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Golovin Alexander
Bratina (pot for wine) «Hen»
Majolica, relief, painting, glaze. 37 by 55.5 by 25 cm
Tretyakov Gallery
#1 2006 (10)
16404
Sketch of decorations for A. Koreshenko's ballet «The Magic Mirror»
1903
Paper, watercolour, gouache, pencil. 66.5 by 82.6 cm
Tretyakov Gallery
#1 2006 (10)
16405
Koschei the Immortal’s Kingdom. Sketch of the set for Igor Stravinsky’s ballet “Firebird”
1910
Black pencil, bronze paint, gouache on paper. 83 × 102.4 cm
Tretyakov Gallery
#3 2007 (16), #3 2009 (24), #3 2013 (40), #3 2014 (44)
16406
Girl and Porcelain (Frosya)
1916
Tempera on canvas. 146 × 97.2 cm
Tretyakov Gallery
#4 2008 (21), #3 2014 (44)
16407
Henrik Ibsen. The Lady from the Sea. Set design. Dr. Wangel’s House
1905
St. Petersburg, Imperial Mikhailovsky Theatre. 1905.
Pastel on paper over carton. 70 × 100 cm
© Bakhrushin Theatre Museum
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
16408
Self-portrait
1912
Tempera on paper mounted on cardboard. 88.6 × 68.9 cm
Tretyakov Gallery
#3 2014 (44)
16409
St. Sergius of Radonezh. School Years (The Young Bartholomew)
1895-1897
Oil on canvas. 101.7 × 142 cm
Private collection, © Christie’s Auction House
#3 2014 (44)
16410
The Palace for the Princess. Set design for “The Mermaid” opera by Alexander Dargomyzhsky
1900
Watercolour, gouache on cardboard. 59 × 82.3 cm
Museum of the Bolshoi Theatre
#3 2014 (44)
16411
Mirror in a Frame
Early 1900s
Wood, majolica, mirrored glass. 142 × 73.5 × 3.5 cm
Private collection, Moscow
#3 2014 (44)
16412
Birch Trees
1908-1910
Gouache on paper. 68.2 × 78.3 cm
Tretyakov Gallery
#3 2014 (44)
16413
Willows (Silver Willows)
1909
Tempera on canvas. 142.3 × 116.5 cm
Yaroslavl Art Museum
#3 2014 (44)
16414
Neskuchny Garden
1910s
Tempera on canvas. 106 × 106 cm
Radishchev Art Museum, Saratov
#3 2014 (44)
16415
Portrait of Mikhail Kuzmin
1910
Tempera, pastel on canvas. 170 × 110.8 cm
Tretyakov Gallery
#3 2014 (44)
16416
Portrait of Nicholas Roerich
1907
Pastel on canvas. 106.5 × 106.5 cm
Tretyakov Gallery
#3 2014 (44), #4 2017 (57)
16417
Cleopatra
1898
Thumbnail decorative majolica panel (for a side facade of the "Metropol" Hotel, Moscow)
Watercolour on paper. 23 × 62 cm (half-round top)
Polenov State Memorial History, Art and Natural Museum Park
#3 2014 (44)
16418
Portrait of Feodor Chaliapin as Farlaf Opera “Ruslan and Lyudmila” by Mikhail Glinka
1907
Tempera, distemper paint on cardboard. 53 × 39.3 cm
St. Petersburg State Museum of Theatre and Music
#3 2014 (44)
16419
Portrait of Feodor Chaliapin as Holofernes. Opera “Judith” by Alexander Serov
1908
Tempera, pastel on canvas. 163.5 × 212 cm
Tretyakov Gallery
#3 2014 (44)
16420
Wine-Bowl Shaped Like a Hen. From a sketch by Alexander Golovin
1898-1899
Majolica. 38.8 × 56 × 25 cm
Abramtsevo pottery workshop, Moscow
Abramtsevo State Historical-Artistic and Literary Museum
#3 2014 (44)
16421
Decorative Dish “The Firebird”. From a sketch by Alexander Golovin
1898–1899
Majolica. 60.7 × 52 × 7.7 cm
Abramtsevo pottery workshop, Moscow
Abramtsevo State Historical-Artistic and Literary Museum
#3 2014 (44), #4 2019 (65)
16422
Umbrian Valley
1910s
Tempera, pastel on canvas. 136 × 143 cm
Tretyakov Gallery
#3 2014 (44), #4 2019 (65)
16423
In the Old Park
1910s
Tempera on canvas. 96.8 х 96.6 cm
Tretyakov Gallery
#3 2014 (44)
16424
Landscape. Pavlovsk
1911
Tempera on canvas. 107 × 107 cm
Tretyakov Gallery
#3 2014 (44)
16425
Group Portrait of Employees of the St. Petersburg Imperial Theatres
1906
Tempera, pastel on canvas. 107 × 152 cm
Tretyakov Gallery
#3 2014 (44)
16426
Portrait of Valentina Kuza (?)
1900s
Tempera, gouache, pastel on canvas. 133 × 97.5 cm
Tretyakov Gallery
#3 2014 (44)
16427
Portrait of Yevfemia Nosova
No later than 1914
Oil, tempera, gouache, pastel on canvas. 285.5 × 209.5 cm
Historical Museum, Moscow
#3 2014 (44)
16428
Portrait of Dmitry Smirnov as Chevalier des Grieux
1909
Opera “Manon” by Jules Massenet. 1909
Oil on canvas. 210 × 116 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16429
Overgrown Swamp
1917
Tempera on canvas. 196.5 × 125 cm
Tretyakov Gallery
#3 2014 (44)
16430
Main Curtain (with playing cards). Set designs. “Masquerade” by Mikhail Lermontov
1917
Alexandrinsky Theatre. Petrograd. 1917
Gouache, silver and bronze paint on cardboard, ink, reed pen. 71.9 × 90.4
Bakhrushin Theatre Museum
#3 2014 (44)
16431
Baroness (Domino). Costume designs. “Masquerade” by Mikhail Lermontov
1917
Scene 2
Alexandrinsky Theatre. Petrograd. 1917
Paper on cardboard, graphite pencil, watercolour, silver paint, ink, pen. 39.8 × 29 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16432
Nina (Domino)
1917
Scene 2
Costume designs. “Masquerade” by Mikhail Lermontov
Alexandrinsky Theatre. Petrograd. 1917
Paper on cardboard, graphite pencil, watercolour, white and silver paint, ink, pen. 39.8 × 28.9 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16433
Domino with a Rose
1917
Costume designs. “Masquerade” by Mikhail Lermontov
Scene II
Graphite pencil, watercolour, silver paint, ink, pen on paper mounted on cardboard. 34.6 × 29.1 cm
Bakhrushin Theatre Museum
#3 2014 (44)
16434
Portrait of Feodor Chaliapin as Boris Godunov in Mussorgsky’s “Boris Godunov”
1912
Tempera, glue paint, gouache, pastel, chalk, gold, silver foil on canvas.
211.5 x 139.5 cm
Russian Museum
#3 2014 (44)
16435
A View at Detskoe Selo
1920s
Tempera on canvas. 148 × 91 cm
Russian Museum
#3 2014 (44)
16436
A River in a Forest
1908-1910
Tempera on cardboard. 99 × 80 cm
Russian Museum
#3 2014 (44)
16437
View in the Park. Landscape with а Blue Pavilion
1910
Tempera, gouache on canvas. 178 × 169 cm
Russian Museum
#3 2014 (44)
16438
Portrait of Count Vladimir Kankrin
1909
Tempera and pastel on canvas. 89 × 89 cm
Russian Museum
#3 2014 (44)
16439
Portrait of Nadezhda Dobychina
1920
Tempera on canvas. 97.4 × 99.5 cm
Russian Museum
#3 2014 (44)
16440
A General View of the Stage
1910
Set design for Molière’s “Don Juan” at the Alexandrinsky Theatre in 1910
Tempera on canvas. 77 × 99.5 cm
Russian Museum
#3 2014 (44), #4 2019 (65)
The Art of Alexander Golovin in the Russian Museum
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16441
Dinner in Laura’s House
1917
Set design for Dargomyzhsky’s opera “The Stone Guest” at the Mariinsky Theatre in 1917. Act 2
Oil on plywood. 76 × 111 cm
Russian Museum
#3 2014 (44)
16442
A Spanish Woman in Green
1906-1907
Tempera, gouache on cardboard. 85 × 68 cm
Russian Museum
#3 2014 (44), #4 2015 (49)
16443
A Spanish Woman on a Balcony
1911
Tempera on canvas. 141.5 × 88.5 cm
Russian Museum
#3 2014 (44), #4 2015 (49)
16444
Portrait of Erich Gollerbakh
1923
Tempera on canvas. 84 × 75 cm
Russian Museum
#3 2014 (44)
16445
A Spanish Woman in Red
1906-1907
Pastel, tempera, gouache on canvas. 70 × 70 cm
Russian Museum
#3 2014 (44), #4 2015 (49)
16446
A Spanish Woman with a Bunch of Yellow Flowers
1906-1907
Tempera, gouache, pastel on paper. 89 × 62 cm
Russian Museum
#3 2014 (44), #4 2015 (49)
16447
Portrait of Marina Makovskaya
1912
Tempera and pastel on canvas. 194 × 97 cm
Russian Museum
#3 2014 (44)
16448
A Spanish Woman in a Black Shawl
1908
Gouache, pastel on cardboard. 96.5 × 68.7 cm
Tretyakov Gallery
#3 2014 (44), #4 2015 (49)
16449
Birches at Night
1908-1910
Gouache on paper on cardboard. 78 × 70.3 cm
Tretyakov Gallery
#3 2014 (44), #4 2019 (65)
Alexander Golovin's Art Nouveau: Behind the Curtain of Style
Yelena Terkel
"Your Work is Somehow True..." Alexander Golovin and Yelena Polenova
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16450
Floral pattern. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16451
Floral pattern. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16452
Floral pattern
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16453
Floral ornament. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, colour pencils on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16454
Floral pattern. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16455
Ornament. Detail
1929-1930
Folder with fabric patterns and colourings to “Othello”, tragedy by William Shakespeare (1930).
Watercolour, pencil on paper on cardboard
Moscow Art Theatre Museum
#3 2014 (44)
16456
Marquise
1908
Pastel on paper. 86 × 62 cm
Fine Arts Museum of the Republic of Tatarstan, Kazan
#3 2014 (44), #2 2018 (59)
16457
Worship of Nature
1898-1905
Decorative mural on the facade of the Metropol Hotel (1898-1905), Moscow
#3 2014 (44)
16458
Sketch of decorative mural “Orpheus Playing” for the Metropol Hotel
1901
“Mir Iskusstva” magazine. 1901. No. 11-12. P. 151
#3 2014 (44)
16459
Eurydice’s tomb in a reclusive grove of laura and cypresses
1911
Act 1 set design to “Orpheus and Eurydice”, opera by Christoph von Gluck
Watercolour, charcoal, pastel on paper. 69.7 × 97 cm
Tretyakov Gallery
#3 2014 (44)
16460
Portrait of Ballerina Yelena Smirnova
1910
Gouache, pastel on canvas. 103.5 × 104 cm
Tretyakov Gallery
#3 2014 (44)
16461
Desdemona’s Bedroom
1929
Set design to “Othello”, tragedy by William Shakespeare (1930)
Tempera on plywood. 69 × 100 cm
Moscow Art Theatre Museum
#3 2014 (44)
16462
Autumn
1920s
Tempera on canvas. 136 × 136 cm
Russian Museum
#3 2014 (44)
16463
The Kingdom of Eros
1911
Final episode.
Set design to “Orpheus and Eurydice”, opera by Christoph von Gluck. 1911
Watercolour, gouache on cardboard. 69.8 × 97.3 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16464
Balcony in the Castle
1927
Set design to Scene 5 of “The Marriage of Figaro”, comedy by Pierre Beaumarchais. 1927
Tempera on plywood. 73 × 87 cm
Moscow Art Theatre Museum
#3 2014 (44)
16465
Elysium
1911
Scene 2. Act 2
Set design to “Orpheus and Eurydice”, opera by Christoph von Gluck. 1911
Watercolour on paper. 63.9 × 90.4 cm (without frame)
© Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Alexander Golovin's Art Nouveau: Behind the Curtain of Style
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16466
Marceline’s Room
1927
Set design to Scene 10 of “The Marriage of Figaro”, comedy by Pierre Beaumarchais. 1927
Tempera on plywood. 66.5 × 80 cm
Moscow Art Theatre Museum
#3 2014 (44)
16467
Portrait of Maria Troyanova
1916
Tempera, gouache on canvas. 210.5 × 116 cm
National Art Museum of the Republic of Belarus, Minsk
#3 2014 (44)
16468
Night Forest
1910s
Tempera on canvas. 64 × 100 cm
Russian Museum
#3 2014 (44)
16469
The Senate
1929
Scene 3. Act 1
Set design to “Othello”, tragedy by William Shakespeare (1930). 1929
Tempera on wood. 70 × 99 cm
Moscow Art Theatre Museum
#3 2014 (44)
16470
The Hall of the Facets
1911
Set design to "Boris Godunov", opera by Modest Mussorgsky
Mariinsky Theatre, St. Petersburg, 1911
Tempera on cardboard. 60.6 × 99 cm
Saratov Art Museum
#3 2014 (44)
16471
A Square in the Kremlin
1908
Set design to "Boris Godunov", opera by Modest Mussorgsky
"Ballets Russes", Paris, 1908
Watercolour, gouache, bronze and silver paint, pastel on cardboard. 66.5 × 81.5 cm (without frame)
Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Golovin and Diaghilev. Pro et contra
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16472
A Square in the Kremlin
1911
Set design to "Boris Godunov", opera by Modest Mussorgsky
Mariinsky Theatre. St. Petersburg, 1911
Tempera on paper mounted on cardboard. 64.5 × 83 cm
Russian Museum
#3 2014 (44)
16473
Side curtain
1921
Set design "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 40 cm
Russian Museum
#3 2014 (44)
16474
Stage portal
1921
Stage portal
Set design "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 39.9 cm
St. Petersburg State Museum of Theatre and Music
#3 2014 (44)
16475
Background
1921
Set design "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30.9 × 37.4 cm
Russian Museum
#3 2014 (44)
16476
Kashchey
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16477
Kikimora
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16478
Kashchey's servant
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16479
Kashchey's Wife
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16480
Kashchey's Wife
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16481
Kashchey's Guard
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16482
Werewolf
1921
Costume design to "The Firebird", ballet by Igor Stravinsky
Mariinsky Theatre, Petrograd, 1921
Watercolour, gouache, ink, pen on paper. 30 × 20 cm
© Harvard University Library
#3 2014 (44)
16483
Chamberlain
1919
Costume design to "The Nightingale", opera by Igor Stravinsky
Mariinsky Theatre, 1919
Watercolour on paper mounted on cardboard. 46 × 26 cm
Kgallery, St. Peterburg
#3 2014 (44), #4 2019 (65)
Golovin and Diaghilev. Pro et contra
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16484
A Tatar Woman
1917
Costume design to "Masquerade", drama by Mikhail Lermontov
Alexandrinsky Theatre. Petrograd, 1917
Lead pencil, ink, pen, watercolour, whitewash, bronze paint on paper mounted on cardboard. 34.9 × 31.3 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16485
A Man from Bukhara
1917
Costume design to "Masquerade", drama by Lermontov
Alexandrinsky Theatre. Petrograd, 1917
Lead pencil, ink, pen, watercolour, whitewash on paper mounted on cardboard. 35 × 31.1 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16486
Cashmere Dame
1917
Эскиз костюма к драме М.Ю. ЛерMонтова «Маскарад»
Александринский театр, Петроград, 1917
Бумага на картоне, графитный карандаш, тушь, перо, акварель, серебряная и бронзовая краски. 35,1 × 31,3
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16487
Vivandiere
1917
Costume design to "Masquerade", drama by Mikhail Lermontov
Lead pencil, ink, lead pencil, watercolour, whitewash, bronze paint on paper mounted on cardboard. 35.1 × 31.3 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16488
At Baroness Shtral’s
1917
Set design to "Masquerade", drama by Mikhail Lermontov
Alexandrinsky Theatre, Petrograd, 1917
Gouache, silver paint, pastel, ink, cane pen on cardboard. 63.5 × 93.2 (without frame)
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16489
Coviello
1917
Costume design to "Masquerade", drama by Mikhail Lermontov
Alexandrinsky Theatre, Petrograd, 1917
Lead pencil, ink, pen, watercolour, whitewash, bronze and silver paint on paper. 35 × 31 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16490
Badr al-Budur
1917
Costume design to "Masquerade", drama by Mikhail Lermontov
Alexandrinsky Theatre, Petrograd, 1917
Lead pencil, ink, pen, watercolour, whitewash, silver paint on paper mounted on cardboard. 35 × 31.1 cm
Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16491
Portrait of Vsevolod Meyerhold
1917
Tempera on wood. 80 × 67 cm
The Glinka National Museum Consortium of Musical Culture
#3 2014 (44)
16492
Boulevard by the Volga
1916
Set design. "The Storm" by Alexander Ostrovsky (Director: Vsevolod Meyerhold)
Alexandrinsky Theatre. Petrograd, 1916
Gouache on cardboard. 69.4 × 98.2 cm (without frame)
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16493
Ravine
1916
Set design. "The Storm" by Alexander Ostrovsky
Alexandrinsky Theatre. Petrograd, 1916
Gouache on cardboard. 69.8 × 98.8 cm (without frame)
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16494
Feklusha
1916
Costume design. "The Storm" by Alexander Ostrovsky
Alexandrinsky Theatre. Petrograd, 1916
Ink, gouache, watercolour on paper mounted on cardboard. 34.7 × 29.1 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16495
Varvara
1916
Costume design. "The Storm" by Alexander Ostrovsky
Alexandrinsky Theatre. Petrograd, 1916
Watercolour, ink, whitewash on paper. 34.3 × 28.7 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16496
Kudryash (Curly-Haired)
1916
Costume design. "The Storm" by Alexander Ostrovsky.
Alexandrinsky Theatre. Petrograd, 1916
Watercolour, ink on paper. 34.3 × 28.7 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16497
Smeraldina
1917
Costume design. “Masquerade” by Mikhail Lermontov. Scene 2
(Director: Vsevolod Meyerhold. Composer: Alexander Glazunov)
Alexandrinsky Theatre. Petrograd, Premiered on February 25, 1917
Silver paint, ink and watercolour, whitewash, graphite pencil and pen on paper on cardboard. 34 × 31,2 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16498
Mauve Domino
1917
Costume design. “Masquerade” by Mikhail Lermontov. Scene 2
(Director: Vsevolod Meyerhold. Composer: Alexander Glazunov)
Alexandrinsky Theatre. Petrograd, Premiered on February 25, 1917
Graphite pencil, ink and watercolour and pen on paper on cardboard. 35 × 31.3 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16499
The Scene with Card Players
1917
“Masquerade” by Mikhail Lermontov
Set design. Scene 1
(Director: Vsevolod Meyerhold. Composer: Alexander Glazunov)
Alexandrinsky Theatre. Petrograd, Premiered on February 25, 1917
Gouache, silver paint on cardboard, ink, reed pen. 68.7 × 97.5 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16500
Sketch of the Curtain for Scene 8 (Ballroom)
1917
“Masquerade” by Mikhail Lermontov
(Director: Vsevolod Meyerhold. Composer: Alexander Glazunov)
Alexandrinsky Theatre. Petrograd, Premiered on February 25, 1917
Gouache, silver and bronze paint on cardboard, ink, reed pen. 77.5 × 95.2 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16501
Dwarf
“Masquerade” by Mikhail Lermontov
Costume design. Scene 2
Graphite pencil, watercolour, white paint on paper, ink, pen. 34.5 × 28.9 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16502
Jester
“Masquerade” by Mikhail Lermontov
Costume design. Scene 2
Graphite pencil, watercolour, silver paint on paper, ink, pen. 35.2 × 30.7 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16503
Domino
“Masquerade” by Mikhail Lermontov
Costume design. Scene 2
Paper on cardboard, graphite pencil, watercolour, white and silver paint, ink, pen. 34.6 × 29.1 cm
Сollection of the Bakhrushin Theatre Museum, Moscow
#3 2014 (44)
16504
Masquerade Hall
“Masquerade” by Mikhail Lermontov
Set design. Scene 2
Gouache, silver and bronze paint on cardboard, ink, reed pen. 70 × 100 cm
#3 2014 (44)
16505
Blue Pierrot
“Masquerade” by Mikhail Lermontov
Costume design. Scene 2
Alexandrinsky Theatre, Petrograd, premiered February 25 1917
Pencil, watercolour, ink, pen, bronze on paper
34.5 × 30.9 cm
© Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16506
Turk
“Masquerade” by Mikhail Lermontov
Costume design. Scene 2
Graphite pencil, watercolour, white, bronze and silver paint on paper, ink, pen. 34.5 × 30.9 cm
#3 2014 (44)
16507
Sprich
“Masquerade” by Mikhail Lermontov
Costume design. Scenes 1, 2 ,4, 5
Graphite pencil, watercolour, ink, pen, whitewash, silver and bronze on paper
37.4 × 28.7 cm
#3 2014 (44)
16508
Arbenin
“Masquerade” by Mikhail Lermontov
Costume design. Scenes 1, 2 ,8, 9
Graphite pencil, watercolour, ink, pen, silver and bronze on paper. 34.5 × 30.9 cm
#3 2014 (44)
16509
Zvezdich’s House
“Masquerade” by Mikhail Lermontov
Set design. Scene 6
Gouache, silver paint on cardboard. 67.5 × 97.2 cm
#3 2014 (44)
16510
Arbenin’s Study
“Masquerade” by Mikhail Lermontov
Set design. Scene 5
Gouache, silver paint, pastel on cardboard, ink, reed pen. 63.5 × 93.2 cm
#3 2014 (44)
16511
Ball Scene
“Masquerade” by Mikhail Lermontov
Set design. Scene 8
Alexandrinsky Theatre, Petrograd, premiered February 25 1917
Gouache, silver and bronze paint, ink, reed pen on cardboard
71.2 × 102.2 cm
© Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16512
Nina
“Masquerade” by Mikhail Lermontov
Costume design. Scenes 8 and 9
Graphite pencil, watercolour, white paint, silver and bronze paint on paper, ink. 39.9 × 28.9 cm
#3 2014 (44)
16513
Prince Zvezdich
“Masquerade” by Mikhail Lermontov
Costume design. Scenes 6 and 8
Graphite pencil, watercolour, silver paint, ink, pen on paper on cardboard. 35.8 × 29.1 cm
#3 2014 (44)
16514
Countess’s Bedroom
Set design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Tempera on plywood. 73 × 87 cm
Moscow Art Theatre Museum
#3 2014 (44)
16515
Cherubino
Costume design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Gouache, ink, pen on paper. 35 × 25 cm
Moscow Art Theatre Museum
#3 2014 (44)
16516
Marceline
Costume design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Gouache, ink, pen on paper. 36 × 26 cm
Moscow Art Theatre Museum
#3 2014 (44)
16517
The Senate
Set design for “Othello ”, tragedy by William Shakespeare
Scene 3. Act 1
Tempera on wood. 70 × 99 cm
Moscow Art Theatre Museum
#3 2014 (44)
16518
Garden (2nd angle). Scene 11
Set design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Tempera on plywood. 67 × 79 cm
Moscow Art Theatre Museum
#3 2014 (44)
16519
Suzanne
Costume design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Gouache, ink, pen on paper. 34.5 × 26 cm
Moscow Art Theatre Museum
#3 2014 (44)
16520
Figaro
Costume design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Gouache, ink, pen on paper. 35.5 × 25.5 cm
Moscow Art Theatre Museum
#3 2014 (44)
16521
Сount
Costume design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Gouache, ink, pen on paper. 34.5 × 25 cm
Moscow Art Theatre Museum
#3 2014 (44)
16522
Сountess
Costume design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais
Gouache, ink, pen on paper. 35 × 25.5 cm
Moscow Art Theatre Museum
#3 2014 (44)
16523
Castle balcony
Set design for “The Marriage of Figaro, or The Day of Madness”, comedy by Pierre Beaumarchais. Scene 5
Tempera on plywood. 73 × 87 cm
Moscow Art Theatre Museum
#3 2014 (44)
16524
Courtyard Pool
Set design for “Othello ”, tragedy by William Shakespeare
Scene 1. Act 3
Tempera on wood. 81 × 67 cm
Moscow Art Theatre Museum
#3 2014 (44)
16525
Othello
Costume design for “Othello ”, tragedy by William Shakespeare
Watercolour, whitewash, lead pencil on paper. 37.5 × 25 cm
Moscow Art Theatre Museum
#3 2014 (44)
16526
Desdemona
Costume design for “Othello ”, tragedy by William Shakespeare
Watercolour, whitewash, lead pencil on paper. 38.7 × 30 cm
Moscow Art Theatre Museum
#3 2014 (44)
16527
Musicians
Costume design for “Othello ”, tragedy by William Shakespeare
Watercolour, whitewash, lead pencil on paper. 36 × 33 cm
Moscow Art Theatre Museum
#3 2014 (44)
16528
Remendado
1908
Male costume design to “Carmen”, opera by Georges Bizet, stage director Vasily Shkafer
Acts 2,3
Imperial Mariinsky Theatre, St. Petersburg, premiere 1908
Watercolour, pencil on cardboard. 32.1 × 24.1 cm
© Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Alexander Golovin's Work for the Theatre and Alexei Bakhrushin
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16529
Arbenin. No. 89
1917
Male costume design to “Masquerade”, drama by Lermontov, stage director Vsevolod Meyerhold
Scenes 5, 6, 7, 10
Alexandrinsky Theatre, St. Petersburg, premiere on February 25, 1917
Lead pencil, ink, pen. 39.8 × 28.9 cm
#3 2014 (44)
16530
Design of side curtain to “Eugene Onegin”, opera by Tchaikovsky (1925)
1925
(production was not realised)
Pencil, tempera on plywood. 74 × 87.5 cm
#3 2014 (44)
16531
Set design (development version) to “The Nightingale”, opera by Igor Stravinsky
1918
Stage director Vsevolod Meyerhold, conductor Albert Coates
Mariinsky Theatre, Petrograd, premiere May 30, 1918
Watercolour, pencil, gouache, ink. 54.5 × 65 cm
© Bakhrushin Theatre Museum, Moscow
#3 2014 (44), #4 2019 (65)
Alexander Golovin's Work for the Theatre and Alexei Bakhrushin
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16532
Portrait of Golovin-Kotova
Reverse: identical
Lead pencil on paper. 28.6 × 19.7 cm
#3 2014 (44)
16533
Feodor Chaliapin as Mephistopheles in “Faust”, opera by Charles-François Gounod, George Barbier and Michel Carré
Imperial Bolshoi Theatre, Moscow, 1905
Oil on canvas. 350 × 140.7 cm (frame)
#3 2014 (44)
16534
Set design to Rimsky-Korsakov’s opera “The Maid of Pskov”
1901
Director R. Vasilevsky
Act 2, scene 2
Imperial Bolshoi Theatre, Moscow, 1901
Gouache, bronze paint on cardboard. 51.2 cm × 92.2 cm (without frame); 66.1 × 107.4 cm (frame)
#3 2014 (44)
16535
Parts of set model for “La Traviata”, opera by Verdi
1925
Odessa National Academic Theatre of Opera and Ballet, Ukraine, 1925 (production was not realised)
Watercolour, pencil on cardboard
#3 2014 (44)
16536
Yury Bakhrushin in childhood
1897
Black chalk, charcoal on cardboard. 85 × 63.5 cm
#3 2014 (44)
16537
Female costume design for “Ruslan and Lyudmila”, Оpera by Glinka
1904
Stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, graphite pencil on paper. 37.5 × 27.3 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16538
Female costume design for “Ruslan and Lyudmila”, Оpera by Glinka
1904
Stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, graphite pencil on paper. 37.5 × 27.2 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16539
Female costume design for “Ruslan and Lyudmila”, Оpera by Glinka
1904
Stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, graphite pencil on paper. 37.7 × 27.8 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16540
Male costume design for the dance “Lezghinka”
1904
Сostume design for “Ruslan and Lyudmila”, Оpera by Glinka, stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Pencil, watercolour, gouache, bronze paint on paper. 35 × 25.7 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16541
Lyudmila’s costume design. Act 3
1904
Сostume design for “Ruslan and Lyudmila”, Оpera by Glinka, stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Pencil, watercolour, whitewash on paper. 33.1 × 25.1 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16542
Female costume design. Act 4. Chorus
1904
Сostume design for “Ruslan and Lyudmila”, Оpera by Glinka, stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, lead pencil on paper. 37.5 × 27.2 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16543
Female costume design
1904
Сostume design for “Ruslan and Lyudmila”, Оpera by Glinka, stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, lead pencil, golden paint on paper. 37.5 × 27.2 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16544
Lezghinka
1904
Сostume design for “Ruslan and Lyudmila”, Оpera by Glinka, stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, gouache, graphite pencil, whitewash, golden paint on paper. 35.8 × 25.5 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16545
Female costume design. Act 4. Chorus, Tchernomor's retinue
1904
Сostume design for “Ruslan and Lyudmila”, Оpera by Glinka, stage director Osip Palecek
Imperial Mariinsky Theatre, St. Petersburg, premiere on December 10 1904
Watercolour, whitewash, graphite pencil on paper. 37.5 × 27.4 cm
© The Museum of Theatre and Music, St. Petersburg
#3 2014 (44)
16546
Portrait of Gurly Telyakovskaya
1910s
Watercolour, pencil on paper. 21 × 13 cm
#3 2014 (44)
16547
In an Icon-Painting Workshop. An Old Russian Icon Painter
1894
Pastel and tempera on paper glued to cardboard. 63 × 42 cm
Tretyakov Gallery
#3 2014 (44)
16548
Sadness. Crescent Moon
1894
Oil on canvas. 153.3 × 73.5 cm
Tver Regional Picture Gallery
#3 2014 (44)
16549
Phloxes
1911
Gouache on paper glued to cardboard. 107 × 85.2 cm
Tretyakov Gallery
#3 2014 (44), #4 2019 (65)
"Your Work is Somehow True..." Alexander Golovin and Yelena Polenova
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16550
Transfiguration of Jesus (based on Alexander Ivanov’s biblical sketch)
1894
A mural for the Chizhov Agricultural Vocational School of Kologriv in Kostroma Province. 1894
Oil on canvas. 169 × 244 c
Tretyakov Gallery
#3 2014 (44)
16551
Draft of the cover of the “Mir Iskusstva” (World of Art) magazine
1899
Reprinted from “Mir Iskusstva” (World of Art) magazine. Issue 23-24, 1899
#3 2014 (44)
16552
Design of a carpet
1899
Reprinted from “Mir Iskusstva” (World of Art) magazine. Issue 10, 1899
#3 2014 (44)
16553
Alexander Golovin’s head-piece decoration (based on a theme suggested by Yelena Polenova)
1899
To the article of N.Borok [N.Polenova]
Reprinted from “Mir Iskusstva” (World of Art) magazine. Issue 18-19, 1899
#3 2014 (44)
16554
Draft of the dining-room for Maria Yakunchikova’s country seat in Nara
1898-1899
Reprinted from “Mir Iskusstva” (World of Art) magazine. Issue 23-24, 1899
#3 2014 (44)
16555
A Spanish Woman with a Cigarette
1906-1907
Tempera, pastel on paper. 92 × 68 cm
Astrakhan Picture Gallery
#4 2015 (49)
16556
Cordoba
1897
Gouache, white and watercolour on cardboard. 37.5 × 51 cm
Russian Museum
#4 2015 (49), #4 2019 (65)
Brad Rosenstein, Kathryn Mederos Syssoyeva
Staging the Future. Meyerhold and Golovin’s lost production of “The Nightingale”
16557
A Spanish Woman
1906-1907
Gouache, charcoal on cardboard. 98 × 79 cm
Saratov Art Museum
#4 2015 (49)
16558
A Spanish Woman in White
1906-1907
Gouache, watercolour, white on paper. 100 × 66 cm
Ivanov Regional Art Museum
#4 2015 (49)
16559
Sketch of the costume design for Don Juan
1917
For the opera “The Stone Guest” by Alexander Dargomyzhsky.
Mariinsky Theatre. Petrograd. 1917.
Ink, tempera, gold paint, whitewash on paper. 39.5 × 29 cm
#1 2016 (50)
16560
Portrait of Yeghishe Tatevosyan in Bedouin Headdress
1890s
Oil on canvas
55.8 × 47.1 cm
Private collection, Moscow
#3 2019 (64)
26067
Set design for the Porcelain Palace of the Emperor of China, Act II, “The Nightingale”
1918
Watercolour and gouache on paper
46 × 94 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26905
Set design for Act III, “The Nightingale”
1918
Watercolour and gouache on paper
58.5 × 79 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26907
Set design for backdrop, Act I, “The NIghtingale”
1918
Watercolour and gouache on paper
53.5 × 83.3 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26909
Monogram on designs for “The Nghtingale”
1918
Ink on paper
© Sam Sargent Photography
Private collection
#4 2019 (65)
26911
Costume designs for children in procession, “The Nghtingale”
1918
Watercolour, gouache, ink on paper
22.8 × 33 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26913
Costume design for the Nightingale (singing), “The Nightingale”
1918
Pencil, watercolour, white wash, and ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26915
Costume design for the Little Cook Girl, “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26917
Costume design for the Emperor, “The Nghtingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26919
Costume design for the Fisherman (singing), “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26921
Costume design for the Court Ladies I, “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26923
Costume design for the Fisherman (non-singing), “The Nightingale”
1918
Watercolour and ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26925
Costume design for Women’s Chorus (sopranos and altos), “The Nightingale”
1918
Pencil, watercolour, gouache and ink on paper. 31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26927
Costume design for the Chamberlain, “The Nightingale”
1918
Watercolour, ink on paper. 31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26929
Costume design for Bearers of the Emperor, “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26931
Costume design for the Court Ladies II, “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26933
Costume design for the Courtiers (tenors), “The Nightingale”
1918
Watercolour, gouache,ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26935
Costume design for Men’s Chorus (basses), “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26937
Costume design for Extras with Accessories, “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26939
Costume design for the Young Japanese Servants, “The Nightingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26941
Costume design for the First and Second Japanese Ambassadors, “The Nightingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26943
Costume design for the Third Japanese Ambassador, “The Nightingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26945
Costume design for Men’s Chorus (tenors), “The Nightingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26947
Costume design for the Court Footman, “The Nightingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26949
Costume design for the Bonze, “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26951
Set design for the Emperor’s Bedroom, detail, Act III, “The Nightingale”
1918
Watercolour and ink on paper, mounted on colored paper
25.5 × 19 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26953
Costume design for an Attendant at the Funerary Procession, “The Nightingale”
1918
Watercolour, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26955
Costume design for Death (non-singing), “The Nightingale”
1918
Watercolour, gouache, ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26957
Design for a plant in the Emperor’s garden I, “The Nightingale”
1918
Pencil and watercolour on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26959
Design for a plant in the Emperor’s garden II, “The Nightingale”
1918
Pencil, watercolour, gouache and ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26961
Design for a plant in the Emperor’s garden III, “The Nightingale”
1918
Watercolour, gouache and ink on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26963
Design for a plant in the Emperor’s garden IV, “The Nightingale”
1918
Pencil, gouache, and watercolour on paper
31.8 × 24.2 cm
© Sam Sargent Photography
Private collection
#4 2019 (65)
26965