holding a palm branch and a sword. A wood panel with a painting of St. Alexandra with all her attributes, exhibited in the permanent collection of the Imperial Porcelain Factory Museum, was instrumental in correcting the error. Alexandra of Rome is a Christian saint revered as a martyr. We know about Alexandra from the life of St. George, where she is identified as an empress, the wife of Emperor Diocletian.

Alexandra, who witnessed the suffering of St. George and God's repeated miraculous succour, accepted Christ as her Saviour and openly declared her faith, for which her husband sentenced her to be beheaded.

#2 2018 (59)

Ivan Golsky

26009
Easter Egg with inscription “Michael the Archangel”
Easter Egg with inscription “Michael the Archangel”

Imperial Porcelain Factory, St. Petersburg. 1860-1870s

Painter: Alexander Tychagin (A.Т.)

Overglaze laying, overglaze polychrome painting, gilt, diverging pattern on porcelain; silk ribbon.

Height - 11.0 cm

Painted egg after the work “Archangel Michael Fights Satan” presumably ascribed to Timofei Neff (1805-1876).

A porcelain tablet with the complete original painting from the permanent exhibition of the Imperial Porcelain Factory Museum was instrumental in clarifying the origin of the composition.

#2 2018 (59)

Ivan Golsky

26010
Easter Egg “St. Alexei, Metropol­itan of Moscow and All Russia”
Easter Egg “St. Alexei, Metropol­itan of Moscow and All Russia”

Imperial Porcelain Factory, St. Petersburg. 1850-1860s

Painted by N. Voronin (signed N.V.)

Overglaze polychrome painting, gilt, diverging pattern on porcelain.

Height - 10.6 cm

Egg with painting after the icon “St. Alexei, Metropolitan of Moscow and all Russia” (1847-1848), by Fyodor Bryullov (1793-1869) crafted for St. Isaac’s Cathedral, St. Petersburg. The inscription  “Gregory of Nazianzus” in the frame above the image is mistaken.

In 2001 the painting on this Easter Egg was erroneously attributed as a copy of a work by Timofei Neff (1805-1876).

#2 2018 (59)

Ivan Golsky

26011
Easter Egg “View of Children's Island in the Alexander Park at Tsarskoye Selo”
Easter Egg “View of Children's Island in the Alexander Park at Tsarskoye Selo”

Imperial Porcelain Factory, St. Petersburg. 1870s

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 8.8 cm

Egg with painting after the lithograph by Karl Kolman (1786-1846) “View of Children's Island in the Alexander Park at Tsarskoye Selo” (1830). During the reign of Nicholas I, an island on the pond at the Tsarskoye Selo park was fitted out for his son and heir Alexander as a place to play and study. In 1830 the architect Alexei Gornostayev (1808-1862) oversaw the building of a small children’s playhouse, designed by the architect Vasily Stasov (1769-1848). In 1830 Karl Merder (1787-1834), the heir’s tutor, suggested that the children think of a motto for the island, which had become their home. The result of their collective creative effort was a drawing of “a cliff, washed clean with water, an ant, and an anchor”, symbolizing “persistence, action, and hope”. Presumably, the ant, as the symbol of the Children’s Island, later lent its name to the handwritten magazine “The Ant”, which the heir, with the help of his friends, started “publishing” in 1831. When the children of Alexander II and his brothers grew old enough, they continued to explore the territories previously “occupied” by their parents. Alexander II passed his love for the Children’s Island to his children and grandchildren. The children of Nicholas I, Alexei and his sisters, the Grand Duchesses Olga, Tatiana, Maria and Anastasia, enjoyed playing here, boating on the pond, planting flowers and shovelling snow in the winter. They were often joined by their father.

#2 2018 (59)

Ivan Golsky

26012
Kiddush Jug with Images of Magen David
Kiddush Jug with Images of Magen David

Transparent turquoise green (aquamarine) glass; colour glass mouldings in the shape of faceted beads; gold painting.

Height - 26.5 сm

#2 2019 (63)

Yulia Lisenkova

26013
Kiddush Glass with Images of Magen David and Ner Tamid
Kiddush Glass with Images of Magen David and Ner Tamid

Transparent blue (cobalt) and colourless glass; colour glass mouldings in the shape of cabochons; enamel and gold painting.

Height - 23.4 сm, diameter - 10.6 сm

#2 2019 (63)

Yulia Lisenkova

26014
Kiddush Glass with Images of Magen David, Menorah, Hanukkiah and Torah Scroll
Kiddush Glass with Images of Magen David, Menorah, Hanukkiah and Torah Scroll

Transparent dark-green glass; colour glass mouldings in the shape of round and faceted beads; enamel and gold painting.

Height - 27.3 сm, diameter - 8.7 сm

#2 2019 (63)

Yulia Lisenkova

26015
Kiddush Set: Decanter, Tray and Six Glasses with Images of Magen David
Kiddush Set: Decanter, Tray and Six Glasses with Images of Magen David

Transparent colourless, golden-smoke-coloured and light green glass; colour glass mouldings in the shape of faceted beads; enamel and gold painting.

Decanter: height - 31.2 сm.

Glasses: height - 8.3 сm, diameter - 6 сm.

Plate: diameter - 37.1 сm

#2 2019 (63)

Yulia Lisenkova

26016
Dish with Images of Magen David, Menorah, Grapes and Vine Leaves
Dish with Images of Magen David, Menorah, Grapes and Vine Leaves

Transparent blue (cobalt) and colourless glass; colour glass mouldings in the shape of round and oval beads; enamel and gold painting. 

Diameter - 30.7 сm

#2 2019 (63)

Yulia Lisenkova

26017
Passover Seder Dish with Images of Magen David, Menorah, Ten Commandments  on th
Passover Seder Dish with Images of Magen David, Menorah, Ten Commandments on the Tables of the Law

Transparent colourless glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting.

Diameter - 32.3 сm

#2 2019 (63)

Yulia Lisenkova

26018
Kiddush Cup with Decorative Bells and Images of Hanukkiah, Torah Scroll and Mage
Kiddush Cup with Decorative Bells and Images of Hanukkiah, Torah Scroll and Magen David

Transparent red (ruby) and colourless glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting. 

Height - 18.5 сm, diameter - 20.4 сm

#2 2019 (63)

Yulia Lisenkova

26019
Kiddush Set: Decanter, Tray and Six Glasses with Images of Magen David
Kiddush Set: Decanter, Tray and Six Glasses with Images of Magen David

Transparent red (ruby) and red-orange glass;  colour glass mouldings in the shape of curly handles, round and faceted beads; white enamel, gold and platinum dashed painting.

Decanter: height - 21.4 сm 

Glasses: height - 11.4 сm

Plate: diameter - 27.8 сm

#2 2019 (63)

Yulia Lisenkova

26020
Candlesticks with Decorative Bells and Images of Magen David
Candlesticks with Decorative Bells and Images of Magen David

Transparent red (ruby) glass; colour glass mouldings in the shape of round and faceted beads; gold and platinum painting.

Twin candlesticks. 

Height - 32.2 сm

Height - 31.5 сm

#2 2019 (63)

Yulia Lisenkova

26021
Bowl with Fish-Shaped Stem and Images of Magen David
Bowl with Fish-Shaped Stem and Images of Magen David

Transparent colourless glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting

Height - 27.1 сm, diameter - 22.4 сm

The fish is a symbol of sinlessness; during the flood, it was under water

#2 2019 (63)

Yulia Lisenkova

26022
Kiddush Decanter with Images of Menorah, Magen David, the Ten Commandments in Ar
Kiddush Decanter with Images of Menorah, Magen David, the Ten Commandments in Aron Kodesh and a Crown

Transparent smoke-coloured glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting.

Height - 32.6 сm

Aron Kodesh (Holy Arc) is a storage place  for Torah scrolls.

The crown is a symbol of the Kingdom of Heaven

#2 2019 (63)

Yulia Lisenkova

26023
Kiddush Glass with Images of Magen David and Menorah
Kiddush Glass with Images of Magen David and Menorah

Transparent blue (cobalt) and colourless glass; filigree, colour glass mouldings in the shape of round and faceted beads; gold and platinum painting.

Height - 29.7 сm, diameter - 8.5 сm

#2 2019 (63)

Yulia Lisenkova

26024
Kiddush Glass with Image of Ner Tamid
Kiddush Glass with Image of Ner Tamid

Transparent blue (cobalt and azure) and colourless glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting.

Height - 25 сm, diameter - 8.2 сm

#2 2019 (63)

Yulia Lisenkova

26025
Bowl with Image of Magen David
Bowl with Image of Magen David

Transparent blue (cobalt) and colourless glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting. 

Height - 23.4 сm, diameter - 28.4 сm

#2 2019 (63)

Yulia Lisenkova

26026
Pesach Bowl with a Painted Scene
Pesach Bowl with a Painted Scene

Transparent smoke-coloured glass; enamel, gold and platinum painting.

Height - 22 сm, diameter - 18.8 сm

#2 2019 (63)

Yulia Lisenkova

26027
Decanter with Images of Magen David and “Birkat Kohanim” Gesture
Decanter with Images of Magen David and “Birkat Kohanim” Gesture

Transparent yellow (amber) and colourless glass; colour glass mouldings in the shape of round, oval and faceted beads; enamel, gold and platinum painting.

Height - 36.4 сm

“Birkat-kohanim” gesture – the Kohanim Blessing (Priestly Blessing)

#2 2019 (63)

Yulia Lisenkova

26028
Paperweight with Images of Torah Scroll and Magen David
Paperweight with Images of Torah Scroll and Magen David

Transparent orange-coloured glass; colour glass mouldings in the shape of faceted beads; enamel, gold and platinum painting.

Height - 4.8 сm,  diameter - 9.6 сm

#2 2019 (63)

Yulia Lisenkova

26029
Vessel with Image of Magen David
Vessel with Image of Magen David

Transparent orange-coloured and colourless glass; colour glass mouldings in the shape of round and faceted beads; enamel, gold and platinum painting.

Height - 20.1 сm

This was used as an Incense vessel

#2 2019 (63)

Yulia Lisenkova

26030
Sculptural composition of “Pierrot and Papillon” in the ballet “Carnaval”
Sculptural composition of “Pierrot and Papillon” in the ballet “Carnaval”

From the “Ballets Russes” series

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height - 23 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26031
Sculptural composition of Columbine in the ballet “Carnaval”
Sculptural composition of Columbine in the ballet “Carnaval”

From the “Ballets Russes” series

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height - 28 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26032
Sculptural composition of Harlequin and Columbine from the ballet “Carnaval”
Sculptural composition of Harlequin and Columbine from the ballet “Carnaval”

From the “Ballets Russes” series

The sculpture was made either after the photograph

of the couple Tamara Karsav­ina/Vaslav Nijinsky or that of Vera Fokina/Mikhail Fokine

Aelteste Volkstedter Porzellanmanufaktur Germany, Thuringia, 1915-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding.

Height - 24 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26033
Sculptural composition of Vera Fokina in the ballet “Carnaval”
Sculptural composition of Vera Fokina in the ballet “Carnaval”

From the “Ballets Russes” series

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height - 31 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26034
Sculptural composition of Vaslav Nijinsky and Tamara Karsavina in the ballet “Ca
Sculptural composition of Vaslav Nijinsky and Tamara Karsavina in the ballet “Carnaval”

From the “Ballets Russes” series

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height - 29 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26035
Sculptural composition of Tamara Karsavina as Columbine from the ballet “Carnava
Sculptural composition of Tamara Karsavina as Columbine from the ballet “Carnaval”

From the “Ballets Russes” series

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding.

Height - 26 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26036
Sculptural composition of Anna Pavlova as Lisa from the ballet "La Fille Mal Gar
Sculptural composition of Anna Pavlova as Lisa from the ballet "La Fille Mal Gardée"

From the “Ballets Russes” series

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding.

Height - 27 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26037
Sculptural composition of Anna Pavlova as Kitri from the ballet “Don Quixote”
Sculptural composition of Anna Pavlova as Kitri from the ballet “Don Quixote”

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height - 27 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26038
Sculptural composition of Anna Pavlova as Kitri from the ballet “Don Quixote”
Sculptural composition of Anna Pavlova as Kitri from the ballet “Don Quixote”

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height – 19 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26039
Sculptural composition of Anna Pavlova from the ballet "La Sylphide"
Sculptural composition of Anna Pavlova from the ballet "La Sylphide"

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding.

Height - 30 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26040
Anna Pavlova performing a solo, “The Dragonfly”
Anna Pavlova performing a solo, “The Dragonfly”

Hugo Meisel’s statuette based on the gesso model made by Anna Pavlova in 1927

Germany, Thuringia Aelteste Volkstedter Porzellanmanufaktur, 1927-1949

© Victoria and Albert Museum, London

#2 2019 (63)

Zhanna Polansky

26041
Anna Pavlova’s arabesque
Anna Pavlova’s arabesque

Hugo Meisel’s statuette based on the gesso model made by Anna Pavlova in 1924

Germany, Thuringia Schwarzburger Werkstätten für Porzellankunst

1927-1949

© Victoria and Albert Museum, London

#2 2019 (63)

Zhanna Polansky

26042
Sculptural composition of Vera Trefilova as Kitri from the ballet “Don Quixote”
Sculptural composition of Vera Trefilova as Kitri from the ballet “Don Quixote”

Porcelain Manufactory Aelteste Volkstedter Porzellanfabrik AG Germany, Thuringia, 1912-1945

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding.

Height - 30 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26043
Sculptural composition of Yekaterina Geltzer from the ballet "Bacchanalia"
Sculptural composition of Yekaterina Geltzer from the ballet "Bacchanalia"

Porcelain Manufactory Richard Eckert & Co. AG Germany, Thuringia, 1915-1936

Porcelain, lace porcelain; modelling, polychrome overglaze painting, gilding

Height - 30 cm

Private collection, Moscow

#2 2019 (63)

Zhanna Polansky

26044
Cover of “Narodny Teatr” (People’s Theatre) magazine. (No. 1, March 1918.)
Cover of “Narodny Teatr” (People’s Theatre) magazine. (No. 1, March 1918.)

In the centre: a reproduction of a drawing of the Polenov House by Vasily Polenov

#3 2019 (64)

Darya Manucharova

26107
Poster of the Exhibition of works of art and culture that remained in Leningrad
Poster of the Exhibition of works of art and culture that remained in Leningrad during the blockade
November 1944

© Department of Manuscripts, Hermitage. St. Petersburg

#1 2020 (66)

Natella Voiskunski

27464
The album of Andrei Popov. 1863-1867
The album of Andrei Popov
1863-1867

Sheet 16

Photographic paper, photograph

Tretyakov Gallery

#1 2020 (66)

Lyudmila Markina

27689
“Russian Antiquities”. Illustrated edition of the Stroganov School
“Russian Antiquities”. Illustrated edition of the Stroganov School

Cover. 1900s

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28003
A page from the “Modern Architecture”magazine(#2,1926) with the publication of t
A page from the “Modern Architecture”magazine(#2,1926) with the publication of the studentsʼ projects of the VKHUTEMAS Metalwork

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28005
Directory of the Design and Applied Arts Museum
Directory of the Design and Applied Arts Museum

By D.V. Grigorovich

1868

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28007
History and Monuments of Byzantine Enamels
History and Monuments of Byzantine Enamels

Frankfurt, 1892

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28009
History and Monuments of Byzantine Enamels
History and Monuments of Byzantine Enamels

Frankfurt, 1892

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28011
History and Monuments of Byzantine Enamels
History and Monuments of Byzantine Enamels

Frankfurt, 1892

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28013
Album of photographs from the archaeological trip made by Professor A.V. Prakhov
Album of photographs from the archaeological trip made by Professor A.V. Prakhov in Volyn in 1886

Kiev, 1889

Front cover

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28015
Album of photographs from the archaeological trip made by Professor A.V. Prakhov
Album of photographs from the archaeological trip made by Professor A.V. Prakhov in Volyn in 1886

Kiev, 1889

Title page of album

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28017
Album of photographs from the archaeological trip made by Professor A.V. Prakhov
Album of photographs from the archaeological trip made by Professor A.V. Prakhov in Volyn in 1886

Kiev, 1889

Interior illustration

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28019
Fedor Solntsev. Antiquities of the Russian State
Fedor Solntsev. Antiquities of the Russian State

Moscow, 1849-1853

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28021
Fedor Solntsev. Antiquities of the Russian State
Fedor Solntsev. Antiquities of the Russian State

Moscow, 1849-1853

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28023
Fedor Solntsev. Antiquities of the Russian State
Fedor Solntsev. Antiquities of the Russian State

Moscow, 1849-1853

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28025
Donor bookplate inside the front cover of An Inventory of the Silver in the Cour
Donor bookplate inside the front cover of An Inventory of the Silver in the Court of His Imperial Majesty

acknowledging that it was “Presented by The Emperor of Russia”.

Bookplate designed by Edwin Davis

French, 1895

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28027
A Description of the Collection of Decorated Folk Easter Eggs
A Description of the Collection of Decorated Folk Easter Eggs

E.N. Skarzhinska Museum in Lubny, Ethnographic Department

compiled by S.K. Kul’zhinskii

Moscow: printed by A.A. Levenson, 1899

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28029
A Description of the Collection of Decorated Folk Easter Eggs
A Description of the Collection of Decorated Folk Easter Eggs

E.N. Skarzhinska Museum in Lubny, Ethnographic Department

compiled by S.K. Kul’zhinskii

Moscow: printed by A.A. Levenson, 1899

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28031
Art of Central Asia: а collection of Central-Asian ornamentation
Art of Central Asia: а collection of Central-Asian ornamentation

recorded by N.E. Simakov

St. Petersburg, 1883

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28033
Art of Central Asia: а collection of Central-Asian ornamentation
Art of Central Asia: а collection of Central-Asian ornamentation

recorded by N.E. Simakov

St. Petersburg, 1883

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28035
The Arsenal of Tsarskoe-Selo, or the Collection of Arms belonging to His Majesty
The Arsenal of Tsarskoe-Selo, or the Collection of Arms belonging to His Majesty, Sovereign Emperor Alexander Nikolaevich

St. Petersburg, 1869

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28037
The Arsenal of Tsarskoe-Selo, or the Collection of Arms belonging to His Majesty
The Arsenal of Tsarskoe-Selo, or the Collection of Arms belonging to His Majesty, Sovereign Emperor Alexander Nikolaevich

St. Petersburg, 1869

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28039
“The Cap of Monomakh”
“The Cap of Monomakh”

Illustration from: “A Historical Account of the Museum of Russian Antiquity, known as the Workshop and Armory Chamber located in Moscow”.

Moscow, 1807

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28041
“Vladimir Monomakhʼs Imperial Orb”
“Vladimir Monomakhʼs Imperial Orb”

Illustration from:“A Historical Account of the Museum of Russian Antiquity, known as the Workshop and Armory Chamber located in Moscow”.

Moscow, 1807

Thomas J. Watson Library, Metropolitan Museum

#2 2020 (67)

Jared Ash

28043
Art and Industry
Art and Industry

Saint Petersburg: Imperial Society for the Encouragement of the Arts, 1898–1902

#2 2020 (67)

Jared Ash

28045
Album: The Imperial Porcelain Factory. Easter Eggs. St. Petersburg. Private Coll
Album: The Imperial Porcelain Factory. Easter Eggs. St. Petersburg. Private Collection

Moscow: GRANY Foundation, 2017

#2 2020 (67)

Jared Ash

28047
Album Judaica. Murano Glass. Private Collection
Album Judaica. Murano Glass. Private Collection

Moscow: GRANY Foundation, 2018

#2 2020 (67)

Jared Ash

28049
Russian New Wave, catalogue of an exhibition
Russian New Wave, catalogue of an exhibition

curated by Margarita Tupit­syn, December 4, 1981-February 28, 1982, at the Contemporary Russian Art Centre of America, New York

#2 2020 (67)

Jared Ash

28051
Detection of three-dimensional form and the front composition. 2016
Detection of three-dimensional form and the front composition
2016

Exercise in the discipline “Space” by Nikolai Ladovsky, VKHUTEMAS.

Reconstruction.

Environmental Design Depart­ment of the Moscow State Stroganov Academy of Design and Applied Arts

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28053
Village reading room
Village reading room

Model by Mikhail Oleshev and Vladimir Timofeev, students of the Woodworking Department of VKHUTEMAS for the International Exhibition of Decorative Art and Art Industry in Paris. 1925.

Supervisors Anton Lavinsky and Sergey Chernyshev

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28055
Identification of a three-dimensional shape (inverted cone), using additional el
Identification of a three-dimensional shape (inverted cone), using additional elements and emphasising the movement of the spiral
2016

An excersice in the discipline “Space” by Nikolai Ladovsky, VKHUTEMAS.

Environmental Design Department of Moscow State Stroganov Academy of Design and Applied Arts

Reconstruction

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28057
A combination of industrial materials and shapes. 1929
A combination of industrial materials and shapes
1929

3D composition.

Vladimir Tatlin’s “Material and Culture” course.

Reconstructed by A. Berne, Environmental Design Department. 2013

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28059
Design of road vehicles
Design of road vehicles

Diploma projects of the Department of Industrial Design of the Moscow Higher School of Art and Industry (the former Stroganov School). 1960s

#2 2020 (67)

Alexander Lavrentiev, Kirill Gavrilin

28061
Cup and saucer with abstract design by Wassily Kandinsky
Cup and saucer with abstract design by Wassily Kandinsky

Dulevo Porcelain Factory

Circa 1921

Porcelain. Overglaze polychrome painting

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28063
Red-figure krater
Red-figure krater

Ancient Greece

4th - early 5th century BC

Terracotta, lacquer, painting

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28065
Dessert plate decorated with a painted bouquet of flowers
Dessert plate decorated with a painted bouquet of flowers

Gift of Emperor Alexander II to the Stroganov School Museum.

St. Petersburg, Russia

Imperial Porcelain Factory

1855-1881

Porcelain, overglaze polychrome painting, gold plate

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28067
Wooden chest decorated with a carved scene depicting the Conversion of St. Paul
Wooden chest decorated with a carved scene depicting the Conversion of St. Paul

Germany

16th - early 17th century

Carved oak, gilding

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28069
Head of a Roman
Head of a Roman

Fragment of relief Ancient Rome (?), early 2nd century AD

Plaster copy 19th century

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28071
Figurine of a standing woman
Figurine of a standing woman

Clay, engobe, light-blue and pink paint

Greece

4th-3rd century BC

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28073
Tea service with fête galante paintings
Tea service with fête galante paintings

Meissen porcelain factory

Mid 18th century

Porcelain, overglaze polychrome painting, gold plate

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28075
Cup and saucer
Cup and saucer

Paris, France

Dihl and Guérhard

1800s

Porcelain, overglaze polychrome painting, gold plate

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28077
Vase decorated with zodiac signs
Vase decorated with zodiac signs

England

Wedgwood

1800s

Jasperware

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28079
Plate in the Imari style
Plate in the Imari style

Arita, Japan

Early 18th century

Porcelain, decorated with underglaze cobalt painting, overglaze red painting and gilding

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28081
Plate with painted landscape and flower motifs
Plate with painted landscape and flower motifs

St. Petersburg, Russia

Imperial Porcelain Factory

1796-1801

Porcelain, overglaze polychrome painting, gold plate

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28083
Painted saucer featuring the "Suicide of Pyramus and Thisbē"
Painted saucer featuring the "Suicide of Pyramus and Thisbē"

Artist Jacques I Laudin

Limoge, France

1603-1629

Copper, enamel, painting

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28085
Krater
Krater

Late 19th century Copy of an original from Hildesheim.

Alexandria.

Second half of 1st century BC

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28087
Vases
Vases

Limoges, France

Second half of 16th - early 17th century

Copper and painted enamel

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28089
Drinking cup, dish, sugar bowl with a figure of Minerva on the lid, tureen, mug
Drinking cup, dish, sugar bowl with a figure of Minerva on the lid, tureen, mug with a flap lid

Germany

18th century

Cast pewter

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28091
Drinking cup and dish
Drinking cup and dish

Russia, Veliky Ustyug

18th century

Copper with stamped silver overlays on white enamel

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28093
Jug decorated with Rocaille patterns, stamped “ИМФ 1762 г. Сибирь” [Siberia]
Jug decorated with Rocaille patterns, stamped “ИМФ 1762 г. Сибирь” [Siberia]

Russia

Repoussé copper

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28095
Samovar and teapot painted with flower bouquets on white background
Samovar and teapot painted with flower bouquets on white background

Russia

Alexei Turchaninov’s Troitsky Copper Smelting Plant

18th century

Cast copper, painted enamel, repoussé decoration

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28097
Plate with a decorative pattern of ivy offshoots
Plate with a decorative pattern of ivy offshoots

China

19th century

Copper, cloisonné enamel

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28099
Brocade
Brocade

Russia

1820s - 1840s

Handwoven with gold threads and chenille

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28101
Liturgical veil
Liturgical veil

Russia. First half of 19th century

Velvet embroidered with gold thread

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28103
Young girls' headdresses
Young girls' headdresses

Russia

Late 18th - early 19th centuries

Braids, silk, pearl beads, tinted glass

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28105
Curule seat in the style of the Italian Renaissance, decorated with a portrait o
Curule seat in the style of the Italian Renaissance, decorated with a portrait of Girolamo Savonarola

Western Europe

Second half of 19th century

Walnut, ivory, inlay, veneer

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28107
Chair in the style of the Italian Renaissance
Chair in the style of the Italian Renaissance
Second half of 19th century

Western Europe

Walnut, pewter, ivory, inlay, veneer, carving

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28109
Regency-style pedestal table
Regency-style pedestal table

Master cabinetmaker Mathieu Befort Jeune

Paris, Second half of 19th century

Birch and oak wood, bronze, cabinetry, veneer, tinting

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28111
Chest with a coat of arms and grotesque decorations
Chest with a coat of arms and grotesque decorations

Italy

Late 16th - early 17th century

Carved oak

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28113
Dresser in the style of Louis XVI, with military symbols and fasces
Dresser in the style of Louis XVI, with military symbols and fasces

19th-century copy

Paris, France

Original by master cabinetmaker Guillaume Beneman, executed in 1787 for the Château de Compiègne Council Room

Mahogany, bronze, marble, polish, cast metal, gilding

Clock

Workshop of Pierre-Philippe Thomire

Paris, France

Early 19th century

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28115
Dresser in the style of Louis XVI
Dresser in the style of Louis XVI

Copy 1898

Paris, France

Original by master cabinetmaker Guillaume Beneman

Late 18th - early 19th century

The Palace of Fontainebleau, Paris

Mahogany, bronze, porcelain, marble, polish, cast metal, gilding

Clock in the style of Louis XVI

Paris, France

18th century

Marble, bronze, enamel, patination, gilding

Candelabra

Paris, France

Workshop of Pierre-Philippe Thomire

Early 19th century

The Stroganov Academy Museum

#2 2020 (67)

Marina Zinoveeva

28117
Belt Plaque with Fighting Stallions. 2nd century B.C.
Belt Plaque with Fighting Stallions
2nd century B.C.

Southern Siberia

Bronze

H. 2 1/4 in. (5.7 cm);

W. 5 in. (12.7 cm)

Gift of Mr. and Mrs. Eugene V. Thaw, 2002

Metropolitan Museum of Art

#2 2020 (67)

Margaret Samu

28119
Temple Pendant with Two Sirens Flanking a Tree of Life
Temple Pendant with Two Sirens Flanking a Tree of Life

Kievan Rus

11th-12th century

Cloisonne enamel and gold

6 × 5.7 × 1.4 cm

Gift of J. Pierpont Morgan

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28121
Chain with Birds and Geometric Motifs
Chain with Birds and Geometric Motifs

Kievan Rus

11th-12th century

Cloisonne enamel and gold

11.6 × 2.4 × 0.5 cm

Gift of J. Pierpont Morgan

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28123
Panagiarion with the Virgin and Child and Three Angels at Mamre (interior) and t
Panagiarion with the Virgin and Child and Three Angels at Mamre (interior) and the Crucifixion and Three Church Fathers (exterior)

c. 1500 or later

Wooden pendant made of two discs topped with an orna­ment of silver-gilt with pearls and garnet

7.6 × 5.7 × 2.1 cm closed

Rogers Fund, 1934

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28125
Triptych with the Mandylion
Triptych with the Mandylion

Kremlin Workshops. 1637

Silver, wood, and various materials

68.6 × 90.8 × 12.7 cm

Rogers Fund, 1975

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28127
Paten Cover. 16th century
Paten Cover
16th century

Silk, metal

20.3 × 20.3 cm

Brooklyn Museum

Costume Collection at The Metropolitan Museum of Art

Gift of the Brooklyn Museum

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28129
Headdress. Early 19th century
Headdress
Early 19th century

Silk, metal, cotton, paper

Brooklyn Museum

Costume Collection at The Metropolitan Museum of Art,

Gift of the Brooklyn Museum

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28131
Icon of St. George. Possibly 16th century
Icon of St. George
Possibly 16th century

Tempera on wood

69.2 × 50.2 cm

Gift of the Humanities Fund, Inc., The Boris Bakhmeteff Collection, 1972

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28133
Disc from a Panagiarion with the Virgin and Child
Disc from a Panagiarion with the Virgin and Child

c. 1500 or later

Ivory, 6 × 0.7 cm

Gift of J. Pierpont Morgan, 1917

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28135
Chalice Veil. 16th century
Chalice Veil
16th century

Silk, metallic thread, cotton

45.7 × 45.7 cm

Brooklyn Museum

Costume Collection at The Metropolitan Museum of Art,

Gift of the Brooklyn Museum

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28137
Double-Walled Beaker with a dog chasing a rabbit in a landscape with dacha and h
Double-Walled Beaker with a dog chasing a rabbit in a landscape with dacha and hut

Aleksandr Vershinin

c. 1800-1810

Glass, enamel; moss, straw, paper, sand, stone, clay and mica

10.5 cm high, 7.3 cm diameter

Munsey Fund, 1927

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28139
Beaker (Stopa). c. 1714
Beaker (Stopa)
c. 1714

Moscow silversmith

Silver gilt

15.7 cm high

Bequest of Vladimir M. Eitingon, in memory of his wife, Nadine (Nadia) Eitingon

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28141
Pair of Flintlock Pistols
Pair of Flintlock Pistols

Made for Grand Duke Konstantin Pavlovich (1779-1831)

Tula Arms Factory

1801

Steel, silver, gold, wood

38.8 cm long

Purchase, 2017 Benefit Fund, Arthur Ochs Sulzberger Gift, and several members of the Chairman's Council Gifts, 2018

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28143
“Little Turtle” Accordion (“Cherepashka”). 1870-1880
“Little Turtle” Accordion (“Cherepashka”)
1870–1880

Various materials

5 × 9.5 × 18.5 cm (closed)

The Crosby Brown Collection of Musical Instruments, 1889

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28145
Commemorative Toasting Glass
Commemorative Toasting Glass

Bakhmeteff Glassworks

1814

Glass. 13.5 × 4.6 cm

Gift of Leon Grinberg, 1951

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28147
Covered cup and saucer of Elizabeth Petrovna
Covered cup and saucer of Elizabeth Petrovna

Imperial Porcelain Factory. c. 1760

Hard-paste porcelain

The Jack and Belle Linsky Collection, 1982

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28149
Centre Table
Centre Table

Imperial Armory

c. 1780-1785

Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass

69.9 × 55.9 × 38.1 cm

Purchase, the Annenberg Foundation Gift, 2002

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28151
Woman’s Ensemble. Late 18th-19th century
Woman’s Ensemble
Late 18th-19th century

Silk, cotton, metal

Brooklyn Museum Costume Collection at the Metropolitan Museum of Art

Gift of the Brooklyn Museum, 2009; Gift of Mrs. Edward S.

Harkness in memory of her mother, Elizabeth

Greenman Stillman, 1931

Metropolitan Museum

#2 2020 (67)

Margaret Samu

28153
Cover of the book by L.N. Weber-Bauler “Échos d’une vie. De Russie en Occident”,
Cover of the book by L.N. Weber-Bauler “Échos d’une vie. De Russie en Occident”, 1940

(“From Orient to Occident. Memoirs of a Russian Doctor”, 1941).

With a reproduction of one of the versions of the composition “View from the Bell Tower of the Savvino-Storozhevsky Monastery” (1890s)

#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"

Olga Davydova

28737
Cover of the “Vesy” magazine (1905, No. 1)
Cover of the “Vesy” magazine (1905, No. 1)

designed by Maria Yakunchikova

The composition integrates the iconography of one of the cover versions by Yakunchikova for the magazine “Mir Iskusstva”, which was not approved for the final design.

#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"

Olga Davydova

28739
L’Academie Julian. 1889
L’Academie Julian
1889

#3 2020 (68)

Yelena Kashtanova

28814
Front page of the exhibition catalogue “Old Russian Paintings. Russian Icons of
Front page of the exhibition catalogue “Old Russian Paintings. Russian Icons of the 12th-18th Centuries”

Berlin, Cologne, Hamburg, Frankfurt am Main, Munich. 1929

#1 2021 (70)

Anastasia Lishnevskaya

29702
The catalogue of the First Russian Art Exhibition in Germany
The catalogue of the First Russian Art Exhibition in Germany

Berlin, 1922.

Cover by El Lissitzky and introduction by David Shterenberg

#1 2021 (70)

Natalia Avtonomova

29704
Cover of the journal “Object”. 1922
Cover of the journal “Object”
1922

#1 2021 (70)

Natalia Avtonomova

29706
Poster of the First General German Art Exhibition in Leningrad. 1925
Poster of the First General German Art Exhibition in Leningrad
1925

#1 2021 (70)

Natalia Avtonomova

29708
Cover of the catalogue for the First General German Art Exhibition
Cover of the catalogue for the First General German Art Exhibition

Moscow, Saratov, Leningrad.

Moscow; Leningrad: Mezhrabprom, 1924

#1 2021 (70)

Natalia Avtonomova

29710
“Art from Revolution”. Poster to the exhibition "Kunst aus der Revolution: Sowje
“Art from Revolution”. Poster to the exhibition "Kunst aus der Revolution: Sowjetische Kunst während der Phase der Kollektivierung und Industrialisierung, 1927–1933" (“Art from Revolution: Soviet Art during the Collectivisation and Industrialisation, 1927

nGbK Berlin, 1977

#1 2021 (70)

Hubertus Gassner

29712
Cover of the catalogue to the exhibition “Moskva - Parizh / Paris - Moscou” 1900
Обложка каталога выставки «Москва – Париж / Paris – Moscou» 1900–1930

Pushkin Museum of Fine Arts, Moscow. 1981

#1 2021 (70)

Hubertus Gassner

29714
Cover of the catalogue of the International Youth Drawing Triennial No. 1
Cover of the catalogue of the International Youth Drawing Triennial No. 1

Nuremberg, 1979

#1 2021 (70)

Alexander Rozhin

29716
Cover of the catalogue of the International Drawing Triennial No. 3
Cover of the catalogue of the International Drawing Triennial No. 3

Nuremberg, 1985-1986

#1 2021 (70)

Alexander Rozhin

29718
Cover of the German issue of the “Tvorchestvo” magazine. 2000
Cover of the German issue of the “Tvorchestvo” magazine. 2000

#1 2021 (70)

Alexander Rozhin

29720
Cover of the Russian-German issue of the “Tvorchestvo” magazine. No.1-2. 1997
Cover of the Russian-German issue of the “Tvorchestvo” magazine. No.1-2. 1997

#1 2021 (70)

Alexander Rozhin

29722
Cover of the catalogue of the Lenz Schönberg Collection
Cover of the catalogue of the Lenz Schönberg Collection

Stuttgart, 1989

#1 2021 (70)

Alexander Rozhin

29724
Cover of the monograph “Joseph Beuys”
Cover of the monograph “Joseph Beuys”

Dusseldorf, 1988

#1 2021 (70)

Alexander Rozhin

29726
Cover of the catalogue of the exhibition “Москва – Берлин / Berlin – Moskau. 190
Cover of the catalogue of the exhibition “Москва – Берлин / Berlin – Moskau. 1900-1950”

1996

#1 2021 (70)

Alexander Rozhin

29728
Poster campaign “Already seen looted art?”
Poster campaign “Already seen looted art?”

© no-humboldt21.de

#1 2021 (70)

Gesa Grimme

29730
Poster campaign “Freedom of Movement?!”
Poster campaign “Freedom of Movement?!”

© no-humboldt21.de

#1 2021 (70)

Gesa Grimme

29732
The family Bible of Hendrik Witbooi, which was captured by German invaders durin
The family Bible of Hendrik Witbooi, which was captured by German invaders during the attack on Hornkranz in 1893

Foto: Dominik Drasdow

© Linden-Museum Stuttgart

#1 2021 (70)

Gesa Grimme

29734
Catalogue of the “Great Exhibition of Art”  of Albrecht-Dürer-Verein in August/S
Catalogue of the “Great Exhibition of Art” of Albrecht-Dürer-Verein in August/September, 1843

© City Archive of Nuremberg

#1 2021 (70)

Meike Behm

29736
Reduced copy of reconstructed podium in front of the Winter Palace. Leningrad, 1
Reduced copy of reconstructed podium in front of the Winter Palace. Leningrad, 1930

Artists’ association IZORAM (Fine Art Studios of the Working Youth).

The exhibition “Kunst aus der Revolution: Sowjetische Kunst wahrend der Phase der Kollektivierung und Industrialisierung, 1927–1933” (“Art from Revolution: Soviet Art during the Industrialisation and Collectivisation, 1927-1933”)

nGbK Berlin, 1977

Photo: nGbK Berlin

#1 2021 (70)

Hubertus Gassner

29820
Commemorative Portrait of the King 17th-18th century
Commemorative Portrait of the King 17th-18th century

Kingdom of Benin, Nigeria

Latten brass

© MARKK

#1 2021 (70)

Gesa Grimme

29822
A puppet (kandina), created by Olugondo, Queen of Ondonga. About 1900
A puppet (kandina), created by Olugondo, Queen of Ondonga
About 1900

© Ethnologisches Museum, Staatliche Museen zu Berlin – Preussischer Kulturbesitz/Claudia Obrocki, 2019

#1 2021 (70)

Gesa Grimme

29824
“Gong” of Hassan bin Omari Makunganya
“Gong” of Hassan bin Omari Makunganya

Nickel-silver plate with an Arabic inscription that was used, among other things, as a talasimu (Swahili for talisman) during the war with Germany. Since 1896, it has been part of the collections of the Ethnological Museum

© Ethnologisches Museum, Staatliche Museen zu Berlin

#1 2021 (70)

Gesa Grimme

29826
Necklace
Necklace

Namibia, Herero

Acquired by the Museum in 1907 from Buttlar-Brandenfels

Photo: Dominik Drasdow

© Linden-Museum Stuttgart

#1 2021 (70)

Gesa Grimme

29828
Whip
Whip

Namibia

From the possessions of Hendrik Witbooi, captured by German invaders during the attack on Hornkranz in 1893

Foto: Dominik Drasdow

© Linden-Museum Stuttgart

#1 2021 (70)

Gesa Grimme

29830
“Spring” sculptural group
“Spring” sculptural group

Germany, Frankenthal

18th century

#2 2021 (71)

Svetlana Yurkova

30724
“Hercules Capturing the Cretan Bull” sculpture
“Hercules Capturing the Cretan Bull” sculpture

Germany, Meissen Porcelain Manufactory.

1740s-1760s

#2 2021 (71)

Svetlana Yurkova

30726
Pieces from a service with images of French farmers
Pieces from a service with images of French farmers

France, Paris, Denuelle Manufactory.

1830s

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30728
Pieces from a service with images of French farmers
Pieces from a service with images of French farmers

France, Paris, Denuelle Manufactory.

1830s

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30730
Pieces from a service with views of Paris and its suburbs
Pieces from a service with views of Paris and its suburbs

France, Dart Brothers Factory.

1800s-1820s

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30732
Pieces from a service with views of Paris and its suburbs
Pieces from a service with views of Paris and its suburbs

France, Dart Brothers Factory.

1800s-1820s

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30734
Plate from a dinner service with bird images
Plate from a dinner service with bird images

Germany, Meissen Porcelain Manufactory.

End of the 18th - early 19th century

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30736
Plate from a dinner service with bird images
Plate from a dinner service with bird images

Germany, Meissen Porcelain Manufactory.

End of the 18th - early 19th century

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30738
Plate
Plate

France, Manufacture Nationale de Sèvres

Last third - end of the 18th century

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30740
Plate
Plate

France, Manufacture Nationale de Sèvres

Last third - end of the 18th century

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30742
Pieces from services with Chinese scenes in the style of J.G. Herold
Pieces from services with Chinese scenes in the style of J.G. Herold

Germany, Meissen Porcelain Manufactory.

1723-1730

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30744
Pieces from a service with embossed flower pattern and image of a horseback ride
Pieces from a service with embossed flower pattern and image of a horseback rider

Germany, Meissen Porcelain Manufactory

About 1730

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30746
Pieces from a service with embossed flower pattern and image of a horseback ride
Pieces from a service with embossed flower pattern and image of a horseback rider

Germany, Meissen Porcelain Manufactory

About 1730

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30748
Plate from a dinner service with images of fantastical animals (Zubalov service)
Plate from a dinner service with images of fantastical animals (Zubalov service)

Painting by A.F. von Löwenfinck.

Germany, Meissen Porcelain Manufactory

About 1735

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30750
Plate from a dinner service with images of fantastical animals (Zubalov service)
Plate from a dinner service with images of fantastical animals (Zubalov service)

Painting by A.F. von Löwenfinck.

Germany, Meissen Porcelain Manufactory

About 1735

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova

30752
Pieces from the Arabesque service
Pieces from the Arabesque service

France, Manufacture Nationale de Sèvres

1792-1794

Museum of Ceramics, Kuskovo Memorial Estate

#2 2021 (71)

Svetlana Yurkova